| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2692 |
| Prevalence of Second Most Common Vertical Interval |
0.2217 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8236 |
| Vertical Unisons |
0.06243 |
| Vertical Minor Seconds |
0.001583 |
| Vertical Thirds |
0.2429 |
| Vertical Tritones |
0.008148 |
| Vertical Perfect Fourths |
0.1241 |
| Vertical Perfect Fifths |
0.2217 |
| Vertical Sixths |
0.104 |
| Vertical Sevenths |
0.0129 |
| Vertical Octaves |
0.2068 |
| Perfect Vertical Intervals |
0.6151 |
| Vertical Dissonance Ratio |
0.03955 |
| Vertical Minor Third Prevalence |
0.6993 |
| Vertical Major Third Prevalence |
0.6285 |
| Chord Duration |
2.56 |
| Partial Chords |
0.116 |
| Standard Triads |
0.6862 |
| Diminished and Augmented Triads |
0.0293 |
| Dominant Seventh Chords |
0.007326 |
| Seventh Chords |
0.01832 |
| Non-Standard Chords |
0.1795 |
| Complex Chords |
0.003663 |
| Minor Major Triad Ratio |
0.441 |
| Average Number of Simultaneous Pitch Classes |
2.868 |
| Variability of Number of Simultaneous Pitch Classes |
0.5355 |
| Average Number of Simultaneous Pitches |
4.428 |
| Variability of Number of Simultaneous Pitches |
1.4 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2527 |
| Stepwise Motion |
0.5403 |
| Melodic Thirds |
0.1071 |
| Melodic Perfect Fourths |
0.087 |
| Melodic Tritones |
0.0009158 |
| Melodic Perfect Fifths |
0.06685 |
| Melodic Sixths |
0.001832 |
| Melodic Sevenths |
0.002747 |
| Melodic Octaves |
0.01832 |
| Melodic Large Intervals |
0.001832 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.0 |
| Melodic Embellishments |
0.03354 |
| Direction of Melodic Motion |
0.505 |
| Average Length of Melodic Arcs |
1.615 |
| Average Interval Spanned by Melodic Arcs |
4.63 |
| Melodic Pitch Variety |
4.677 |
| Mean Melodic Interval |
2.385 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.2875 |
| Relative Prevalence of Most Common Melodic Intervals |
0.879 |
| Amount of Arpeggiation |
0.37 |
| Repeated Notes |
0.1731 |
| Importance of Middle Register |
0.7389 |
| Importance of High Register |
0.01995 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
58.93 |
| Mean Pitch Class |
5.073 |
| Most Common Pitch |
57.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.1124 |
| Prevalence of Most Common Pitch Class |
0.2121 |
| Relative Prevalence of Top Pitches |
1.0 |
| Relative Prevalence of Top Pitch Classes |
0.9957 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
7.465 |
| Pitch Class Variability |
3.434 |
| Pitch Class Variability After Folding |
3.187 |
| Pitch Skewness |
-0.1913 |
| Pitch Class Skewness |
0.06337 |
| Pitch Class Skewness After Folding |
0.7989 |
| Pitch Kurtosis |
5.765 |
| Pitch Class Kurtosis |
4.705 |
| Pitch Class Kurtosis After Folding |
6.391 |
| Major or Minor |
0.0 |
| First Pitch |
57.0 |
| First Pitch Class |
9.0 |
| Last Pitch |
41.0 |
| Last Pitch Class |
5.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
33.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
2.0 |
| Range |
38.0 |
| Importance of Bass Register |
0.2412 |
| Note Density per Quarter Note |
1.301 |
| Note Density per Quarter Note per Voice |
0.2168 |
| Note Density per Quarter Note Variability |
0.493 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.001813 |
| Prevalence of Medium Rhythmic Values |
0.4551 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8939 |
| Prevalence of Very Long Rhythmic Values |
0.2412 |
| Prevalence of Dotted Notes |
0.09791 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.866 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.349 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7766 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.504 |
| Rhythmic Value Skewness |
-0.1608 |
| Rhythmic Value Kurtosis |
6.171 |
| Mean Rhythmic Value Run Length |
1.835 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.514 |
| Mean Rhythmic Value Offset |
0.03626 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.3793 |
| Complete Rests Fraction |
0.0 |
| Partial Rests Fraction |
0.5307 |
| Average Rest Fraction Across Voices |
0.1619 |
| Longest Complete Rest |
0.0 |
| Longest Partial Rest |
196.0 |
| Mean Complete Rest Duration |
0.0 |
| Mean Partial Rest Duration |
15.85 |
| Median Complete Rest Duration |
0.0 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
40.37 |
| Variability Across Voices of Combined Rests |
99.4 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.7188 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1524 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
4.717 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8712 |
| Rhythmic Variability - Tempo Standardized |
0.05864 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
1103.0 |
| Initial Tempo |
100.0 |
| Average Variability of Time Between Attacks for Each Voice |
5.422 |
| Minimum Note Duration |
0.3 |
| Maximum Note Duration |
9.6 |
| Average Note Duration |
2.341 |
| Variability of Note Durations |
1.588 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
2.0 |
| Number of Moderate Rhythmic Pulses |
2.0 |
| Number of Relatively Strong Rhythmic Pulses |
1.0 |
| Mean Tempo |
100.0 |
| Strongest Rhythmic Pulse |
50.0 |
| Second Strongest Rhythmic Pulse |
100.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.8475 |
| Strength of Second Strongest Rhythmic Pulse |
0.1507 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
5.625 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.9981 |
| Rhythmic Variability |
0.06776 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
0.0 |
| Duration in Seconds |
508.8 |
| Note Density |
2.168 |
| Note Density Variability |
0.8398 |
| Average Time Between Attacks |
1.298 |
| Average Time Between Attacks for Each Voice |
2.876 |
| Variability of Time Between Attacks |
0.7924 |
| Maximum Number of Independent Voices |
6.0 |
| Relative Range of Loudest Voice |
0.3684 |
| Relative Range Isolation of Loudest Voice |
0.01515 |
| Relative Range of Highest Line |
0.3684 |
| Relative Note Density of Highest Line |
0.3808 |
| Relative Note Durations of Lowest Line |
0.9908 |
| Relative Size of Melodic Intervals in Lowest Line |
0.6 |
| Voice Overlap |
0.9393 |
| Voice Separation |
4.4 |
| Variability of Voice Separation |
2.51 |
| Parallel Motion |
0.04137 |
| Average Number of Independent Voices |
5.028 |
| Similar Motion |
0.1205 |
| Contrary Motion |
0.161 |
| Oblique Motion |
0.6772 |
| Parallel Fifths |
0.001799 |
| Parallel Octaves |
0.004496 |
| Variability of Number of Independent Voices |
1.079 |
| Voice Equality - Number of Notes |
40.61 |
| Voice Equality - Note Duration |
59.64 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.8165 |
| Voice Equality - Range |
2.422 |
| Importance of Loudest Voice |
0.0 |