Distance Between Two Most Common Vertical Intervals |
7.0 |
Prevalence of Most Common Vertical Interval |
0.2105 |
Prevalence of Second Most Common Vertical Interval |
0.2012 |
Prevalence Ratio of Two Most Common Vertical Intervals |
0.9556 |
Vertical Unisons |
0.0444 |
Vertical Minor Seconds |
0.003506 |
Vertical Thirds |
0.3024 |
Vertical Tritones |
0.006011 |
Vertical Perfect Fourths |
0.1152 |
Vertical Perfect Fifths |
0.2012 |
Vertical Sixths |
0.1209 |
Vertical Sevenths |
0.01987 |
Vertical Octaves |
0.1661 |
Perfect Vertical Intervals |
0.5269 |
Vertical Dissonance Ratio |
0.05236 |
Vertical Minor Third Prevalence |
0.6998 |
Vertical Major Third Prevalence |
0.6205 |
Chord Duration |
1.857 |
Partial Chords |
0.1343 |
Standard Triads |
0.647 |
Diminished and Augmented Triads |
0.02778 |
Dominant Seventh Chords |
0.006944 |
Seventh Chords |
0.03009 |
Non-Standard Chords |
0.1887 |
Complex Chords |
0.002315 |
Minor Major Triad Ratio |
1.369 |
Average Number of Simultaneous Pitch Classes |
2.872 |
Variability of Number of Simultaneous Pitch Classes |
0.5769 |
Average Number of Simultaneous Pitches |
3.781 |
Variability of Number of Simultaneous Pitches |
1.192 |
Most Common Vertical Interval |
0.0 |
Second Most Common Vertical Interval |
7.0 |
Dynamic Range |
0.0 |
Variation of Dynamics |
0.0 |
Variation of Dynamics In Each Voice |
0.0 |
Average Note to Note Change in Dynamics |
0.0 |
Unpitched Percussion Instrument Prevalence |
0.0 |
String Keyboard Prevalence |
1.0 |
Acoustic Guitar Prevalence |
0.0 |
Electric Guitar Prevalence |
0.0 |
Violin Prevalence |
0.0 |
Saxophone Prevalence |
0.0 |
Brass Prevalence |
0.0 |
Woodwinds Prevalence |
0.0 |
Orchestral Strings Prevalence |
0.0 |
String Ensemble Prevalence |
0.0 |
Electric Instrument Prevalence |
0.0 |
Variability of Note Prevalence of Pitched Instruments |
0.0 |
Variability of Note Prevalence of Unpitched Instruments |
0.0 |
Number of Pitched Instruments |
1.0 |
Number of Unpitched Instruments |
0.0 |
Chromatic Motion |
0.1991 |
Stepwise Motion |
0.5864 |
Melodic Thirds |
0.1065 |
Melodic Perfect Fourths |
0.0571 |
Melodic Tritones |
0.0 |
Melodic Perfect Fifths |
0.05247 |
Melodic Sixths |
0.00463 |
Melodic Sevenths |
0.0 |
Melodic Octaves |
0.0108 |
Melodic Large Intervals |
0.0 |
Most Common Melodic Interval |
2.0 |
Minor Major Melodic Third Ratio |
2.833 |
Melodic Embellishments |
0.0107 |
Direction of Melodic Motion |
0.466 |
Average Length of Melodic Arcs |
1.86 |
Average Interval Spanned by Melodic Arcs |
4.782 |
Melodic Pitch Variety |
4.711 |
Mean Melodic Interval |
2.145 |
Number of Common Melodic Intervals |
3.0 |
Distance Between Most Prevalent Melodic Intervals |
1.0 |
Prevalence of Most Common Melodic Interval |
0.3873 |
Relative Prevalence of Most Common Melodic Intervals |
0.5139 |
Amount of Arpeggiation |
0.3519 |
Repeated Notes |
0.1821 |
Importance of Middle Register |
0.8884 |
Importance of High Register |
0.04281 |
Dominant Spread |
4.0 |
Strong Tonal Centres |
2.0 |
Mean Pitch |
63.03 |
Mean Pitch Class |
5.404 |
Most Common Pitch |
67.0 |
Most Common Pitch Class |
7.0 |
Prevalence of Most Common Pitch |
0.1269 |
Prevalence of Most Common Pitch Class |
0.2049 |
Relative Prevalence of Top Pitches |
0.9398 |
Relative Prevalence of Top Pitch Classes |
0.8955 |
Interval Between Most Prevalent Pitches |
5.0 |
Interval Between Most Prevalent Pitch Classes |
5.0 |
Pitch Variability |
6.428 |
Pitch Class Variability |
3.467 |
Pitch Class Variability After Folding |
3.865 |
Pitch Skewness |
-0.6765 |
Pitch Class Skewness |
-1.381 |
Pitch Class Skewness After Folding |
1.474 |
Pitch Kurtosis |
6.017 |
Pitch Class Kurtosis |
4.671 |
Pitch Class Kurtosis After Folding |
5.177 |
Major or Minor |
0.0 |
First Pitch |
69.0 |
First Pitch Class |
9.0 |
Last Pitch |
43.0 |
Last Pitch Class |
7.0 |
Glissando Prevalence |
0.0 |
Average Range of Glissandos |
0.0 |
Number of Pitches |
23.0 |
Vibrato Prevalence |
0.0 |
Microtone Prevalence |
0.0 |
Number of Pitch Classes |
10.0 |
Number of Common Pitches |
3.0 |
Number of Common Pitch Classes |
1.0 |
Range |
33.0 |
Importance of Bass Register |
0.06881 |
Note Density per Quarter Note |
1.46 |
Note Density per Quarter Note per Voice |
0.2433 |
Note Density per Quarter Note Variability |
