| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2205 |
| Prevalence of Second Most Common Vertical Interval |
0.2161 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9798 |
| Vertical Unisons |
0.03036 |
| Vertical Minor Seconds |
0.003036 |
| Vertical Thirds |
0.2645 |
| Vertical Tritones |
0.005497 |
| Vertical Perfect Fourths |
0.1395 |
| Vertical Perfect Fifths |
0.2161 |
| Vertical Sixths |
0.1022 |
| Vertical Sevenths |
0.01806 |
| Vertical Octaves |
0.1901 |
| Perfect Vertical Intervals |
0.5761 |
| Vertical Dissonance Ratio |
0.06058 |
| Vertical Minor Third Prevalence |
0.693 |
| Vertical Major Third Prevalence |
0.664 |
| Chord Duration |
1.203 |
| Partial Chords |
0.06317 |
| Standard Triads |
0.6899 |
| Diminished and Augmented Triads |
0.02224 |
| Dominant Seventh Chords |
0.007117 |
| Seventh Chords |
0.01335 |
| Non-Standard Chords |
0.2335 |
| Complex Chords |
0.008897 |
| Minor Major Triad Ratio |
0.5341 |
| Average Number of Simultaneous Pitch Classes |
2.99 |
| Variability of Number of Simultaneous Pitch Classes |
0.4654 |
| Average Number of Simultaneous Pitches |
4.284 |
| Variability of Number of Simultaneous Pitches |
1.174 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.227 |
| Stepwise Motion |
0.6049 |
| Melodic Thirds |
0.08606 |
| Melodic Perfect Fourths |
0.06895 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.06895 |
| Melodic Sixths |
0.002516 |
| Melodic Sevenths |
0.001007 |
| Melodic Octaves |
0.0161 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.977 |
| Melodic Embellishments |
0.01505 |
| Direction of Melodic Motion |
0.4727 |
| Average Length of Melodic Arcs |
1.94 |
| Average Interval Spanned by Melodic Arcs |
5.276 |
| Melodic Pitch Variety |
5.174 |
| Mean Melodic Interval |
2.314 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.378 |
| Relative Prevalence of Most Common Melodic Intervals |
0.6005 |
| Amount of Arpeggiation |
0.3236 |
| Repeated Notes |
0.1515 |
| Importance of Middle Register |
0.7752 |
| Importance of High Register |
0.09032 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
62.49 |
| Mean Pitch Class |
5.701 |
| Most Common Pitch |
64.0 |
| Most Common Pitch Class |
9.0 |
| Prevalence of Most Common Pitch |
0.1044 |
| Prevalence of Most Common Pitch Class |
0.2007 |
| Relative Prevalence of Top Pitches |
0.8606 |
| Relative Prevalence of Top Pitch Classes |
0.9175 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
7.834 |
| Pitch Class Variability |
3.67 |
| Pitch Class Variability After Folding |
2.255 |
| Pitch Skewness |
-0.333 |
| Pitch Class Skewness |
-0.244 |
| Pitch Class Skewness After Folding |
0.3458 |
| Pitch Kurtosis |
5.491 |
| Pitch Class Kurtosis |
4.726 |
| Pitch Class Kurtosis After Folding |
6.987 |
| Major or Minor |
0.0 |
| First Pitch |
64.0 |
| First Pitch Class |
4.0 |
| Last Pitch |
45.0 |
| Last Pitch Class |
9.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
30.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
1.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
34.0 |
| Importance of Bass Register |
0.1345 |
| Note Density per Quarter Note |
1.742 |
| Note Density per Quarter Note per Voice |
0.2904 |
| Note Density per Quarter Note Variability |
0.765 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.01104 |
| Prevalence of Medium Rhythmic Values |
0.6508 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7225 |
| Prevalence of Very Long Rhythmic Values |
0.05419 |
| Prevalence of Dotted Notes |
0.09282 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.561 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3733 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7137 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.752 |
| Rhythmic Value Skewness |
0.9603 |
| Rhythmic Value Kurtosis |
12.57 |
| Mean Rhythmic Value Run Length |
1.665 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.362 |
| Mean Rhythmic Value Offset |
0.03613 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.5797 |
| Complete Rests Fraction |
0.003542 |
| Partial Rests Fraction |
0.66 |
| Average Rest Fraction Across Voices |
0.2402 |
| Longest Complete Rest |
2.701 |
| Longest Partial Rest |
43.22 |
| Mean Complete Rest Duration |
2.026 |
| Mean Partial Rest Duration |
10.92 |
| Median Complete Rest Duration |
2.701 |
| Median Partial Rest Duration |
8.104 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.9551 |
| Variability of Partial Rest Durations |
10.24 |
| Variability Across Voices of Combined Rests |
72.27 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5082 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2523 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.014 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7606 |
| Rhythmic Variability - Tempo Standardized |
0.04805 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
3.0 |
| Total Number of Notes |
1993.0 |
| Initial Tempo |
100.0 |
| Average Variability of Time Between Attacks for Each Voice |
4.508 |
| Minimum Note Duration |
0.2 |
| Maximum Note Duration |
28.8 |
| Average Note Duration |
2.325 |
| Variability of Note Durations |
2.178 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
1.0 |
| Number of Moderate Rhythmic Pulses |
3.0 |
| Number of Relatively Strong Rhythmic Pulses |
1.0 |
| Mean Tempo |
78.23 |
| Strongest Rhythmic Pulse |
68.0 |
| Second Strongest Rhythmic Pulse |
135.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.985 |
| Strength of Strongest Rhythmic Pulse |
0.9689 |
| Strength of Second Strongest Rhythmic Pulse |
0.01771 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
54.71 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.9866 |
| Rhythmic Variability |
0.07636 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
30.91 |
| Duration in Seconds |
1016.0 |
| Note Density |
1.961 |
| Note Density Variability |
1.244 |
| Average Time Between Attacks |
1.382 |
| Average Time Between Attacks for Each Voice |
3.006 |
| Variability of Time Between Attacks |
0.9177 |
| Maximum Number of Independent Voices |
6.0 |
| Relative Range of Loudest Voice |
0.4412 |
| Relative Range Isolation of Loudest Voice |
0.0 |
| Relative Range of Highest Line |
0.4412 |
| Relative Note Density of Highest Line |
0.2107 |
| Relative Note Durations of Lowest Line |
1.137 |
| Relative Size of Melodic Intervals in Lowest Line |
0.9231 |
| Voice Overlap |
0.9478 |
| Voice Separation |
4.0 |
| Variability of Voice Separation |
3.742 |
| Parallel Motion |
0.07009 |
| Average Number of Independent Voices |
4.54 |
| Similar Motion |
0.1426 |
| Contrary Motion |
0.1728 |
| Oblique Motion |
0.6145 |
| Parallel Fifths |
0.003455 |
| Parallel Octaves |
0.004442 |
| Variability of Number of Independent Voices |
1.234 |
| Voice Equality - Number of Notes |
45.12 |
| Voice Equality - Note Duration |
64.21 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.4082 |
| Voice Equality - Range |
1.366 |
| Importance of Loudest Voice |
0.0 |