| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2006 |
| Prevalence of Second Most Common Vertical Interval |
0.1933 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9633 |
| Vertical Unisons |
0.03961 |
| Vertical Minor Seconds |
0.001914 |
| Vertical Thirds |
0.2882 |
| Vertical Tritones |
0.01148 |
| Vertical Perfect Fourths |
0.1101 |
| Vertical Perfect Fifths |
0.1933 |
| Vertical Sixths |
0.1458 |
| Vertical Sevenths |
0.02354 |
| Vertical Octaves |
0.161 |
| Perfect Vertical Intervals |
0.504 |
| Vertical Dissonance Ratio |
0.0661 |
| Vertical Minor Third Prevalence |
0.5498 |
| Vertical Major Third Prevalence |
0.4601 |
| Chord Duration |
4.184 |
| Partial Chords |
0.2609 |
| Standard Triads |
0.5351 |
| Diminished and Augmented Triads |
0.03605 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.02087 |
| Non-Standard Chords |
0.1831 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.848 |
| Average Number of Simultaneous Pitch Classes |
2.702 |
| Variability of Number of Simultaneous Pitch Classes |
0.619 |
| Average Number of Simultaneous Pitches |
3.396 |
| Variability of Number of Simultaneous Pitches |
0.7779 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2302 |
| Stepwise Motion |
0.6358 |
| Melodic Thirds |
0.1321 |
| Melodic Perfect Fourths |
0.04906 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.07547 |
| Melodic Sixths |
0.001887 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.02264 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
4.0 |
| Melodic Embellishments |
0.01124 |
| Direction of Melodic Motion |
0.4815 |
| Average Length of Melodic Arcs |
1.876 |
| Average Interval Spanned by Melodic Arcs |
5.116 |
| Melodic Pitch Variety |
5.404 |
| Mean Melodic Interval |
2.525 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4057 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5674 |
| Amount of Arpeggiation |
0.3132 |
| Repeated Notes |
0.08302 |
| Importance of Middle Register |
0.6386 |
| Importance of High Register |
0.009363 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
1.0 |
| Mean Pitch |
57.38 |
| Mean Pitch Class |
5.294 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.1011 |
| Prevalence of Most Common Pitch Class |
0.206 |
| Relative Prevalence of Top Pitches |
0.9444 |
| Relative Prevalence of Top Pitch Classes |
0.9455 |
| Interval Between Most Prevalent Pitches |
12.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
7.909 |
| Pitch Class Variability |
3.489 |
| Pitch Class Variability After Folding |
3.116 |
| Pitch Skewness |
0.3758 |
| Pitch Class Skewness |
0.2528 |
| Pitch Class Skewness After Folding |
0.467 |
| Pitch Kurtosis |
5.132 |
| Pitch Class Kurtosis |
4.77 |
| Pitch Class Kurtosis After Folding |
7.15 |
| Major or Minor |
0.0 |
| First Pitch |
62.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
50.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
27.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.3521 |
| Note Density per Quarter Note |
0.9674 |
| Note Density per Quarter Note per Voice |
0.2418 |
| Note Density per Quarter Note Variability |
0.5662 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.003745 |
| Prevalence of Medium Rhythmic Values |
0.4551 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8783 |
| Prevalence of Very Long Rhythmic Values |
0.1929 |
| Prevalence of Dotted Notes |
0.1011 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.704 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3333 |
| Relative Prevalence of Most Common Rhythmic Values |
0.9213 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.461 |
| Rhythmic Value Skewness |
-0.3606 |
| Rhythmic Value Kurtosis |
7.287 |
| Mean Rhythmic Value Run Length |
1.786 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.237 |
| Mean Rhythmic Value Offset |
0.0 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.0 |
| Complete Rests Fraction |
0.0 |
| Partial Rests Fraction |
0.3369 |
| Average Rest Fraction Across Voices |
0.1252 |
| Longest Complete Rest |
0.0 |
| Longest Partial Rest |
68.88 |
| Mean Complete Rest Duration |
0.0 |
| Mean Partial Rest Duration |
9.875 |
| Median Complete Rest Duration |
0.0 |
| Median Partial Rest Duration |
3.444 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
15.6 |
| Variability Across Voices of Combined Rests |
32.31 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6414 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1915 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.35 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8329 |
| Rhythmic Variability - Tempo Standardized |
0.05407 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
534.0 |
| Initial Tempo |
110.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.091 |
| Minimum Note Duration |
0.1224 |
| Maximum Note Duration |
6.545 |
| Average Note Duration |
1.146 |
| Variability of Note Durations |
0.8742 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
2.0 |
| Number of Moderate Rhythmic Pulses |
4.0 |
| Number of Relatively Strong Rhythmic Pulses |
2.0 |
| Mean Tempo |
212.7 |
| Strongest Rhythmic Pulse |
48.0 |
| Second Strongest Rhythmic Pulse |
95.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.979 |
| Strength of Strongest Rhythmic Pulse |
0.4914 |
| Strength of Second Strongest Rhythmic Pulse |
0.3237 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.518 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.8151 |
| Rhythmic Variability |
0.04717 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
57.58 |
| Duration in Seconds |
174.9 |
| Note Density |
3.054 |
| Note Density Variability |
1.513 |
| Average Time Between Attacks |
0.6842 |
| Average Time Between Attacks for Each Voice |
1.273 |
| Variability of Time Between Attacks |
0.3932 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.3939 |
| Relative Range Isolation of Loudest Voice |
0.5564 |
| Relative Range of Highest Line |
0.3939 |
| Relative Note Density of Highest Line |
0.5019 |
| Relative Note Durations of Lowest Line |
0.8458 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.7753 |
| Voice Separation |
6.0 |
| Variability of Voice Separation |
1.732 |
| Parallel Motion |
0.04437 |
| Average Number of Independent Voices |
3.583 |
| Similar Motion |
0.1451 |
| Contrary Motion |
0.2099 |
| Oblique Motion |
0.6007 |
| Parallel Fifths |
0.003413 |
| Parallel Octaves |
0.005119 |
| Variability of Number of Independent Voices |
0.7496 |
| Voice Equality - Number of Notes |
31.48 |
| Voice Equality - Note Duration |
10.24 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
2.062 |
| Importance of Loudest Voice |
0.0 |