| Distance Between Two Most Common Vertical Intervals |
4.0 |
| Prevalence of Most Common Vertical Interval |
0.1802 |
| Prevalence of Second Most Common Vertical Interval |
0.1668 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9255 |
| Vertical Unisons |
0.01898 |
| Vertical Minor Seconds |
0.005301 |
| Vertical Thirds |
0.3228 |
| Vertical Tritones |
0.02292 |
| Vertical Perfect Fourths |
0.1035 |
| Vertical Perfect Fifths |
0.1802 |
| Vertical Sixths |
0.1454 |
| Vertical Sevenths |
0.02343 |
| Vertical Octaves |
0.1421 |
| Perfect Vertical Intervals |
0.4448 |
| Vertical Dissonance Ratio |
0.09535 |
| Vertical Minor Third Prevalence |
0.5868 |
| Vertical Major Third Prevalence |
0.5207 |
| Chord Duration |
1.078 |
| Partial Chords |
0.1799 |
| Standard Triads |
0.5282 |
| Diminished and Augmented Triads |
0.06965 |
| Dominant Seventh Chords |
0.004146 |
| Seventh Chords |
0.01824 |
| Non-Standard Chords |
0.2736 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.3728 |
| Average Number of Simultaneous Pitch Classes |
2.806 |
| Variability of Number of Simultaneous Pitch Classes |
0.5936 |
| Average Number of Simultaneous Pitches |
3.44 |
| Variability of Number of Simultaneous Pitches |
0.7611 |
| Most Common Vertical Interval |
7.0 |
| Second Most Common Vertical Interval |
3.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2151 |
| Stepwise Motion |
0.6827 |
| Melodic Thirds |
0.09495 |
| Melodic Perfect Fourths |
0.07212 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03245 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01923 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.633 |
| Melodic Embellishments |
0.01555 |
| Direction of Melodic Motion |
0.4573 |
| Average Length of Melodic Arcs |
2.038 |
| Average Interval Spanned by Melodic Arcs |
5.144 |
| Melodic Pitch Variety |
5.405 |
| Mean Melodic Interval |
2.29 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4675 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4602 |
| Amount of Arpeggiation |
0.2452 |
| Repeated Notes |
0.09856 |
| Importance of Middle Register |
0.7751 |
| Importance of High Register |
0.008373 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
58.9 |
| Mean Pitch Class |
5.057 |
| Most Common Pitch |
60.0 |
| Most Common Pitch Class |
0.0 |
| Prevalence of Most Common Pitch |
0.1196 |
| Prevalence of Most Common Pitch Class |
0.1902 |
| Relative Prevalence of Top Pitches |
0.86 |
| Relative Prevalence of Top Pitch Classes |
0.9748 |
| Interval Between Most Prevalent Pitches |
2.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
6.669 |
| Pitch Class Variability |
3.665 |
| Pitch Class Variability After Folding |
3.031 |
| Pitch Skewness |
-0.2626 |
| Pitch Class Skewness |
0.047 |
| Pitch Class Skewness After Folding |
1.066 |
| Pitch Kurtosis |
5.646 |
| Pitch Class Kurtosis |
4.825 |
| Pitch Class Kurtosis After Folding |
7.467 |
| Major or Minor |
0.0 |
| First Pitch |
67.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
24.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.2165 |
| Note Density per Quarter Note |
1.323 |
| Note Density per Quarter Note per Voice |
0.3307 |
| Note Density per Quarter Note Variability |
0.471 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.01435 |
| Prevalence of Medium Rhythmic Values |
0.6328 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7392 |
| Prevalence of Very Long Rhythmic Values |
0.06818 |
| Prevalence of Dotted Notes |
0.0945 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.627 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.372 |
| Relative Prevalence of Most Common Rhythmic Values |
0.6624 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.705 |
| Rhythmic Value Skewness |
1.103 |
| Rhythmic Value Kurtosis |
9.588 |
| Mean Rhythmic Value Run Length |
1.771 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.271 |
| Mean Rhythmic Value Offset |
0.02392 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.5702 |
| Complete Rests Fraction |
0.008421 |
| Partial Rests Fraction |
0.3516 |
| Average Rest Fraction Across Voices |
0.1163 |
| Longest Complete Rest |
5.322 |
| Longest Partial Rest |
37.25 |
| Mean Complete Rest Duration |
5.322 |
| Mean Partial Rest Duration |
5.655 |
| Median Complete Rest Duration |
5.322 |
| Median Partial Rest Duration |
2.661 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
8.065 |
| Variability Across Voices of Combined Rests |
40.19 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5551 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2246 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.471 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7798 |
| Rhythmic Variability - Tempo Standardized |
0.04982 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
836.0 |
| Initial Tempo |
100.0 |
| Average Variability of Time Between Attacks for Each Voice |
2.69 |
| Minimum Note Duration |
0.3 |
| Maximum Note Duration |
33.6 |
| Average Note Duration |
2.41 |
| Variability of Note Durations |
2.183 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
1.0 |
| Number of Moderate Rhythmic Pulses |
3.0 |
| Number of Relatively Strong Rhythmic Pulses |
1.0 |
| Mean Tempo |
74.84 |
| Strongest Rhythmic Pulse |
67.0 |
| Second Strongest Rhythmic Pulse |
133.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.985 |
| Strength of Strongest Rhythmic Pulse |
0.9471 |
| Strength of Second Strongest Rhythmic Pulse |
0.03172 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
29.86 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.9789 |
| Rhythmic Variability |
0.07468 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
25.0 |
| Duration in Seconds |
570.0 |
| Note Density |
1.467 |
| Note Density Variability |
0.8624 |
| Average Time Between Attacks |
1.363 |
| Average Time Between Attacks for Each Voice |
2.695 |
| Variability of Time Between Attacks |
0.8503 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4848 |
| Relative Range Isolation of Loudest Voice |
0.2753 |
| Relative Range of Highest Line |
0.4848 |
| Relative Note Density of Highest Line |
0.3206 |
| Relative Note Durations of Lowest Line |
1.178 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.9079 |
| Voice Separation |
5.667 |
| Variability of Voice Separation |
1.528 |
| Parallel Motion |
0.04624 |
| Average Number of Independent Voices |
3.529 |
| Similar Motion |
0.1435 |
| Contrary Motion |
0.1599 |
| Oblique Motion |
0.6503 |
| Parallel Fifths |
0.001927 |
| Parallel Octaves |
0.00289 |
| Variability of Number of Independent Voices |
0.7406 |
| Voice Equality - Number of Notes |
50.01 |
| Voice Equality - Note Duration |
36.24 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
0.9574 |
| Importance of Loudest Voice |
0.0 |