| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2677 |
| Prevalence of Second Most Common Vertical Interval |
0.2122 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.7925 |
| Vertical Unisons |
0.0586 |
| Vertical Minor Seconds |
0.001639 |
| Vertical Thirds |
0.2802 |
| Vertical Tritones |
0.001873 |
| Vertical Perfect Fourths |
0.1067 |
| Vertical Perfect Fifths |
0.2122 |
| Vertical Sixths |
0.1135 |
| Vertical Sevenths |
0.00835 |
| Vertical Octaves |
0.2091 |
| Perfect Vertical Intervals |
0.5866 |
| Vertical Dissonance Ratio |
0.02002 |
| Vertical Minor Third Prevalence |
0.6584 |
| Vertical Major Third Prevalence |
0.8302 |
| Chord Duration |
2.217 |
| Partial Chords |
0.02229 |
| Standard Triads |
0.8605 |
| Diminished and Augmented Triads |
0.01163 |
| Dominant Seventh Chords |
0.001938 |
| Seventh Chords |
0.01744 |
| Non-Standard Chords |
0.09981 |
| Complex Chords |
0.003876 |
| Minor Major Triad Ratio |
0.2982 |
| Average Number of Simultaneous Pitch Classes |
3.004 |
| Variability of Number of Simultaneous Pitch Classes |
0.3833 |
| Average Number of Simultaneous Pitches |
4.758 |
| Variability of Number of Simultaneous Pitches |
1.334 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1514 |
| Stepwise Motion |
0.386 |
| Melodic Thirds |
0.08889 |
| Melodic Perfect Fourths |
0.0716 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.06749 |
| Melodic Sixths |
0.004115 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.009053 |
| Melodic Large Intervals |
0.000823 |
| Most Common Melodic Interval |
0.0 |
| Minor Major Melodic Third Ratio |
2.857 |
| Melodic Embellishments |
0.0278 |
| Direction of Melodic Motion |
0.4849 |
| Average Length of Melodic Arcs |
1.58 |
| Average Interval Spanned by Melodic Arcs |
4.706 |
| Melodic Pitch Variety |
3.513 |
| Mean Melodic Interval |
1.896 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.372 |
| Relative Prevalence of Most Common Melodic Intervals |
0.6305 |
| Amount of Arpeggiation |
0.5383 |
| Repeated Notes |
0.372 |
| Importance of Middle Register |
0.7343 |
| Importance of High Register |
0.01472 |
| Dominant Spread |
5.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
59.32 |
| Mean Pitch Class |
4.819 |
| Most Common Pitch |
65.0 |
| Most Common Pitch Class |
5.0 |
| Prevalence of Most Common Pitch |
0.1194 |
| Prevalence of Most Common Pitch Class |
0.2281 |
| Relative Prevalence of Top Pitches |
0.8699 |
| Relative Prevalence of Top Pitch Classes |
0.8781 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
7.746 |
| Pitch Class Variability |
3.412 |
| Pitch Class Variability After Folding |
4.392 |
| Pitch Skewness |
-0.02597 |
| Pitch Class Skewness |
-0.1589 |
| Pitch Class Skewness After Folding |
1.129 |
| Pitch Kurtosis |
5.455 |
| Pitch Class Kurtosis |
4.787 |
| Pitch Class Kurtosis After Folding |
4.548 |
| Major or Minor |
0.0 |
| First Pitch |
60.0 |
| First Pitch Class |
0.0 |
| Last Pitch |
41.0 |
| Last Pitch Class |
5.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
27.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
2.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.251 |
| Note Density per Quarter Note |
2.334 |
| Note Density per Quarter Note per Voice |
0.2917 |
| Note Density per Quarter Note Variability |
0.8346 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
9.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.008994 |
| Prevalence of Medium Rhythmic Values |
0.7473 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7318 |
| Prevalence of Very Long Rhythmic Values |
0.03679 |
| Prevalence of Dotted Notes |
0.07114 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.347 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4791 |
| Relative Prevalence of Most Common Rhythmic Values |
0.5324 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.598 |
| Rhythmic Value Skewness |
0.6507 |
| Rhythmic Value Kurtosis |
17.18 |
| Mean Rhythmic Value Run Length |
1.725 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.259 |
| Mean Rhythmic Value Offset |
0.008177 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.2061 |
| Complete Rests Fraction |
0.0 |
| Partial Rests Fraction |
0.6231 |
| Average Rest Fraction Across Voices |
0.3145 |
| Longest Complete Rest |
0.0 |
| Longest Partial Rest |
35.28 |
| Mean Complete Rest Duration |
0.0 |
| Mean Partial Rest Duration |
8.969 |
| Median Complete Rest Duration |
0.0 |
| Median Partial Rest Duration |
6.226 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
8.235 |
| Variability Across Voices of Combined Rests |
32.47 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5467 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2265 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.414 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7732 |
| Rhythmic Variability - Tempo Standardized |
0.04938 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
3.0 |
| Total Number of Notes |
1223.0 |
| Initial Tempo |
120.0 |
| Average Variability of Time Between Attacks for Each Voice |
2.2 |
| Minimum Note Duration |
0.1667 |
| Maximum Note Duration |
9.0 |
| Average Note Duration |
1.132 |
| Variability of Note Durations |
0.7991 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
3.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
127.0 |
| Strongest Rhythmic Pulse |
63.0 |
| Second Strongest Rhythmic Pulse |
42.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.5467 |
| Strength of Second Strongest Rhythmic Pulse |
0.2265 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
2.414 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.7732 |
| Rhythmic Variability |
0.04938 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
19.94 |
| Duration in Seconds |
252.5 |
| Note Density |
4.844 |
| Note Density Variability |
1.555 |
| Average Time Between Attacks |
0.7277 |
| Average Time Between Attacks for Each Voice |
1.59 |
| Variability of Time Between Attacks |
0.3156 |
| Maximum Number of Independent Voices |
8.0 |
| Relative Range of Loudest Voice |
0.4242 |
| Relative Range Isolation of Loudest Voice |
0.0 |
| Relative Range of Highest Line |
0.303 |
| Relative Note Density of Highest Line |
0.4513 |
| Relative Note Durations of Lowest Line |
0.9854 |
| Relative Size of Melodic Intervals in Lowest Line |
0.6667 |
| Voice Overlap |
1.0 |
| Voice Separation |
2.857 |
| Variability of Voice Separation |
2.734 |
| Parallel Motion |
0.05384 |
| Average Number of Independent Voices |
5.496 |
| Similar Motion |
0.2302 |
| Contrary Motion |
0.2085 |
| Oblique Motion |
0.5074 |
| Parallel Fifths |
0.003436 |
| Parallel Octaves |
0.008018 |
| Variability of Number of Independent Voices |
2.005 |
| Voice Equality - Number of Notes |
11.09 |
| Voice Equality - Note Duration |
15.65 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.9258 |
| Voice Equality - Range |
2.726 |
| Importance of Loudest Voice |
0.0 |