| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.257 |
| Prevalence of Second Most Common Vertical Interval |
0.1856 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.7221 |
| Vertical Unisons |
0.09285 |
| Vertical Minor Seconds |
0.005277 |
| Vertical Thirds |
0.2579 |
| Vertical Tritones |
0.007509 |
| Vertical Perfect Fourths |
0.1239 |
| Vertical Perfect Fifths |
0.1856 |
| Vertical Sixths |
0.113 |
| Vertical Sevenths |
0.01974 |
| Vertical Octaves |
0.1642 |
| Perfect Vertical Intervals |
0.5665 |
| Vertical Dissonance Ratio |
0.06679 |
| Vertical Minor Third Prevalence |
0.6325 |
| Vertical Major Third Prevalence |
0.5958 |
| Chord Duration |
1.069 |
| Partial Chords |
0.1546 |
| Standard Triads |
0.5945 |
| Diminished and Augmented Triads |
0.01546 |
| Dominant Seventh Chords |
0.001718 |
| Seventh Chords |
0.01718 |
| Non-Standard Chords |
0.2337 |
| Complex Chords |
0.006873 |
| Minor Major Triad Ratio |
1.813 |
| Average Number of Simultaneous Pitch Classes |
2.89 |
| Variability of Number of Simultaneous Pitch Classes |
0.6093 |
| Average Number of Simultaneous Pitches |
3.932 |
| Variability of Number of Simultaneous Pitches |
1.046 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2456 |
| Stepwise Motion |
0.6316 |
| Melodic Thirds |
0.114 |
| Melodic Perfect Fourths |
0.07895 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.05848 |
| Melodic Sixths |
0.001949 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01852 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
4.318 |
| Melodic Embellishments |
0.02326 |
| Direction of Melodic Motion |
0.5038 |
| Average Length of Melodic Arcs |
1.877 |
| Average Interval Spanned by Melodic Arcs |
5.012 |
| Melodic Pitch Variety |
4.856 |
| Mean Melodic Interval |
2.425 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.386 |
| Relative Prevalence of Most Common Melodic Intervals |
0.6364 |
| Amount of Arpeggiation |
0.2875 |
| Repeated Notes |
0.09649 |
| Importance of Middle Register |
0.7888 |
| Importance of High Register |
0.001938 |
| Dominant Spread |
4.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
59.05 |
| Mean Pitch Class |
5.829 |
| Most Common Pitch |
64.0 |
| Most Common Pitch Class |
4.0 |
| Prevalence of Most Common Pitch |
0.1405 |
| Prevalence of Most Common Pitch Class |
0.2374 |
| Relative Prevalence of Top Pitches |
0.9172 |
| Relative Prevalence of Top Pitch Classes |
0.8082 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
6.272 |
| Pitch Class Variability |
3.526 |
| Pitch Class Variability After Folding |
2.223 |
| Pitch Skewness |
0.1854 |
| Pitch Class Skewness |
-0.1451 |
| Pitch Class Skewness After Folding |
-0.7009 |
| Pitch Kurtosis |
5.8 |
| Pitch Class Kurtosis |
4.832 |
| Pitch Class Kurtosis After Folding |
7.703 |
| Major or Minor |
0.0 |
| First Pitch |
57.0 |
| First Pitch Class |
9.0 |
| Last Pitch |
45.0 |
| Last Pitch Class |
9.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
28.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
4.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
34.0 |
| Importance of Bass Register |
0.2093 |
| Note Density per Quarter Note |
1.72 |
| Note Density per Quarter Note per Voice |
0.2867 |
| Note Density per Quarter Note Variability |
0.58 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.007752 |
| Prevalence of Medium Rhythmic Values |
0.6531 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7674 |
| Prevalence of Very Long Rhythmic Values |
0.08043 |
| Prevalence of Dotted Notes |
0.1037 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.692 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4205 |
| Relative Prevalence of Most Common Rhythmic Values |
0.5346 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.886 |
| Rhythmic Value Skewness |
1.1 |
| Rhythmic Value Kurtosis |
11.25 |
| Mean Rhythmic Value Run Length |
1.654 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.086 |
| Mean Rhythmic Value Offset |
0.05814 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.9712 |
| Complete Rests Fraction |
0.0 |
| Partial Rests Fraction |
0.6726 |
| Average Rest Fraction Across Voices |
0.2168 |
| Longest Complete Rest |
0.0 |
| Longest Partial Rest |
39.82 |
| Mean Complete Rest Duration |
0.0 |
| Mean Partial Rest Duration |
10.84 |
| Median Complete Rest Duration |
0.0 |
| Median Partial Rest Duration |
7.965 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
9.976 |
| Variability Across Voices of Combined Rests |
16.73 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.581 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2152 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.699 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7962 |
| Rhythmic Variability - Tempo Standardized |
0.05101 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
1032.0 |
| Initial Tempo |
120.0 |
| Average Variability of Time Between Attacks for Each Voice |
3.808 |
| Minimum Note Duration |
0.25 |
| Maximum Note Duration |
32.0 |
| Average Note Duration |
2.058 |
| Variability of Note Durations |
2.126 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
2.0 |
| Number of Moderate Rhythmic Pulses |
2.0 |
| Number of Relatively Strong Rhythmic Pulses |
2.0 |
| Mean Tempo |
89.6 |
| Strongest Rhythmic Pulse |
40.0 |
| Second Strongest Rhythmic Pulse |
80.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.7409 |
| Strength of Second Strongest Rhythmic Pulse |
0.2509 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
2.953 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.9919 |
| Rhythmic Variability |
0.06153 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
30.0 |
| Duration in Seconds |
452.0 |
| Note Density |
2.283 |
| Note Density Variability |
1.26 |
| Average Time Between Attacks |
1.113 |
| Average Time Between Attacks for Each Voice |
2.545 |
| Variability of Time Between Attacks |
0.5638 |
| Maximum Number of Independent Voices |
6.0 |
| Relative Range of Loudest Voice |
0.5 |
| Relative Range Isolation of Loudest Voice |
0.604 |
| Relative Range of Highest Line |
0.5 |
| Relative Note Density of Highest Line |
0.3953 |
| Relative Note Durations of Lowest Line |
1.15 |
| Relative Size of Melodic Intervals in Lowest Line |
0.5 |
| Voice Overlap |
0.8818 |
| Voice Separation |
3.8 |
| Variability of Voice Separation |
3.564 |
| Parallel Motion |
0.04437 |
| Average Number of Independent Voices |
4.73 |
| Similar Motion |
0.1299 |
| Contrary Motion |
0.1385 |
| Oblique Motion |
0.6872 |
| Parallel Fifths |
0.003247 |
| Parallel Octaves |
0.004329 |
| Variability of Number of Independent Voices |
1.199 |
| Voice Equality - Number of Notes |
18.99 |
| Voice Equality - Note Duration |
12.6 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.6325 |
| Voice Equality - Range |
1.329 |
| Importance of Loudest Voice |
0.0 |