0.5875 |
Range of Rhythmic Values |
9.0 |
Number of Different Rhythmic Values Present |
8.0 |
Number of Common Rhythmic Values Present |
2.0 |
Prevalence of Very Short Rhythmic Values |
0.0 |
Prevalence of Short Rhythmic Values |
0.009174 |
Prevalence of Medium Rhythmic Values |
0.6621 |
Simple Initial Meter |
1.0 |
Prevalence of Long Rhythmic Values |
0.7554 |
Prevalence of Very Long Rhythmic Values |
0.107 |
Prevalence of Dotted Notes |
0.1116 |
Shortest Rhythmic Value |
0.5 |
Longest Rhythmic Value |
12.0 |
Mean Rhythmic Value |
2.769 |
Most Common Rhythmic Value |
2.0 |
Prevalence of Most Common Rhythmic Value |
0.4174 |
Relative Prevalence of Most Common Rhythmic Values |
0.5641 |
Difference Between Most Common Rhythmic Values |
2.0 |
Compound Initial Meter |
0.0 |
Rhythmic Value Variability |
2.102 |
Rhythmic Value Skewness |
1.098 |
Rhythmic Value Kurtosis |
9.494 |
Mean Rhythmic Value Run Length |
1.768 |
Median Rhythmic Value Run Length |
1.0 |
Variability in Rhythmic Value Run Lengths |
1.236 |
Mean Rhythmic Value Offset |
0.0252 |
Median Rhythmic Value Offset |
0.0 |
Complex Initial Meter |
0.0 |
Variability of Rhythmic Value Offsets |
0.3126 |
Complete Rests Fraction |
0.0 |
Partial Rests Fraction |
0.7902 |
Average Rest Fraction Across Voices |
0.3201 |
Longest Complete Rest |
0.0 |
Longest Partial Rest |
268.0 |
Mean Complete Rest Duration |
0.0 |
Mean Partial Rest Duration |
17.93 |
Median Complete Rest Duration |
0.0 |
Median Partial Rest Duration |
6.0 |
Duple Initial Meter |
0.0 |
Variability of Complete Rest Durations |
0.0 |
Variability of Partial Rest Durations |
52.71 |
Variability Across Voices of Combined Rests |
123.8 |
Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
Triple Initial Meter |
0.0 |
Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5266 |
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2433 |
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.164 |
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.77 |
Rhythmic Variability - Tempo Standardized |
0.04872 |
Rhythmic Looseness - Tempo Standardized |
0.0 |
Polyrhythms - Tempo Standardized |
0.6667 |
Quadruple Initial Meter |
1.0 |
Metrical Diversity |
1.0 |
Total Number of Notes |
654.0 |
Initial Tempo |
100.0 |
Average Variability of Time Between Attacks for Each Voice |
2.182 |
Minimum Note Duration |
0.3 |
Maximum Note Duration |
9.6 |
Average Note Duration |
1.677 |
Variability of Note Durations |
1.337 |
Amount of Staccato |
0.0 |
Number of Strong Rhythmic Pulses |
2.0 |
Number of Moderate Rhythmic Pulses |
2.0 |
Number of Relatively Strong Rhythmic Pulses |
2.0 |
Mean Tempo |
100.0 |
Strongest Rhythmic Pulse |
50.0 |
Second Strongest Rhythmic Pulse |
100.0 |
Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
Strength of Strongest Rhythmic Pulse |
0.6924 |
Strength of Second Strongest Rhythmic Pulse |
0.2922 |
Strength Ratio of Two Strongest Rhythmic Pulses |
2.37 |
Combined Strength of Two Strongest Rhythmic Pulses |
0.9846 |
Rhythmic Variability |
0.05909 |
Rhythmic Looseness |
0.0 |
Polyrhythms |
1.0 |
Tempo Variability |
0.0 |
Duration in Seconds |
268.8 |
Note Density |
2.433 |
Note Density Variability |
0.9905 |
Average Time Between Attacks |
0.9122 |
Average Time Between Attacks for Each Voice |
2.057 |
Variability of Time Between Attacks |
0.4645 |
Maximum Number of Independent Voices |
6.0 |
Relative Range of Loudest Voice |
0.4242 |
Relative Range Isolation of Loudest Voice |
0.0 |
Relative Range of Highest Line |
0.4242 |
Relative Note Density of Highest Line |
0.633 |
Relative Note Durations of Lowest Line |
1.364 |
Relative Size of Melodic Intervals in Lowest Line |
0.5455 |
Voice Overlap |
0.9893 |
Voice Separation |
4.0 |
Variability of Voice Separation |
2.449 |
Parallel Motion |
0.04604 |
Average Number of Independent Voices |
4.079 |
Similar Motion |
0.1363 |
Contrary Motion |
0.1639 |
Oblique Motion |
0.6538 |
Parallel Fifths |
0.007366 |
Parallel Octaves |
0.0 |
Variability of Number of Independent Voices |
1.298 |
Voice Equality - Number of Notes |
52.35 |
Voice Equality - Note Duration |
74.3 |
Voice Equality - Dynamics |
0.0 |
Voice Equality - Melodic Leaps |
0.7528 |
Voice Equality - Range |
0.8165 |
Importance of Loudest Voice |
0.0 |