Distance Between Two Most Common Vertical Intervals |
3.0 |
Prevalence of Most Common Vertical Interval |
0.2124 |
Prevalence of Second Most Common Vertical Interval |
0.2062 |
Prevalence Ratio of Two Most Common Vertical Intervals |
0.9711 |
Vertical Unisons |
0.03876 |
Vertical Minor Seconds |
0.003756 |
Vertical Thirds |
0.3679 |
Vertical Tritones |
0.01571 |
Vertical Perfect Fourths |
0.1057 |
Vertical Perfect Fifths |
0.2124 |
Vertical Sixths |
0.08895 |
Vertical Sevenths |
0.01502 |
Vertical Octaves |
0.1173 |
Perfect Vertical Intervals |
0.4741 |
Vertical Dissonance Ratio |
0.07409 |
Vertical Minor Third Prevalence |
0.7023 |
Vertical Major Third Prevalence |
0.7205 |
Chord Duration |
1.931 |
Partial Chords |
0.09462 |
Standard Triads |
0.6562 |
Diminished and Augmented Triads |
0.04688 |
Dominant Seventh Chords |
0.006944 |
Seventh Chords |
0.03125 |
Non-Standard Chords |
0.2179 |
Complex Chords |
0.0 |
Minor Major Triad Ratio |
0.156 |
Average Number of Simultaneous Pitch Classes |
2.968 |
Variability of Number of Simultaneous Pitch Classes |
0.3951 |
Average Number of Simultaneous Pitches |
3.556 |
Variability of Number of Simultaneous Pitches |
0.5562 |
Most Common Vertical Interval |
7.0 |
Second Most Common Vertical Interval |
4.0 |
Dynamic Range |
0.0 |
Variation of Dynamics |
0.0 |
Variation of Dynamics In Each Voice |
0.0 |
Average Note to Note Change in Dynamics |
0.0 |
Unpitched Percussion Instrument Prevalence |
0.0 |
String Keyboard Prevalence |
1.0 |
Acoustic Guitar Prevalence |
0.0 |
Electric Guitar Prevalence |
0.0 |
Violin Prevalence |
0.0 |
Saxophone Prevalence |
0.0 |
Brass Prevalence |
0.0 |
Woodwinds Prevalence |
0.0 |
Orchestral Strings Prevalence |
0.0 |
String Ensemble Prevalence |
0.0 |
Electric Instrument Prevalence |
0.0 |
Variability of Note Prevalence of Pitched Instruments |
0.0 |
Variability of Note Prevalence of Unpitched Instruments |
0.0 |
Number of Pitched Instruments |
1.0 |
Number of Unpitched Instruments |
0.0 |
Chromatic Motion |
0.2013 |
Stepwise Motion |
0.5567 |
Melodic Thirds |
0.1312 |
Melodic Perfect Fourths |
0.05732 |
Melodic Tritones |
0.0 |
Melodic Perfect Fifths |
0.04331 |
Melodic Sixths |
0.001274 |
Melodic Sevenths |
0.0 |
Melodic Octaves |
0.0242 |
Melodic Large Intervals |
0.0 |
Most Common Melodic Interval |
2.0 |
Minor Major Melodic Third Ratio |
2.219 |
Melodic Embellishments |
0.02028 |
Direction of Melodic Motion |
0.482 |
Average Length of Melodic Arcs |
1.746 |
Average Interval Spanned by Melodic Arcs |
4.77 |
Melodic Pitch Variety |
4.493 |
Mean Melodic Interval |
2.237 |
Number of Common Melodic Intervals |
4.0 |
Distance Between Most Prevalent Melodic Intervals |
1.0 |
Prevalence of Most Common Melodic Interval |
0.3554 |
Relative Prevalence of Most Common Melodic Intervals |
0.5663 |
Amount of Arpeggiation |
0.3847 |
Repeated Notes |
0.186 |
Importance of Middle Register |
0.5247 |
Importance of High Register |
0.0 |
Dominant Spread |
4.0 |
Strong Tonal Centres |
2.0 |
Mean Pitch |
53.49 |
Mean Pitch Class |
5.16 |
Most Common Pitch |
53.0 |
Most Common Pitch Class |
5.0 |
Prevalence of Most Common Pitch |
0.1749 |
Prevalence of Most Common Pitch Class |
0.218 |
Relative Prevalence of Top Pitches |
0.8406 |
Relative Prevalence of Top Pitch Classes |
0.9244 |
Interval Between Most Prevalent Pitches |
4.0 |
Interval Between Most Prevalent Pitch Classes |
5.0 |
Pitch Variability |
5.141 |
Pitch Class Variability |
3.467 |
Pitch Class Variability After Folding |
4.355 |
Pitch Skewness |
-0.5946 |
Pitch Class Skewness |
0.1382 |
Pitch Class Skewness After Folding |
1.105 |
Pitch Kurtosis |
6.146 |
Pitch Class Kurtosis |
4.823 |
Pitch Class Kurtosis After Folding |
4.606 |
Major or Minor |
0.0 |
First Pitch |
41.0 |
First Pitch Class |
5.0 |
Last Pitch |
41.0 |
Last Pitch Class |
5.0 |
Glissando Prevalence |
0.0 |
Average Range of Glissandos |
0.0 |
Number of Pitches |
17.0 |
Vibrato Prevalence |
0.0 |
Microtone Prevalence |
0.0 |
Number of Pitch Classes |
11.0 |
Number of Common Pitches |
4.0 |
Number of Common Pitch Classes |
2.0 |
Range |
21.0 |
Importance of Bass Register |
0.4753 |
Note Density per Quarter Note |
1.37 |
Note Density per Quarter Note per Voice |
0.3424 |
Note Density per Quarter Note Variability |
