| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2659 |
| Prevalence of Second Most Common Vertical Interval |
0.1802 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.6778 |
| Vertical Unisons |
0.1191 |
| Vertical Minor Seconds |
0.002834 |
| Vertical Thirds |
0.2945 |
| Vertical Tritones |
0.006466 |
| Vertical Perfect Fourths |
0.1023 |
| Vertical Perfect Fifths |
0.1802 |
| Vertical Sixths |
0.1247 |
| Vertical Sevenths |
0.009557 |
| Vertical Octaves |
0.1468 |
| Perfect Vertical Intervals |
0.5484 |
| Vertical Dissonance Ratio |
0.03349 |
| Vertical Minor Third Prevalence |
0.5811 |
| Vertical Major Third Prevalence |
0.7059 |
| Chord Duration |
1.084 |
| Partial Chords |
0.1366 |
| Standard Triads |
0.7225 |
| Diminished and Augmented Triads |
0.02164 |
| Dominant Seventh Chords |
0.001697 |
| Seventh Chords |
0.01952 |
| Non-Standard Chords |
0.1213 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.2892 |
| Average Number of Simultaneous Pitch Classes |
2.863 |
| Variability of Number of Simultaneous Pitch Classes |
0.4786 |
| Average Number of Simultaneous Pitches |
3.769 |
| Variability of Number of Simultaneous Pitches |
0.9767 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1792 |
| Stepwise Motion |
0.4812 |
| Melodic Thirds |
0.118 |
| Melodic Perfect Fourths |
0.05094 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03753 |
| Melodic Sixths |
0.001787 |
| Melodic Sevenths |
0.0008937 |
| Melodic Octaves |
0.01296 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.444 |
| Melodic Embellishments |
0.005793 |
| Direction of Melodic Motion |
0.4905 |
| Average Length of Melodic Arcs |
1.65 |
| Average Interval Spanned by Melodic Arcs |
4.392 |
| Melodic Pitch Variety |
3.987 |
| Mean Melodic Interval |
1.882 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.3021 |
| Relative Prevalence of Most Common Melodic Intervals |
0.9822 |
| Amount of Arpeggiation |
0.466 |
| Repeated Notes |
0.2967 |
| Importance of Middle Register |
0.8775 |
| Importance of High Register |
0.01872 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
62.23 |
| Mean Pitch Class |
5.876 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1341 |
| Prevalence of Most Common Pitch Class |
0.2375 |
| Relative Prevalence of Top Pitches |
0.9635 |
| Relative Prevalence of Top Pitch Classes |
0.7411 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
6.791 |
| Pitch Class Variability |
3.519 |
| Pitch Class Variability After Folding |
1.961 |
| Pitch Skewness |
-0.6172 |
| Pitch Class Skewness |
-0.9585 |
| Pitch Class Skewness After Folding |
1.27 |
| Pitch Kurtosis |
5.906 |
| Pitch Class Kurtosis |
4.869 |
| Pitch Class Kurtosis After Folding |
5.649 |
| Major or Minor |
0.0 |
| First Pitch |
62.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
27.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
5.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.1038 |
| Note Density per Quarter Note |
1.858 |
| Note Density per Quarter Note per Voice |
0.3096 |
| Note Density per Quarter Note Variability |
0.8162 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.00713 |
| Prevalence of Medium Rhythmic Values |
0.6885 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8324 |
| Prevalence of Very Long Rhythmic Values |
0.04234 |
| Prevalence of Dotted Notes |
0.08333 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.541 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.5209 |
| Relative Prevalence of Most Common Rhythmic Values |
0.3978 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.486 |
| Rhythmic Value Skewness |
1.091 |
| Rhythmic Value Kurtosis |
14.35 |
| Mean Rhythmic Value Run Length |
1.773 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.208 |
| Mean Rhythmic Value Offset |
0.003565 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.1194 |
| Complete Rests Fraction |
0.002483 |
| Partial Rests Fraction |
0.6943 |
| Average Rest Fraction Across Voices |
0.2067 |
| Longest Complete Rest |
2.0 |
| Longest Partial Rest |
394.0 |
| Mean Complete Rest Duration |
1.5 |
| Mean Partial Rest Duration |
9.726 |
| Median Complete Rest Duration |
2.0 |
| Median Partial Rest Duration |
3.0 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.7071 |
| Variability of Partial Rest Durations |
32.36 |
| Variability Across Voices of Combined Rests |
139.7 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.645 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1874 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.442 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8324 |
| Rhythmic Variability - Tempo Standardized |
0.05425 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
2244.0 |
| Initial Tempo |
120.0 |
| Average Variability of Time Between Attacks for Each Voice |
7.369 |
| Minimum Note Duration |
0.25 |
| Maximum Note Duration |
18.0 |
| Average Note Duration |
2.562 |
| Variability of Note Durations |
2.003 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
1.0 |
| Number of Moderate Rhythmic Pulses |
3.0 |
| Number of Relatively Strong Rhythmic Pulses |
1.0 |
| Mean Tempo |
80.86 |
| Strongest Rhythmic Pulse |
60.0 |
| Second Strongest Rhythmic Pulse |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.9589 |
| Strength of Second Strongest Rhythmic Pulse |
0.02306 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
41.59 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.982 |
| Rhythmic Variability |
0.07559 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
41.98 |
| Duration in Seconds |
1208.0 |
| Note Density |
1.858 |
| Note Density Variability |
1.368 |
| Average Time Between Attacks |
1.727 |
| Average Time Between Attacks for Each Voice |
3.289 |
| Variability of Time Between Attacks |
1.19 |
| Maximum Number of Independent Voices |
6.0 |
| Relative Range of Loudest Voice |
0.4242 |
| Relative Range Isolation of Loudest Voice |
0.0 |
| Relative Range of Highest Line |
0.4242 |
| Relative Note Density of Highest Line |
0.1845 |
| Relative Note Durations of Lowest Line |
1.022 |
| Relative Size of Melodic Intervals in Lowest Line |
0.6667 |
| Voice Overlap |
0.9777 |
| Voice Separation |
3.8 |
| Variability of Voice Separation |
3.114 |
| Parallel Motion |
0.03974 |
| Average Number of Independent Voices |
4.75 |
| Similar Motion |
0.2091 |
| Contrary Motion |
0.1818 |
| Oblique Motion |
0.5694 |
| Parallel Fifths |
0.003257 |
| Parallel Octaves |
0.001954 |
| Variability of Number of Independent Voices |
1.228 |
| Voice Equality - Number of Notes |
60.67 |
| Voice Equality - Note Duration |
139.7 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.8367 |
| Voice Equality - Range |
1.049 |
| Importance of Loudest Voice |
0.0 |