| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2145 |
| Prevalence of Second Most Common Vertical Interval |
0.1957 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9127 |
| Vertical Unisons |
0.01706 |
| Vertical Minor Seconds |
0.002568 |
| Vertical Thirds |
0.3515 |
| Vertical Tritones |
0.01027 |
| Vertical Perfect Fourths |
0.1073 |
| Vertical Perfect Fifths |
0.2145 |
| Vertical Sixths |
0.1267 |
| Vertical Sevenths |
0.01669 |
| Vertical Octaves |
0.1371 |
| Perfect Vertical Intervals |
0.476 |
| Vertical Dissonance Ratio |
0.04807 |
| Vertical Minor Third Prevalence |
0.5537 |
| Vertical Major Third Prevalence |
0.646 |
| Chord Duration |
1.342 |
| Partial Chords |
0.1844 |
| Standard Triads |
0.6587 |
| Diminished and Augmented Triads |
0.02573 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.0163 |
| Non-Standard Chords |
0.1407 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.8551 |
| Average Number of Simultaneous Pitch Classes |
2.812 |
| Variability of Number of Simultaneous Pitch Classes |
0.5181 |
| Average Number of Simultaneous Pitches |
3.429 |
| Variability of Number of Simultaneous Pitches |
0.7212 |
| Most Common Vertical Interval |
7.0 |
| Second Most Common Vertical Interval |
4.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2611 |
| Stepwise Motion |
0.5519 |
| Melodic Thirds |
0.08096 |
| Melodic Perfect Fourths |
0.06157 |
| Melodic Tritones |
0.00114 |
| Melodic Perfect Fifths |
0.04333 |
| Melodic Sixths |
0.00114 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.002281 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.737 |
| Melodic Embellishments |
0.009081 |
| Direction of Melodic Motion |
0.5008 |
| Average Length of Melodic Arcs |
1.674 |
| Average Interval Spanned by Melodic Arcs |
3.956 |
| Melodic Pitch Variety |
4.14 |
| Mean Melodic Interval |
1.762 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.2908 |
| Relative Prevalence of Most Common Melodic Intervals |
0.898 |
| Amount of Arpeggiation |
0.3843 |
| Repeated Notes |
0.2577 |
| Importance of Middle Register |
0.8173 |
| Importance of High Register |
0.01249 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
60.52 |
| Mean Pitch Class |
5.448 |
| Most Common Pitch |
64.0 |
| Most Common Pitch Class |
4.0 |
| Prevalence of Most Common Pitch |
0.1373 |
| Prevalence of Most Common Pitch Class |
0.2009 |
| Relative Prevalence of Top Pitches |
0.7769 |
| Relative Prevalence of Top Pitch Classes |
0.9492 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
6.401 |
| Pitch Class Variability |
3.42 |
| Pitch Class Variability After Folding |
3.02 |
| Pitch Skewness |
-0.5416 |
| Pitch Class Skewness |
0.3933 |
| Pitch Class Skewness After Folding |
0.8084 |
| Pitch Kurtosis |
5.55 |
| Pitch Class Kurtosis |
4.872 |
| Pitch Class Kurtosis After Folding |
6.731 |
| Major or Minor |
0.0 |
| First Pitch |
69.0 |
| First Pitch Class |
9.0 |
| Last Pitch |
52.0 |
| Last Pitch Class |
4.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
28.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.1703 |
| Note Density per Quarter Note |
1.473 |
| Note Density per Quarter Note per Voice |
0.3683 |
| Note Density per Quarter Note Variability |
0.5671 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.01135 |
| Prevalence of Medium Rhythmic Values |
0.723 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7673 |
| Prevalence of Very Long Rhythmic Values |
0.02951 |
| Prevalence of Dotted Notes |
0.06697 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.363 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4904 |
| Relative Prevalence of Most Common Rhythmic Values |
0.4514 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.375 |
| Rhythmic Value Skewness |
0.7926 |
| Rhythmic Value Kurtosis |
12.36 |
| Mean Rhythmic Value Run Length |
1.839 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.294 |
| Mean Rhythmic Value Offset |
0.009081 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.2695 |
| Complete Rests Fraction |
0.004437 |
| Partial Rests Fraction |
0.3876 |
| Average Rest Fraction Across Voices |
0.1224 |
| Longest Complete Rest |
2.653 |
| Longest Partial Rest |
57.76 |
| Mean Complete Rest Duration |
2.653 |
| Mean Partial Rest Duration |
6.973 |
| Median Complete Rest Duration |
2.653 |
| Median Partial Rest Duration |
2.653 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
10.17 |
| Variability Across Voices of Combined Rests |
43.29 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5865 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2102 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.79 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7968 |
| Rhythmic Variability - Tempo Standardized |
0.0512 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
3.0 |
| Total Number of Notes |
881.0 |
| Initial Tempo |
120.0 |
| Average Variability of Time Between Attacks for Each Voice |
2.468 |
| Minimum Note Duration |
0.25 |
| Maximum Note Duration |
10.0 |
| Average Note Duration |
1.791 |
| Variability of Note Durations |
1.235 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
2.0 |
| Number of Moderate Rhythmic Pulses |
2.0 |
| Number of Relatively Strong Rhythmic Pulses |
2.0 |
| Mean Tempo |
89.68 |
| Strongest Rhythmic Pulse |
40.0 |
| Second Strongest Rhythmic Pulse |
80.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.743 |
| Strength of Second Strongest Rhythmic Pulse |
0.2448 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
3.035 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.9878 |
| Rhythmic Variability |
0.06153 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
29.9 |
| Duration in Seconds |
449.6 |
| Note Density |
1.959 |
| Note Density Variability |
0.8739 |
| Average Time Between Attacks |
1.203 |
| Average Time Between Attacks for Each Voice |
2.025 |
| Variability of Time Between Attacks |
0.6132 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4545 |
| Relative Range Isolation of Loudest Voice |
0.2837 |
| Relative Range of Highest Line |
0.4545 |
| Relative Note Density of Highest Line |
0.3087 |
| Relative Note Durations of Lowest Line |
0.9925 |
| Relative Size of Melodic Intervals in Lowest Line |
0.8 |
| Voice Overlap |
0.8661 |
| Voice Separation |
5.333 |
| Variability of Voice Separation |
0.5774 |
| Parallel Motion |
0.08911 |
| Average Number of Independent Voices |
3.507 |
| Similar Motion |
0.1547 |
| Contrary Motion |
0.2228 |
| Oblique Motion |
0.5334 |
| Parallel Fifths |
0.001238 |
| Parallel Octaves |
0.001238 |
| Variability of Number of Independent Voices |
0.7059 |
| Voice Equality - Number of Notes |
21.93 |
| Voice Equality - Note Duration |
32.55 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
1.414 |
| Importance of Loudest Voice |
0.0 |