| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2724 |
| Prevalence of Second Most Common Vertical Interval |
0.1992 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.7312 |
| Vertical Unisons |
0.06485 |
| Vertical Minor Seconds |
0.0 |
| Vertical Thirds |
0.3071 |
| Vertical Tritones |
0.001423 |
| Vertical Perfect Fourths |
0.1057 |
| Vertical Perfect Fifths |
0.1992 |
| Vertical Sixths |
0.1125 |
| Vertical Sevenths |
0.0007488 |
| Vertical Octaves |
0.2076 |
| Perfect Vertical Intervals |
0.5774 |
| Vertical Dissonance Ratio |
0.00308 |
| Vertical Minor Third Prevalence |
0.7334 |
| Vertical Major Third Prevalence |
0.8576 |
| Chord Duration |
1.772 |
| Partial Chords |
0.05 |
| Standard Triads |
0.925 |
| Diminished and Augmented Triads |
0.006667 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.0 |
| Non-Standard Chords |
0.025 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.357 |
| Average Number of Simultaneous Pitch Classes |
2.937 |
| Variability of Number of Simultaneous Pitch Classes |
0.2687 |
| Average Number of Simultaneous Pitches |
4.568 |
| Variability of Number of Simultaneous Pitches |
1.066 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2094 |
| Stepwise Motion |
0.3953 |
| Melodic Thirds |
0.09986 |
| Melodic Perfect Fourths |
0.07906 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.06796 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.004161 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
0.0 |
| Minor Major Melodic Third Ratio |
3.235 |
| Melodic Embellishments |
0.0 |
| Direction of Melodic Motion |
0.5322 |
| Average Length of Melodic Arcs |
1.465 |
| Average Interval Spanned by Melodic Arcs |
4.06 |
| Melodic Pitch Variety |
3.825 |
| Mean Melodic Interval |
1.825 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.3537 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5922 |
| Amount of Arpeggiation |
0.5257 |
| Repeated Notes |
0.3537 |
| Importance of Middle Register |
0.7791 |
| Importance of High Register |
0.09191 |
| Dominant Spread |
3.0 |
| Strong Tonal Centres |
1.0 |
| Mean Pitch |
62.5 |
| Mean Pitch Class |
5.193 |
| Most Common Pitch |
69.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.1152 |
| Prevalence of Most Common Pitch Class |
0.2373 |
| Relative Prevalence of Top Pitches |
0.9524 |
| Relative Prevalence of Top Pitch Classes |
0.8439 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
7.354 |
| Pitch Class Variability |
3.335 |
| Pitch Class Variability After Folding |
3.105 |
| Pitch Skewness |
-0.3861 |
| Pitch Class Skewness |
0.174 |
| Pitch Class Skewness After Folding |
0.6083 |
| Pitch Kurtosis |
5.717 |
| Pitch Class Kurtosis |
4.681 |
| Pitch Class Kurtosis After Folding |
6.59 |
| Major or Minor |
0.0 |
| First Pitch |
50.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
50.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
26.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
2.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.1289 |
| Note Density per Quarter Note |
2.367 |
| Note Density per Quarter Note per Voice |
0.2959 |
| Note Density per Quarter Note Variability |
0.8024 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.009602 |
| Prevalence of Medium Rhythmic Values |
0.7737 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7531 |
| Prevalence of Very Long Rhythmic Values |
0.02743 |
| Prevalence of Dotted Notes |
0.1152 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.191 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.5267 |
| Relative Prevalence of Most Common Rhythmic Values |
0.4323 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.154 |
| Rhythmic Value Skewness |
0.4956 |
| Rhythmic Value Kurtosis |
14.42 |
| Mean Rhythmic Value Run Length |
1.695 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
2.074 |
| Mean Rhythmic Value Offset |
0.0 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.0 |
| Complete Rests Fraction |
0.01722 |
| Partial Rests Fraction |
0.6544 |
| Average Rest Fraction Across Voices |
0.3372 |
| Longest Complete Rest |
2.273 |
| Longest Partial Rest |
88.65 |
| Mean Complete Rest Duration |
1.768 |
| Mean Partial Rest Duration |
7.101 |
| Median Complete Rest Duration |
1.515 |
| Median Partial Rest Duration |
4.546 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.4375 |
| Variability of Partial Rest Durations |
15.64 |
| Variability Across Voices of Combined Rests |
38.69 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
4.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
1.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5382 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2766 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.946 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8148 |
| Rhythmic Variability - Tempo Standardized |
0.04916 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
3.0 |
| Total Number of Notes |
729.0 |
| Initial Tempo |
180.0 |
| Average Variability of Time Between Attacks for Each Voice |
3.079 |
| Minimum Note Duration |
0.1667 |
| Maximum Note Duration |
6.0 |
| Average Note Duration |
0.9856 |
| Variability of Note Durations |
0.5743 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
4.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
142.4 |
| Strongest Rhythmic Pulse |
69.0 |
| Second Strongest Rhythmic Pulse |
46.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.5382 |
| Strength of Second Strongest Rhythmic Pulse |
0.2766 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.946 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.8148 |
| Rhythmic Variability |
0.04916 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
29.82 |
| Duration in Seconds |
135.5 |
| Note Density |
5.38 |
| Note Density Variability |
1.716 |
| Average Time Between Attacks |
0.8221 |
| Average Time Between Attacks for Each Voice |
1.573 |
| Variability of Time Between Attacks |
0.4901 |
| Maximum Number of Independent Voices |
8.0 |
| Relative Range of Loudest Voice |
0.2258 |
| Relative Range Isolation of Loudest Voice |
0.0 |
| Relative Range of Highest Line |
0.2258 |
| Relative Note Density of Highest Line |
0.7901 |
| Relative Note Durations of Lowest Line |
1.128 |
| Relative Size of Melodic Intervals in Lowest Line |
0.6667 |
| Voice Overlap |
0.9767 |
| Voice Separation |
3.286 |
| Variability of Voice Separation |
1.704 |
| Parallel Motion |
0.08094 |
| Average Number of Independent Voices |
5.288 |
| Similar Motion |
0.2637 |
| Contrary Motion |
0.2872 |
| Oblique Motion |
0.3681 |
| Parallel Fifths |
0.002611 |
| Parallel Octaves |
0.002611 |
| Variability of Number of Independent Voices |
1.9 |
| Voice Equality - Number of Notes |
27.13 |
| Voice Equality - Note Duration |
17.02 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.9258 |
| Voice Equality - Range |
2.997 |
| Importance of Loudest Voice |
0.0 |