| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2614 |
| Prevalence of Second Most Common Vertical Interval |
0.193 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.7385 |
| Vertical Unisons |
0.06442 |
| Vertical Minor Seconds |
0.004397 |
| Vertical Thirds |
0.2694 |
| Vertical Tritones |
0.01355 |
| Vertical Perfect Fourths |
0.0996 |
| Vertical Perfect Fifths |
0.193 |
| Vertical Sixths |
0.1112 |
| Vertical Sevenths |
0.01741 |
| Vertical Octaves |
0.1969 |
| Perfect Vertical Intervals |
0.554 |
| Vertical Dissonance Ratio |
0.07001 |
| Vertical Minor Third Prevalence |
0.675 |
| Vertical Major Third Prevalence |
0.6889 |
| Chord Duration |
1.139 |
| Partial Chords |
0.05294 |
| Standard Triads |
0.6559 |
| Diminished and Augmented Triads |
0.04412 |
| Dominant Seventh Chords |
0.01765 |
| Seventh Chords |
0.03235 |
| Non-Standard Chords |
0.2588 |
| Complex Chords |
0.01471 |
| Minor Major Triad Ratio |
0.212 |
| Average Number of Simultaneous Pitch Classes |
2.983 |
| Variability of Number of Simultaneous Pitch Classes |
0.6665 |
| Average Number of Simultaneous Pitches |
4.586 |
| Variability of Number of Simultaneous Pitches |
1.509 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.174 |
| Stepwise Motion |
0.5301 |
| Melodic Thirds |
0.09919 |
| Melodic Perfect Fourths |
0.09268 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.07642 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.02439 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.542 |
| Melodic Embellishments |
0.01284 |
| Direction of Melodic Motion |
0.4862 |
| Average Length of Melodic Arcs |
1.84 |
| Average Interval Spanned by Melodic Arcs |
5.502 |
| Melodic Pitch Variety |
4.336 |
| Mean Melodic Interval |
2.514 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.3561 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4977 |
| Amount of Arpeggiation |
0.3772 |
| Repeated Notes |
0.1772 |
| Importance of Middle Register |
0.6645 |
| Importance of High Register |
0.05457 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
58.52 |
| Mean Pitch Class |
5.488 |
| Most Common Pitch |
57.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.1124 |
| Prevalence of Most Common Pitch Class |
0.2279 |
| Relative Prevalence of Top Pitches |
0.9286 |
| Relative Prevalence of Top Pitch Classes |
0.838 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
7.596 |
| Pitch Class Variability |
3.264 |
| Pitch Class Variability After Folding |
1.886 |
| Pitch Skewness |
0.05198 |
| Pitch Class Skewness |
-0.4707 |
| Pitch Class Skewness After Folding |
0.9396 |
| Pitch Kurtosis |
5.442 |
| Pitch Class Kurtosis |
4.734 |
| Pitch Class Kurtosis After Folding |
5.156 |
| Major or Minor |
0.0 |
| First Pitch |
50.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
50.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
24.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
9.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
38.0 |
| Importance of Bass Register |
0.2809 |
| Note Density per Quarter Note |
1.731 |
| Note Density per Quarter Note per Voice |
0.2163 |
| Note Density per Quarter Note Variability |
0.9205 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.006421 |
| Prevalence of Medium Rhythmic Values |
0.5891 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7849 |
| Prevalence of Very Long Rhythmic Values |
0.1268 |
| Prevalence of Dotted Notes |
0.1043 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.072 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.374 |
| Relative Prevalence of Most Common Rhythmic Values |
0.588 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.296 |
| Rhythmic Value Skewness |
1.401 |
| Rhythmic Value Kurtosis |
9.192 |
| Mean Rhythmic Value Run Length |
1.653 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.153 |
| Mean Rhythmic Value Offset |
0.02568 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.3197 |
| Complete Rests Fraction |
0.0 |
| Partial Rests Fraction |
0.7794 |
| Average Rest Fraction Across Voices |
0.3263 |
| Longest Complete Rest |
0.0 |
| Longest Partial Rest |
107.2 |
| Mean Complete Rest Duration |
0.0 |
| Mean Partial Rest Duration |
17.09 |
| Median Complete Rest Duration |
0.0 |
| Median Partial Rest Duration |
6.618 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
25.93 |
| Variability Across Voices of Combined Rests |
37.98 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5991 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2024 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.959 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8015 |
| Rhythmic Variability - Tempo Standardized |
0.0519 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
623.0 |
| Initial Tempo |
100.0 |
| Average Variability of Time Between Attacks for Each Voice |
8.872 |
| Minimum Note Duration |
0.3 |
| Maximum Note Duration |
19.2 |
| Average Note Duration |
2.824 |
| Variability of Note Durations |
2.504 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
1.0 |
| Number of Moderate Rhythmic Pulses |
3.0 |
| Number of Relatively Strong Rhythmic Pulses |
1.0 |
| Mean Tempo |
74.44 |
| Strongest Rhythmic Pulse |
67.0 |
| Second Strongest Rhythmic Pulse |
132.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.97 |
| Strength of Strongest Rhythmic Pulse |
0.9669 |
| Strength of Second Strongest Rhythmic Pulse |
0.01987 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
48.67 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.9868 |
| Rhythmic Variability |
0.07621 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
24.99 |
| Duration in Seconds |
326.4 |
| Note Density |
1.909 |
| Note Density Variability |
1.409 |
| Average Time Between Attacks |
1.367 |
| Average Time Between Attacks for Each Voice |
4.31 |
| Variability of Time Between Attacks |
0.8285 |
| Maximum Number of Independent Voices |
8.0 |
| Relative Range of Loudest Voice |
0.3684 |
| Relative Range Isolation of Loudest Voice |
0.0 |
| Relative Range of Highest Line |
0.3684 |
| Relative Note Density of Highest Line |
0.8989 |
| Relative Note Durations of Lowest Line |
1.151 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.9968 |
| Voice Separation |
3.143 |
| Variability of Voice Separation |
2.035 |
| Parallel Motion |
0.01968 |
| Average Number of Independent Voices |
5.361 |
| Similar Motion |
0.1342 |
| Contrary Motion |
0.1234 |
| Oblique Motion |
0.7227 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.003578 |
| Variability of Number of Independent Voices |
1.952 |
| Voice Equality - Number of Notes |
23.21 |
| Voice Equality - Note Duration |
34.44 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.7559 |
| Voice Equality - Range |
2.696 |
| Importance of Loudest Voice |
0.0 |