Distance Between Two Most Common Vertical Intervals |
7.0 |
Prevalence of Most Common Vertical Interval |
0.1927 |
Prevalence of Second Most Common Vertical Interval |
0.1877 |
Prevalence Ratio of Two Most Common Vertical Intervals |
0.9739 |
Vertical Unisons |
0.04308 |
Vertical Minor Seconds |
0.006154 |
Vertical Thirds |
0.3497 |
Vertical Tritones |
0.01566 |
Vertical Perfect Fourths |
0.08308 |
Vertical Perfect Fifths |
0.1877 |
Vertical Sixths |
0.1208 |
Vertical Sevenths |
0.0179 |
Vertical Octaves |
0.1497 |
Perfect Vertical Intervals |
0.4635 |
Vertical Dissonance Ratio |
0.07068 |
Vertical Minor Third Prevalence |
0.5094 |
Vertical Major Third Prevalence |
0.4906 |
Chord Duration |
1.779 |
Partial Chords |
0.3524 |
Standard Triads |
0.4591 |
Diminished and Augmented Triads |
0.03474 |
Dominant Seventh Chords |
0.002481 |
Seventh Chords |
0.02233 |
Non-Standard Chords |
0.1663 |
Complex Chords |
0.0 |
Minor Major Triad Ratio |
0.9892 |
Average Number of Simultaneous Pitch Classes |
2.616 |
Variability of Number of Simultaneous Pitch Classes |
0.6594 |
Average Number of Simultaneous Pitches |
3.196 |
Variability of Number of Simultaneous Pitches |
0.8698 |
Most Common Vertical Interval |
0.0 |
Second Most Common Vertical Interval |
7.0 |
Dynamic Range |
0.0 |
Variation of Dynamics |
0.0 |
Variation of Dynamics In Each Voice |
0.0 |
Average Note to Note Change in Dynamics |
0.0 |
Unpitched Percussion Instrument Prevalence |
0.0 |
String Keyboard Prevalence |
1.0 |
Acoustic Guitar Prevalence |
0.0 |
Electric Guitar Prevalence |
0.0 |
Violin Prevalence |
0.0 |
Saxophone Prevalence |
0.0 |
Brass Prevalence |
0.0 |
Woodwinds Prevalence |
0.0 |
Orchestral Strings Prevalence |
0.0 |
String Ensemble Prevalence |
0.0 |
Electric Instrument Prevalence |
0.0 |
Variability of Note Prevalence of Pitched Instruments |
0.0 |
Variability of Note Prevalence of Unpitched Instruments |
0.0 |
Number of Pitched Instruments |
1.0 |
Number of Unpitched Instruments |
0.0 |
Chromatic Motion |
0.2596 |
Stepwise Motion |
0.6359 |
Melodic Thirds |
0.1481 |
Melodic Perfect Fourths |
0.05749 |
Melodic Tritones |
0.0 |
Melodic Perfect Fifths |
0.04007 |
Melodic Sixths |
0.0 |
Melodic Sevenths |
0.0 |
Melodic Octaves |
0.008711 |
Melodic Large Intervals |
0.0 |
Most Common Melodic Interval |
2.0 |
Minor Major Melodic Third Ratio |
2.148 |
Melodic Embellishments |
0.008651 |
Direction of Melodic Motion |
0.5264 |
Average Length of Melodic Arcs |
1.936 |
Average Interval Spanned by Melodic Arcs |
4.674 |
Melodic Pitch Variety |
4.889 |
Mean Melodic Interval |
2.176 |
Number of Common Melodic Intervals |
4.0 |
Distance Between Most Prevalent Melodic Intervals |
1.0 |
Prevalence of Most Common Melodic Interval |
0.3763 |
Relative Prevalence of Most Common Melodic Intervals |
0.6898 |
Amount of Arpeggiation |
0.3066 |
Repeated Notes |
0.1098 |
Importance of Middle Register |
0.8304 |
Importance of High Register |
0.02422 |
Dominant Spread |
6.0 |
Strong Tonal Centres |
2.0 |
Mean Pitch |
62.25 |
Mean Pitch Class |
5.441 |
Most Common Pitch |
69.0 |
Most Common Pitch Class |
2.0 |
Prevalence of Most Common Pitch |
0.1349 |
Prevalence of Most Common Pitch Class |
0.1972 |
Relative Prevalence of Top Pitches |
0.8462 |
Relative Prevalence of Top Pitch Classes |
0.9123 |
Interval Between Most Prevalent Pitches |
7.0 |
Interval Between Most Prevalent Pitch Classes |
7.0 |
Pitch Variability |
6.847 |
Pitch Class Variability |
3.299 |
Pitch Class Variability After Folding |
3.829 |
Pitch Skewness |
-0.9165 |
Pitch Class Skewness |
0.4012 |
Pitch Class Skewness After Folding |
0.9611 |
Pitch Kurtosis |
5.432 |
Pitch Class Kurtosis |
4.759 |
Pitch Class Kurtosis After Folding |
5.104 |
Major or Minor |
0.0 |
First Pitch |
62.0 |
First Pitch Class |
2.0 |
Last Pitch |
55.0 |
Last Pitch Class |
7.0 |
Glissando Prevalence |
0.0 |
Average Range of Glissandos |
0.0 |
Number of Pitches |
23.0 |
Vibrato Prevalence |
0.0 |
Microtone Prevalence |
0.0 |
Number of Pitch Classes |
10.0 |
Number of Common Pitches |
3.0 |
Number of Common Pitch Classes |
0.0 |
Range |
29.0 |
Importance of Bass Register |
0.1453 |
Note Density per Quarter Note |
1.363 |
Note Density per Quarter Note per Voice |
0.3408 |
