| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2644 |
| Prevalence of Second Most Common Vertical Interval |
0.1913 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.7237 |
| Vertical Unisons |
0.06957 |
| Vertical Minor Seconds |
0.005119 |
| Vertical Thirds |
0.2646 |
| Vertical Tritones |
0.01159 |
| Vertical Perfect Fourths |
0.1035 |
| Vertical Perfect Fifths |
0.1913 |
| Vertical Sixths |
0.1132 |
| Vertical Sevenths |
0.01789 |
| Vertical Octaves |
0.1948 |
| Perfect Vertical Intervals |
0.5592 |
| Vertical Dissonance Ratio |
0.06714 |
| Vertical Minor Third Prevalence |
0.7362 |
| Vertical Major Third Prevalence |
0.7351 |
| Chord Duration |
1.648 |
| Partial Chords |
0.04693 |
| Standard Triads |
0.6675 |
| Diminished and Augmented Triads |
0.05266 |
| Dominant Seventh Chords |
0.0103 |
| Seventh Chords |
0.02061 |
| Non-Standard Chords |
0.265 |
| Complex Chords |
0.01603 |
| Minor Major Triad Ratio |
0.2146 |
| Average Number of Simultaneous Pitch Classes |
3.099 |
| Variability of Number of Simultaneous Pitch Classes |
0.5096 |
| Average Number of Simultaneous Pitches |
4.827 |
| Variability of Number of Simultaneous Pitches |
1.324 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1668 |
| Stepwise Motion |
0.5297 |
| Melodic Thirds |
0.1043 |
| Melodic Perfect Fourths |
0.09494 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.06309 |
| Melodic Sixths |
0.001874 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01187 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.257 |
| Melodic Embellishments |
0.01989 |
| Direction of Melodic Motion |
0.514 |
| Average Length of Melodic Arcs |
1.784 |
| Average Interval Spanned by Melodic Arcs |
5.097 |
| Melodic Pitch Variety |
4.451 |
| Mean Melodic Interval |
2.325 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.3629 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5353 |
| Amount of Arpeggiation |
0.3735 |
| Repeated Notes |
0.1943 |
| Importance of Middle Register |
0.7452 |
| Importance of High Register |
0.08763 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
62.09 |
| Mean Pitch Class |
5.004 |
| Most Common Pitch |
60.0 |
| Most Common Pitch Class |
5.0 |
| Prevalence of Most Common Pitch |
0.1044 |
| Prevalence of Most Common Pitch Class |
0.2256 |
| Relative Prevalence of Top Pitches |
0.9881 |
| Relative Prevalence of Top Pitch Classes |
0.876 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
7.631 |
| Pitch Class Variability |
3.442 |
| Pitch Class Variability After Folding |
4.408 |
| Pitch Skewness |
0.2221 |
| Pitch Class Skewness |
0.00325 |
| Pitch Class Skewness After Folding |
1.199 |
| Pitch Kurtosis |
5.279 |
| Pitch Class Kurtosis |
4.819 |
| Pitch Class Kurtosis After Folding |
4.498 |
| Major or Minor |
0.0 |
| First Pitch |
65.0 |
| First Pitch Class |
5.0 |
| Last Pitch |
41.0 |
| Last Pitch Class |
5.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
28.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
38.0 |
| Importance of Bass Register |
0.1672 |
| Note Density per Quarter Note |
1.828 |
| Note Density per Quarter Note per Voice |
0.2286 |
| Note Density per Quarter Note Variability |
0.8729 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.003729 |
| Prevalence of Medium Rhythmic Values |
0.5687 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7607 |
| Prevalence of Very Long Rhythmic Values |
0.1361 |
| Prevalence of Dotted Notes |
0.1013 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.108 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3294 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7151 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.3 |
| Rhythmic Value Skewness |
1.444 |
| Rhythmic Value Kurtosis |
8.254 |
| Mean Rhythmic Value Run Length |
1.574 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.03 |
| Mean Rhythmic Value Offset |
0.04692 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.4874 |
| Complete Rests Fraction |
0.0004952 |
| Partial Rests Fraction |
0.6858 |
| Average Rest Fraction Across Voices |
0.2794 |
| Longest Complete Rest |
0.4358 |
| Longest Partial Rest |
59.76 |
| Mean Complete Rest Duration |
0.4358 |
| Mean Partial Rest Duration |
12.3 |
| Median Complete Rest Duration |
0.4358 |
| Median Partial Rest Duration |
7.968 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
12.72 |
| Variability Across Voices of Combined Rests |
21.66 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5594 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2247 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.49 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7841 |
| Rhythmic Variability - Tempo Standardized |
0.05015 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
1609.0 |
| Initial Tempo |
100.0 |
| Average Variability of Time Between Attacks for Each Voice |
3.553 |
| Minimum Note Duration |
0.3 |
| Maximum Note Duration |
14.4 |
| Average Note Duration |
1.899 |
| Variability of Note Durations |
1.516 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
2.0 |
| Number of Moderate Rhythmic Pulses |
2.0 |
| Number of Relatively Strong Rhythmic Pulses |
2.0 |
| Mean Tempo |
99.86 |
| Strongest Rhythmic Pulse |
50.0 |
| Second Strongest Rhythmic Pulse |
100.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.7188 |
| Strength of Second Strongest Rhythmic Pulse |
0.2732 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
2.631 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.992 |
| Rhythmic Variability |
0.06047 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
3.013 |
| Duration in Seconds |
530.1 |
| Note Density |
3.035 |
| Note Density Variability |
1.524 |
| Average Time Between Attacks |
0.8816 |
| Average Time Between Attacks for Each Voice |
2.583 |
| Variability of Time Between Attacks |
0.4731 |
| Maximum Number of Independent Voices |
8.0 |
| Relative Range of Loudest Voice |
0.4474 |
| Relative Range Isolation of Loudest Voice |
0.0 |
| Relative Range of Highest Line |
0.4474 |
| Relative Note Density of Highest Line |
0.358 |
| Relative Note Durations of Lowest Line |
1.229 |
| Relative Size of Melodic Intervals in Lowest Line |
1.067 |
| Voice Overlap |
0.9988 |
| Voice Separation |
3.0 |
| Variability of Voice Separation |
2.16 |
| Parallel Motion |
0.03433 |
| Average Number of Independent Voices |
5.763 |
| Similar Motion |
0.1341 |
| Contrary Motion |
0.1316 |
| Oblique Motion |
0.6999 |
| Parallel Fifths |
0.001271 |
| Parallel Octaves |
0.006357 |
| Variability of Number of Independent Voices |
1.881 |
| Voice Equality - Number of Notes |
40.54 |
| Voice Equality - Note Duration |
13.05 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.3536 |
| Voice Equality - Range |
2.204 |
| Importance of Loudest Voice |
0.0 |