| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2374 |
| Prevalence of Second Most Common Vertical Interval |
0.1992 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8389 |
| Vertical Unisons |
0.04138 |
| Vertical Minor Seconds |
0.003964 |
| Vertical Thirds |
0.2911 |
| Vertical Tritones |
0.004832 |
| Vertical Perfect Fourths |
0.1186 |
| Vertical Perfect Fifths |
0.1992 |
| Vertical Sixths |
0.1131 |
| Vertical Sevenths |
0.01474 |
| Vertical Octaves |
0.1961 |
| Perfect Vertical Intervals |
0.5552 |
| Vertical Dissonance Ratio |
0.04231 |
| Vertical Minor Third Prevalence |
0.7033 |
| Vertical Major Third Prevalence |
0.7967 |
| Chord Duration |
1.386 |
| Partial Chords |
0.08907 |
| Standard Triads |
0.7401 |
| Diminished and Augmented Triads |
0.02281 |
| Dominant Seventh Chords |
0.001721 |
| Seventh Chords |
0.01463 |
| Non-Standard Chords |
0.1562 |
| Complex Chords |
0.01463 |
| Minor Major Triad Ratio |
0.2268 |
| Average Number of Simultaneous Pitch Classes |
2.979 |
| Variability of Number of Simultaneous Pitch Classes |
0.5212 |
| Average Number of Simultaneous Pitches |
4.464 |
| Variability of Number of Simultaneous Pitches |
1.519 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1748 |
| Stepwise Motion |
0.5002 |
| Melodic Thirds |
0.1105 |
| Melodic Perfect Fourths |
0.06686 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.06142 |
| Melodic Sixths |
0.003962 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01189 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.859 |
| Melodic Embellishments |
0.01776 |
| Direction of Melodic Motion |
0.5131 |
| Average Length of Melodic Arcs |
1.863 |
| Average Interval Spanned by Melodic Arcs |
5.23 |
| Melodic Pitch Variety |
4.444 |
| Mean Melodic Interval |
2.136 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.3254 |
| Relative Prevalence of Most Common Melodic Intervals |
0.7534 |
| Amount of Arpeggiation |
0.4289 |
| Repeated Notes |
0.2452 |
| Importance of Middle Register |
0.7287 |
| Importance of High Register |
0.01381 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
59.77 |
| Mean Pitch Class |
4.915 |
| Most Common Pitch |
65.0 |
| Most Common Pitch Class |
5.0 |
| Prevalence of Most Common Pitch |
0.1209 |
| Prevalence of Most Common Pitch Class |
0.2432 |
| Relative Prevalence of Top Pitches |
0.8531 |
| Relative Prevalence of Top Pitch Classes |
0.8053 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
7.888 |
| Pitch Class Variability |
3.417 |
| Pitch Class Variability After Folding |
4.407 |
| Pitch Skewness |
0.04559 |
| Pitch Class Skewness |
-0.0745 |
| Pitch Class Skewness After Folding |
1.237 |
| Pitch Kurtosis |
5.469 |
| Pitch Class Kurtosis |
4.794 |
| Pitch Class Kurtosis After Folding |
4.492 |
| Major or Minor |
0.0 |
| First Pitch |
50.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
41.0 |
| Last Pitch Class |
5.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
29.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
4.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
36.0 |
| Importance of Bass Register |
0.2575 |
| Note Density per Quarter Note |
1.703 |
| Note Density per Quarter Note per Voice |
0.2129 |
| Note Density per Quarter Note Variability |
1.068 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.006907 |
| Prevalence of Medium Rhythmic Values |
0.6186 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8007 |
| Prevalence of Very Long Rhythmic Values |
0.09127 |
| Prevalence of Dotted Notes |
0.09176 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.84 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4193 |
| Relative Prevalence of Most Common Rhythmic Values |
0.5282 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.922 |
| Rhythmic Value Skewness |
1.31 |
| Rhythmic Value Kurtosis |
9.459 |
| Mean Rhythmic Value Run Length |
1.719 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.412 |
| Mean Rhythmic Value Offset |
0.003947 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.1256 |
| Complete Rests Fraction |
0.00791 |
| Partial Rests Fraction |
0.7096 |
| Average Rest Fraction Across Voices |
0.3574 |
| Longest Complete Rest |
2.689 |
| Longest Partial Rest |
190.3 |
| Mean Complete Rest Duration |
1.882 |
| Mean Partial Rest Duration |
17.91 |
| Median Complete Rest Duration |
1.345 |
| Median Partial Rest Duration |
10.76 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.7365 |
| Variability of Partial Rest Durations |
27.45 |
| Variability Across Voices of Combined Rests |
49.75 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5995 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2115 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.835 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.811 |
| Rhythmic Variability - Tempo Standardized |
0.05196 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
3.0 |
| Total Number of Notes |
2027.0 |
| Initial Tempo |
120.0 |
| Average Variability of Time Between Attacks for Each Voice |
7.815 |
| Minimum Note Duration |
0.25 |
| Maximum Note Duration |
16.0 |
| Average Note Duration |
2.244 |
| Variability of Note Durations |
1.855 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
2.0 |
| Number of Moderate Rhythmic Pulses |
2.0 |
| Number of Relatively Strong Rhythmic Pulses |
2.0 |
| Mean Tempo |
92.47 |
| Strongest Rhythmic Pulse |
41.0 |
| Second Strongest Rhythmic Pulse |
81.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.976 |
| Strength of Strongest Rhythmic Pulse |
0.7593 |
| Strength of Second Strongest Rhythmic Pulse |
0.2336 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
3.25 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.9929 |
| Rhythmic Variability |
0.0625 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
34.68 |
| Duration in Seconds |
885.0 |
| Note Density |
2.29 |
| Note Density Variability |
1.364 |
| Average Time Between Attacks |
1.294 |
| Average Time Between Attacks for Each Voice |
3.451 |
| Variability of Time Between Attacks |
1.008 |
| Maximum Number of Independent Voices |
8.0 |
| Relative Range of Loudest Voice |
0.3889 |
| Relative Range Isolation of Loudest Voice |
0.0 |
| Relative Range of Highest Line |
0.3889 |
| Relative Note Density of Highest Line |
0.2723 |
| Relative Note Durations of Lowest Line |
1.032 |
| Relative Size of Melodic Intervals in Lowest Line |
0.7273 |
| Voice Overlap |
0.9655 |
| Voice Separation |
3.143 |
| Variability of Voice Separation |
2.478 |
| Parallel Motion |
0.05156 |
| Average Number of Independent Voices |
4.893 |
| Similar Motion |
0.1741 |
| Contrary Motion |
0.1703 |
| Oblique Motion |
0.6041 |
| Parallel Fifths |
0.002365 |
| Parallel Octaves |
0.008042 |
| Variability of Number of Independent Voices |
1.961 |
| Voice Equality - Number of Notes |
19.7 |
| Voice Equality - Note Duration |
37.0 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.744 |
| Voice Equality - Range |
2.264 |
| Importance of Loudest Voice |
0.0 |