| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.3426 |
| Prevalence of Second Most Common Vertical Interval |
0.1745 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.5095 |
| Vertical Unisons |
0.2144 |
| Vertical Minor Seconds |
0.003817 |
| Vertical Thirds |
0.2419 |
| Vertical Tritones |
0.005103 |
| Vertical Perfect Fourths |
0.08691 |
| Vertical Perfect Fifths |
0.1745 |
| Vertical Sixths |
0.1121 |
| Vertical Sevenths |
0.01272 |
| Vertical Octaves |
0.1282 |
| Perfect Vertical Intervals |
0.6041 |
| Vertical Dissonance Ratio |
0.04383 |
| Vertical Minor Third Prevalence |
0.4782 |
| Vertical Major Third Prevalence |
0.5032 |
| Chord Duration |
1.265 |
| Partial Chords |
0.2188 |
| Standard Triads |
0.6017 |
| Diminished and Augmented Triads |
0.015 |
| Dominant Seventh Chords |
0.001667 |
| Seventh Chords |
0.01 |
| Non-Standard Chords |
0.1696 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.2881 |
| Average Number of Simultaneous Pitch Classes |
2.542 |
| Variability of Number of Simultaneous Pitch Classes |
0.7941 |
| Average Number of Simultaneous Pitches |
3.183 |
| Variability of Number of Simultaneous Pitches |
1.159 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1855 |
| Stepwise Motion |
0.4954 |
| Melodic Thirds |
0.1719 |
| Melodic Perfect Fourths |
0.05371 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.034 |
| Melodic Sixths |
0.008887 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01005 |
| Melodic Large Intervals |
0.0007728 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.557 |
| Melodic Embellishments |
0.0131 |
| Direction of Melodic Motion |
0.5042 |
| Average Length of Melodic Arcs |
1.699 |
| Average Interval Spanned by Melodic Arcs |
4.582 |
| Melodic Pitch Variety |
4.503 |
| Mean Melodic Interval |
2.102 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.3099 |
| Relative Prevalence of Most Common Melodic Intervals |
0.7269 |
| Amount of Arpeggiation |
0.4413 |
| Repeated Notes |
0.2253 |
| Importance of Middle Register |
0.8436 |
| Importance of High Register |
0.07088 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
63.02 |
| Mean Pitch Class |
4.911 |
| Most Common Pitch |
60.0 |
| Most Common Pitch Class |
0.0 |
| Prevalence of Most Common Pitch |
0.1002 |
| Prevalence of Most Common Pitch Class |
0.2034 |
| Relative Prevalence of Top Pitches |
0.9692 |
| Relative Prevalence of Top Pitch Classes |
0.8258 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
6.712 |
| Pitch Class Variability |
3.525 |
| Pitch Class Variability After Folding |
3.528 |
| Pitch Skewness |
-0.1341 |
| Pitch Class Skewness |
-0.07573 |
| Pitch Class Skewness After Folding |
0.3888 |
| Pitch Kurtosis |
5.376 |
| Pitch Class Kurtosis |
4.848 |
| Pitch Class Kurtosis After Folding |
6.271 |
| Major or Minor |
0.0 |
| First Pitch |
48.0 |
| First Pitch Class |
0.0 |
| Last Pitch |
45.0 |
| Last Pitch Class |
9.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
29.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
4.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
34.0 |
| Importance of Bass Register |
0.08552 |
| Note Density per Quarter Note |
1.803 |
| Note Density per Quarter Note per Voice |
0.2575 |
| Note Density per Quarter Note Variability |
0.8949 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.004622 |
| Prevalence of Medium Rhythmic Values |
0.6599 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7739 |
| Prevalence of Very Long Rhythmic Values |
0.07743 |
| Prevalence of Dotted Notes |
0.07049 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.702 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4337 |
| Relative Prevalence of Most Common Rhythmic Values |
0.5107 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.857 |
| Rhythmic Value Skewness |
1.134 |
| Rhythmic Value Kurtosis |
10.62 |
| Mean Rhythmic Value Run Length |
1.874 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.727 |
| Mean Rhythmic Value Offset |
0.03544 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.7961 |
| Complete Rests Fraction |
0.01245 |
| Partial Rests Fraction |
0.7675 |
| Average Rest Fraction Across Voices |
0.3123 |
| Longest Complete Rest |
1.993 |
| Longest Partial Rest |
372.0 |
| Mean Complete Rest Duration |
1.196 |
| Mean Partial Rest Duration |
15.9 |
| Median Complete Rest Duration |
1.328 |
| Median Partial Rest Duration |
5.314 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.3724 |
| Variability of Partial Rest Durations |
42.25 |
| Variability Across Voices of Combined Rests |
152.1 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6348 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.184 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.45 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8188 |
| Rhythmic Variability - Tempo Standardized |
0.05373 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
2596.0 |
| Initial Tempo |
120.0 |
| Average Variability of Time Between Attacks for Each Voice |
9.159 |
| Minimum Note Duration |
0.25 |
| Maximum Note Duration |
32.0 |
| Average Note Duration |
2.011 |
| Variability of Note Durations |
1.864 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
2.0 |
| Number of Moderate Rhythmic Pulses |
2.0 |
| Number of Relatively Strong Rhythmic Pulses |
1.0 |
| Mean Tempo |
89.67 |
| Strongest Rhythmic Pulse |
40.0 |
| Second Strongest Rhythmic Pulse |
80.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.7766 |
| Strength of Second Strongest Rhythmic Pulse |
0.2163 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
3.591 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.9929 |
| Rhythmic Variability |
0.06343 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
30.0 |
| Duration in Seconds |
1084.0 |
| Note Density |
2.395 |
| Note Density Variability |
1.827 |
| Average Time Between Attacks |
1.179 |
| Average Time Between Attacks for Each Voice |
2.951 |
| Variability of Time Between Attacks |
0.6962 |
| Maximum Number of Independent Voices |
7.0 |
| Relative Range of Loudest Voice |
0.5 |
| Relative Range Isolation of Loudest Voice |
0.0 |
| Relative Range of Highest Line |
0.5 |
| Relative Note Density of Highest Line |
0.1914 |
| Relative Note Durations of Lowest Line |
0.9872 |
| Relative Size of Melodic Intervals in Lowest Line |
0.7 |
| Voice Overlap |
0.9958 |
| Voice Separation |
2.833 |
| Variability of Voice Separation |
2.858 |
| Parallel Motion |
0.02436 |
| Average Number of Independent Voices |
5.003 |
| Similar Motion |
0.1055 |
| Contrary Motion |
0.1468 |
| Oblique Motion |
0.7233 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
1.971 |
| Voice Equality - Number of Notes |
76.73 |
| Voice Equality - Note Duration |
114.5 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.5345 |
| Voice Equality - Range |
1.704 |
| Importance of Loudest Voice |
0.0 |