0.4691 |
Range of Rhythmic Values |
9.0 |
Number of Different Rhythmic Values Present |
8.0 |
Number of Common Rhythmic Values Present |
3.0 |
Prevalence of Very Short Rhythmic Values |
0.0 |
Prevalence of Short Rhythmic Values |
0.01014 |
Prevalence of Medium Rhythmic Values |
0.6553 |
Simple Initial Meter |
1.0 |
Prevalence of Long Rhythmic Values |
0.7845 |
Prevalence of Very Long Rhythmic Values |
0.07731 |
Prevalence of Dotted Notes |
0.1014 |
Shortest Rhythmic Value |
0.5 |
Longest Rhythmic Value |
12.0 |
Mean Rhythmic Value |
2.695 |
Most Common Rhythmic Value |
2.0 |
Prevalence of Most Common Rhythmic Value |
0.4398 |
Relative Prevalence of Most Common Rhythmic Values |
0.4755 |
Difference Between Most Common Rhythmic Values |
2.0 |
Compound Initial Meter |
0.0 |
Rhythmic Value Variability |
1.849 |
Rhythmic Value Skewness |
1.127 |
Rhythmic Value Kurtosis |
12.49 |
Mean Rhythmic Value Run Length |
1.734 |
Median Rhythmic Value Run Length |
1.0 |
Variability in Rhythmic Value Run Lengths |
1.581 |
Mean Rhythmic Value Offset |
0.04563 |
Median Rhythmic Value Offset |
0.0 |
Complex Initial Meter |
0.0 |
Variability of Rhythmic Value Offsets |
0.739 |
Complete Rests Fraction |
0.0 |
Partial Rests Fraction |
0.2361 |
Average Rest Fraction Across Voices |
0.06163 |
Longest Complete Rest |
0.0 |
Longest Partial Rest |
22.0 |
Mean Complete Rest Duration |
0.0 |
Mean Partial Rest Duration |
4.176 |
Median Complete Rest Duration |
0.0 |
Median Partial Rest Duration |
2.0 |
Duple Initial Meter |
0.0 |
Variability of Complete Rest Durations |
0.0 |
Variability of Partial Rest Durations |
4.303 |
Variability Across Voices of Combined Rests |
17.69 |
Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
Triple Initial Meter |
0.0 |
Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6006 |
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2029 |
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.96 |
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8035 |
Rhythmic Variability - Tempo Standardized |
0.0519 |
Rhythmic Looseness - Tempo Standardized |
0.0 |
Polyrhythms - Tempo Standardized |
0.6667 |
Quadruple Initial Meter |
1.0 |
Metrical Diversity |
1.0 |
Total Number of Notes |
789.0 |
Initial Tempo |
120.0 |
Average Variability of Time Between Attacks for Each Voice |
1.222 |
Minimum Note Duration |
0.25 |
Maximum Note Duration |
14.0 |
Average Note Duration |
1.37 |
Variability of Note Durations |
1.097 |
Amount of Staccato |
0.0 |
Number of Strong Rhythmic Pulses |
3.0 |
Number of Moderate Rhythmic Pulses |
3.0 |
Number of Relatively Strong Rhythmic Pulses |
3.0 |
Mean Tempo |
120.0 |
Strongest Rhythmic Pulse |
60.0 |
Second Strongest Rhythmic Pulse |
40.0 |
Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
Strength of Strongest Rhythmic Pulse |
0.6006 |
Strength of Second Strongest Rhythmic Pulse |
0.2029 |
Strength Ratio of Two Strongest Rhythmic Pulses |
2.96 |
Combined Strength of Two Strongest Rhythmic Pulses |
0.8035 |
Rhythmic Variability |
0.0519 |
Rhythmic Looseness |
0.0 |
Polyrhythms |
0.6667 |
Tempo Variability |
0.0 |
Duration in Seconds |
288.0 |
Note Density |
2.74 |
Note Density Variability |
0.852 |
Average Time Between Attacks |
0.799 |
Average Time Between Attacks for Each Voice |
1.434 |
Variability of Time Between Attacks |
0.4161 |
Maximum Number of Independent Voices |
4.0 |
Relative Range of Loudest Voice |
0.6667 |
Relative Range Isolation of Loudest Voice |
0.0 |
Relative Range of Highest Line |
0.6667 |
Relative Note Density of Highest Line |
0.289 |
Relative Note Durations of Lowest Line |
1.14 |
Relative Size of Melodic Intervals in Lowest Line |
1.0 |
Voice Overlap |
0.8923 |
Voice Separation |
3.667 |
Variability of Voice Separation |
4.726 |
Parallel Motion |
0.04149 |
Average Number of Independent Voices |
3.753 |
Similar Motion |
0.1731 |
Contrary Motion |
0.1345 |
Oblique Motion |
0.6509 |
Parallel Fifths |
0.004292 |
Parallel Octaves |
0.005722 |
Variability of Number of Independent Voices |
0.4545 |
Voice Equality - Number of Notes |
15.97 |
Voice Equality - Note Duration |
8.846 |
Voice Equality - Dynamics |
0.0 |
Voice Equality - Melodic Leaps |
0.8165 |
Voice Equality - Range |
1.0 |
Importance of Loudest Voice |
0.0 |