| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.1967 |
| Prevalence of Second Most Common Vertical Interval |
0.1849 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9398 |
| Vertical Unisons |
0.03678 |
| Vertical Minor Seconds |
0.00187 |
| Vertical Thirds |
0.3117 |
| Vertical Tritones |
0.01309 |
| Vertical Perfect Fourths |
0.1119 |
| Vertical Perfect Fifths |
0.1967 |
| Vertical Sixths |
0.1356 |
| Vertical Sevenths |
0.024 |
| Vertical Octaves |
0.1397 |
| Perfect Vertical Intervals |
0.485 |
| Vertical Dissonance Ratio |
0.07255 |
| Vertical Minor Third Prevalence |
0.4889 |
| Vertical Major Third Prevalence |
0.5736 |
| Chord Duration |
1.68 |
| Partial Chords |
0.2536 |
| Standard Triads |
0.529 |
| Diminished and Augmented Triads |
0.02319 |
| Dominant Seventh Chords |
0.01014 |
| Seventh Chords |
0.02029 |
| Non-Standard Chords |
0.1971 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.1587 |
| Average Number of Simultaneous Pitch Classes |
2.71 |
| Variability of Number of Simultaneous Pitch Classes |
0.6013 |
| Average Number of Simultaneous Pitches |
3.308 |
| Variability of Number of Simultaneous Pitches |
0.7972 |
| Most Common Vertical Interval |
7.0 |
| Second Most Common Vertical Interval |
4.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2423 |
| Stepwise Motion |
0.6674 |
| Melodic Thirds |
0.1278 |
| Melodic Perfect Fourths |
0.05066 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.05066 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.03744 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
7.286 |
| Melodic Embellishments |
0.008734 |
| Direction of Melodic Motion |
0.4599 |
| Average Length of Melodic Arcs |
2.038 |
| Average Interval Spanned by Melodic Arcs |
5.471 |
| Melodic Pitch Variety |
5.316 |
| Mean Melodic Interval |
2.548 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4251 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5699 |
| Amount of Arpeggiation |
0.2819 |
| Repeated Notes |
0.06608 |
| Importance of Middle Register |
0.7795 |
| Importance of High Register |
0.0131 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
59.59 |
| Mean Pitch Class |
5.655 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.1245 |
| Prevalence of Most Common Pitch Class |
0.2031 |
| Relative Prevalence of Top Pitches |
0.7018 |
| Relative Prevalence of Top Pitch Classes |
0.8495 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
6.889 |
| Pitch Class Variability |
3.495 |
| Pitch Class Variability After Folding |
2.038 |
| Pitch Skewness |
-0.03613 |
| Pitch Class Skewness |
-0.2961 |
| Pitch Class Skewness After Folding |
0.05143 |
| Pitch Kurtosis |
5.563 |
| Pitch Class Kurtosis |
4.827 |
| Pitch Class Kurtosis After Folding |
5.991 |
| Major or Minor |
0.0 |
| First Pitch |
69.0 |
| First Pitch Class |
9.0 |
| Last Pitch |
50.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
25.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
1.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.2074 |
| Note Density per Quarter Note |
1.272 |
| Note Density per Quarter Note per Voice |
0.3181 |
| Note Density per Quarter Note Variability |
0.4516 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.01747 |
| Prevalence of Medium Rhythmic Values |
0.5939 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8013 |
| Prevalence of Very Long Rhythmic Values |
0.04148 |
| Prevalence of Dotted Notes |
0.04367 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.729 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3952 |
| Relative Prevalence of Most Common Rhythmic Values |
0.8398 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.585 |
| Rhythmic Value Skewness |
1.38 |
| Rhythmic Value Kurtosis |
10.05 |
| Mean Rhythmic Value Run Length |
1.869 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.34 |
| Mean Rhythmic Value Offset |
0.0 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.0 |
| Complete Rests Fraction |
0.0 |
| Partial Rests Fraction |
0.3667 |
| Average Rest Fraction Across Voices |
0.1319 |
| Longest Complete Rest |
0.0 |
| Longest Partial Rest |
36.0 |
| Mean Complete Rest Duration |
0.0 |
| Mean Partial Rest Duration |
6.786 |
| Median Complete Rest Duration |
0.0 |
| Median Partial Rest Duration |
4.0 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
7.951 |
| Variability Across Voices of Combined Rests |
7.188 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6416 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.173 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.709 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8146 |
| Rhythmic Variability - Tempo Standardized |
0.05391 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
458.0 |
| Initial Tempo |
120.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.155 |
| Minimum Note Duration |
0.25 |
| Maximum Note Duration |
6.0 |
| Average Note Duration |
1.365 |
| Variability of Note Durations |
0.7926 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
3.0 |
| Number of Relatively Strong Rhythmic Pulses |
1.0 |
| Mean Tempo |
120.0 |
| Strongest Rhythmic Pulse |
60.0 |
| Second Strongest Rhythmic Pulse |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.6416 |
| Strength of Second Strongest Rhythmic Pulse |
0.173 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
3.709 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.8146 |
| Rhythmic Variability |
0.05391 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
0.0 |
| Duration in Seconds |
180.0 |
| Note Density |
2.544 |
| Note Density Variability |
0.8556 |
| Average Time Between Attacks |
0.799 |
| Average Time Between Attacks for Each Voice |
1.471 |
| Variability of Time Between Attacks |
0.3683 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.3871 |
| Relative Range Isolation of Loudest Voice |
0.5263 |
| Relative Range of Highest Line |
0.3871 |
| Relative Note Density of Highest Line |
0.5939 |
| Relative Note Durations of Lowest Line |
1.029 |
| Relative Size of Melodic Intervals in Lowest Line |
0.8889 |
| Voice Overlap |
0.8144 |
| Voice Separation |
5.667 |
| Variability of Voice Separation |
2.309 |
| Parallel Motion |
0.02658 |
| Average Number of Independent Voices |
3.472 |
| Similar Motion |
0.1534 |
| Contrary Motion |
0.2045 |
| Oblique Motion |
0.6155 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.7988 |
| Voice Equality - Number of Notes |
4.041 |
| Voice Equality - Note Duration |
3.594 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
2.449 |
| Importance of Loudest Voice |
0.0 |