| Distance Between Two Most Common Vertical Intervals |
4.0 |
| Prevalence of Most Common Vertical Interval |
0.1945 |
| Prevalence of Second Most Common Vertical Interval |
0.1832 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.942 |
| Vertical Unisons |
0.0286 |
| Vertical Minor Seconds |
0.003401 |
| Vertical Thirds |
0.335 |
| Vertical Tritones |
0.01438 |
| Vertical Perfect Fourths |
0.09013 |
| Vertical Perfect Fifths |
0.1818 |
| Vertical Sixths |
0.1507 |
| Vertical Sevenths |
0.01639 |
| Vertical Octaves |
0.1546 |
| Perfect Vertical Intervals |
0.4551 |
| Vertical Dissonance Ratio |
0.06294 |
| Vertical Minor Third Prevalence |
0.4402 |
| Vertical Major Third Prevalence |
0.5227 |
| Chord Duration |
1.253 |
| Partial Chords |
0.3506 |
| Standard Triads |
0.4769 |
| Diminished and Augmented Triads |
0.04103 |
| Dominant Seventh Chords |
0.001282 |
| Seventh Chords |
0.003846 |
| Non-Standard Chords |
0.1686 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.3286 |
| Average Number of Simultaneous Pitch Classes |
2.559 |
| Variability of Number of Simultaneous Pitch Classes |
0.649 |
| Average Number of Simultaneous Pitches |
3.121 |
| Variability of Number of Simultaneous Pitches |
0.8641 |
| Most Common Vertical Interval |
4.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2416 |
| Stepwise Motion |
0.6822 |
| Melodic Thirds |
0.1218 |
| Melodic Perfect Fourths |
0.04975 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03046 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.0132 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.158 |
| Melodic Embellishments |
0.01618 |
| Direction of Melodic Motion |
0.5238 |
| Average Length of Melodic Arcs |
1.811 |
| Average Interval Spanned by Melodic Arcs |
4.314 |
| Melodic Pitch Variety |
4.623 |
| Mean Melodic Interval |
2.147 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4406 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5484 |
| Amount of Arpeggiation |
0.268 |
| Repeated Notes |
0.1025 |
| Importance of Middle Register |
0.8119 |
| Importance of High Register |
0.1001 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
3.0 |
| Mean Pitch |
62.81 |
| Mean Pitch Class |
6.01 |
| Most Common Pitch |
64.0 |
| Most Common Pitch Class |
9.0 |
| Prevalence of Most Common Pitch |
0.1143 |
| Prevalence of Most Common Pitch Class |
0.2204 |
| Relative Prevalence of Top Pitches |
0.9204 |
| Relative Prevalence of Top Pitch Classes |
0.6743 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
2.0 |
| Pitch Variability |
6.629 |
| Pitch Class Variability |
3.508 |
| Pitch Class Variability After Folding |
1.961 |
| Pitch Skewness |
-0.3807 |
| Pitch Class Skewness |
0.008646 |
| Pitch Class Skewness After Folding |
0.4022 |
| Pitch Kurtosis |
5.833 |
| Pitch Class Kurtosis |
4.596 |
| Pitch Class Kurtosis After Folding |
5.06 |
| Major or Minor |
0.0 |
| First Pitch |
64.0 |
| First Pitch Class |
4.0 |
| Last Pitch |
45.0 |
| Last Pitch Class |
9.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
23.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
9.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
32.0 |
| Importance of Bass Register |
0.08797 |
| Note Density per Quarter Note |
1.175 |
| Note Density per Quarter Note per Voice |
0.2936 |
| Note Density per Quarter Note Variability |
0.4475 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.006067 |
| Prevalence of Medium Rhythmic Values |
0.6593 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8322 |
| Prevalence of Very Long Rhythmic Values |
0.06471 |
| Prevalence of Dotted Notes |
0.06067 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.704 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4914 |
| Relative Prevalence of Most Common Rhythmic Values |
0.4856 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.672 |
| Rhythmic Value Skewness |
1.263 |
| Rhythmic Value Kurtosis |
10.74 |
| Mean Rhythmic Value Run Length |
1.92 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.498 |
| Mean Rhythmic Value Offset |
0.02831 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.6606 |
| Complete Rests Fraction |
0.0096 |
| Partial Rests Fraction |
0.6048 |
| Average Rest Fraction Across Voices |
0.2131 |
| Longest Complete Rest |
2.694 |
| Longest Partial Rest |
388.0 |
| Mean Complete Rest Duration |
2.694 |
| Mean Partial Rest Duration |
11.04 |
| Median Complete Rest Duration |
2.694 |
| Median Partial Rest Duration |
2.694 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
47.76 |
| Variability Across Voices of Combined Rests |
184.1 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6887 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1639 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
4.203 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8525 |
| Rhythmic Variability - Tempo Standardized |
0.05674 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
989.0 |
| Initial Tempo |
100.0 |
| Average Variability of Time Between Attacks for Each Voice |
9.188 |
| Minimum Note Duration |
0.3 |
| Maximum Note Duration |
38.4 |
| Average Note Duration |
2.387 |
| Variability of Note Durations |
2.178 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
1.0 |
| Number of Moderate Rhythmic Pulses |
3.0 |
| Number of Relatively Strong Rhythmic Pulses |
1.0 |
| Mean Tempo |
77.55 |
| Strongest Rhythmic Pulse |
68.0 |
| Second Strongest Rhythmic Pulse |
135.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.985 |
| Strength of Strongest Rhythmic Pulse |
0.9674 |
| Strength of Second Strongest Rhythmic Pulse |
0.0186 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
52.0 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.986 |
| Rhythmic Variability |
0.07625 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
29.76 |
| Duration in Seconds |
750.0 |
| Note Density |
1.319 |
| Note Density Variability |
0.9046 |
| Average Time Between Attacks |
1.574 |
| Average Time Between Attacks for Each Voice |
3.172 |
| Variability of Time Between Attacks |
1.17 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4375 |
| Relative Range Isolation of Loudest Voice |
0.4142 |
| Relative Range of Highest Line |
0.4375 |
| Relative Note Density of Highest Line |
0.2872 |
| Relative Note Durations of Lowest Line |
0.8793 |
| Relative Size of Melodic Intervals in Lowest Line |
0.5714 |
| Voice Overlap |
0.8595 |
| Voice Separation |
6.0 |
| Variability of Voice Separation |
1.732 |
| Parallel Motion |
0.02896 |
| Average Number of Independent Voices |
3.232 |
| Similar Motion |
0.166 |
| Contrary Motion |
0.2162 |
| Oblique Motion |
0.5888 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.8192 |
| Voice Equality - Number of Notes |
66.14 |
| Voice Equality - Note Duration |
164.0 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.9574 |
| Voice Equality - Range |
1.893 |
| Importance of Loudest Voice |
0.0 |