Note Density per Quarter Note Variability |
0.529 |
Range of Rhythmic Values |
9.0 |
Number of Different Rhythmic Values Present |
8.0 |
Number of Common Rhythmic Values Present |
3.0 |
Prevalence of Very Short Rhythmic Values |
0.0 |
Prevalence of Short Rhythmic Values |
0.00692 |
Prevalence of Medium Rhythmic Values |
0.7301 |
Simple Initial Meter |
1.0 |
Prevalence of Long Rhythmic Values |
0.8045 |
Prevalence of Very Long Rhythmic Values |
0.0519 |
Prevalence of Dotted Notes |
0.06228 |
Shortest Rhythmic Value |
0.5 |
Longest Rhythmic Value |
12.0 |
Mean Rhythmic Value |
2.478 |
Most Common Rhythmic Value |
2.0 |
Prevalence of Most Common Rhythmic Value |
0.5346 |
Relative Prevalence of Most Common Rhythmic Values |
0.3528 |
Difference Between Most Common Rhythmic Values |
2.0 |
Compound Initial Meter |
0.0 |
Rhythmic Value Variability |
1.535 |
Rhythmic Value Skewness |
0.9334 |
Rhythmic Value Kurtosis |
12.03 |
Mean Rhythmic Value Run Length |
1.914 |
Median Rhythmic Value Run Length |
1.0 |
Variability in Rhythmic Value Run Lengths |
1.428 |
Mean Rhythmic Value Offset |
0.0 |
Median Rhythmic Value Offset |
0.0 |
Complex Initial Meter |
0.0 |
Variability of Rhythmic Value Offsets |
0.0 |
Complete Rests Fraction |
0.0 |
Partial Rests Fraction |
0.4198 |
Average Rest Fraction Across Voices |
0.1557 |
Longest Complete Rest |
0.0 |
Longest Partial Rest |
26.0 |
Mean Complete Rest Duration |
0.0 |
Mean Partial Rest Duration |
8.0 |
Median Complete Rest Duration |
0.0 |
Median Partial Rest Duration |
6.0 |
Duple Initial Meter |
0.0 |
Variability of Complete Rest Durations |
0.0 |
Variability of Partial Rest Durations |
7.632 |
Variability Across Voices of Combined Rests |
33.74 |
Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
Triple Initial Meter |
0.0 |
Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6402 |
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1777 |
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.602 |
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8179 |
Rhythmic Variability - Tempo Standardized |
0.054 |
Rhythmic Looseness - Tempo Standardized |
0.0 |
Polyrhythms - Tempo Standardized |
1.0 |
Quadruple Initial Meter |
1.0 |
Metrical Diversity |
1.0 |
Total Number of Notes |
578.0 |
Initial Tempo |
120.0 |
Average Variability of Time Between Attacks for Each Voice |
1.474 |
Minimum Note Duration |
0.25 |
Maximum Note Duration |
6.0 |
Average Note Duration |
1.239 |
Variability of Note Durations |
0.7674 |
Amount of Staccato |
0.0 |
Number of Strong Rhythmic Pulses |
3.0 |
Number of Moderate Rhythmic Pulses |
3.0 |
Number of Relatively Strong Rhythmic Pulses |
1.0 |
Mean Tempo |
120.0 |
Strongest Rhythmic Pulse |
60.0 |
Second Strongest Rhythmic Pulse |
120.0 |
Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
Strength of Strongest Rhythmic Pulse |
0.6402 |
Strength of Second Strongest Rhythmic Pulse |
0.1777 |
Strength Ratio of Two Strongest Rhythmic Pulses |
3.602 |
Combined Strength of Two Strongest Rhythmic Pulses |
0.8179 |
Rhythmic Variability |
0.054 |
Rhythmic Looseness |
0.0 |
Polyrhythms |
1.0 |
Tempo Variability |
0.0 |
Duration in Seconds |
212.0 |
Note Density |
2.726 |
Note Density Variability |
0.9928 |
Average Time Between Attacks |
0.7929 |
Average Time Between Attacks for Each Voice |
1.416 |
Variability of Time Between Attacks |
0.3642 |
Maximum Number of Independent Voices |
4.0 |
Relative Range of Loudest Voice |
0.4828 |
Relative Range Isolation of Loudest Voice |
0.0 |
Relative Range of Highest Line |
0.4828 |
Relative Note Density of Highest Line |
0.4637 |
Relative Note Durations of Lowest Line |
1.092 |
Relative Size of Melodic Intervals in Lowest Line |
1.0 |
Voice Overlap |
0.8945 |
Voice Separation |
5.0 |
Variability of Voice Separation |
4.359 |
Parallel Motion |
0.05847 |
Average Number of Independent Voices |
3.377 |
Similar Motion |
0.1512 |
Contrary Motion |
0.244 |
Oblique Motion |
0.5464 |
Parallel Fifths |
0.0 |
Parallel Octaves |
0.0 |
Variability of Number of Independent Voices |
0.835 |
Voice Equality - Number of Notes |
21.58 |
Voice Equality - Note Duration |
16.87 |
Voice Equality - Dynamics |
0.0 |
Voice Equality - Melodic Leaps |
0.0 |
Voice Equality - Range |
2.217 |
Importance of Loudest Voice |
0.0 |