| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2329 |
| Prevalence of Second Most Common Vertical Interval |
0.2225 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9555 |
| Vertical Unisons |
0.01863 |
| Vertical Minor Seconds |
0.001953 |
| Vertical Thirds |
0.2374 |
| Vertical Tritones |
0.008114 |
| Vertical Perfect Fourths |
0.1479 |
| Vertical Perfect Fifths |
0.2225 |
| Vertical Sixths |
0.114 |
| Vertical Sevenths |
0.02029 |
| Vertical Octaves |
0.2143 |
| Perfect Vertical Intervals |
0.6033 |
| Vertical Dissonance Ratio |
0.04737 |
| Vertical Minor Third Prevalence |
0.6518 |
| Vertical Major Third Prevalence |
0.6399 |
| Chord Duration |
2.144 |
| Partial Chords |
0.04573 |
| Standard Triads |
0.7012 |
| Diminished and Augmented Triads |
0.04268 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.02134 |
| Non-Standard Chords |
0.2317 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.369 |
| Average Number of Simultaneous Pitch Classes |
2.961 |
| Variability of Number of Simultaneous Pitch Classes |
0.4381 |
| Average Number of Simultaneous Pitches |
4.679 |
| Variability of Number of Simultaneous Pitches |
1.262 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1939 |
| Stepwise Motion |
0.5646 |
| Melodic Thirds |
0.1156 |
| Melodic Perfect Fourths |
0.07483 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.08163 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.02381 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
3.857 |
| Melodic Embellishments |
0.01667 |
| Direction of Melodic Motion |
0.4862 |
| Average Length of Melodic Arcs |
1.611 |
| Average Interval Spanned by Melodic Arcs |
4.624 |
| Melodic Pitch Variety |
4.44 |
| Mean Melodic Interval |
2.537 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.3707 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5229 |
| Amount of Arpeggiation |
0.3605 |
| Repeated Notes |
0.1395 |
| Importance of Middle Register |
0.7333 |
| Importance of High Register |
0.01333 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
1.0 |
| Mean Pitch |
59.72 |
| Mean Pitch Class |
4.93 |
| Most Common Pitch |
65.0 |
| Most Common Pitch Class |
5.0 |
| Prevalence of Most Common Pitch |
0.09667 |
| Prevalence of Most Common Pitch Class |
0.2167 |
| Relative Prevalence of Top Pitches |
0.9655 |
| Relative Prevalence of Top Pitch Classes |
0.8615 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
8.1 |
| Pitch Class Variability |
3.386 |
| Pitch Class Variability After Folding |
4.389 |
| Pitch Skewness |
-0.6926 |
| Pitch Class Skewness |
-0.06202 |
| Pitch Class Skewness After Folding |
1.141 |
| Pitch Kurtosis |
5.486 |
| Pitch Class Kurtosis |
4.873 |
| Pitch Class Kurtosis After Folding |
4.573 |
| Major or Minor |
0.0 |
| First Pitch |
53.0 |
| First Pitch Class |
5.0 |
| Last Pitch |
41.0 |
| Last Pitch Class |
5.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
24.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
34.0 |
| Importance of Bass Register |
0.2533 |
| Note Density per Quarter Note |
0.8929 |
| Note Density per Quarter Note per Voice |
0.1488 |
| Note Density per Quarter Note Variability |
0.5905 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.2433 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.9433 |
| Prevalence of Very Long Rhythmic Values |
0.4533 |
| Prevalence of Dotted Notes |
0.09333 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
5.3 |
| Most Common Rhythmic Value |
8.0 |
| Prevalence of Most Common Rhythmic Value |
0.3767 |
| Relative Prevalence of Most Common Rhythmic Values |
0.7611 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.818 |
| Rhythmic Value Skewness |
1.384 |
| Rhythmic Value Kurtosis |
5.139 |
| Mean Rhythmic Value Run Length |
1.818 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.483 |
| Mean Rhythmic Value Offset |
0.1467 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.9424 |
| Complete Rests Fraction |
0.0 |
| Partial Rests Fraction |
0.5138 |
| Average Rest Fraction Across Voices |
0.1746 |
| Longest Complete Rest |
0.0 |
| Longest Partial Rest |
102.3 |
| Mean Complete Rest Duration |
0.0 |
| Mean Partial Rest Duration |
19.55 |
| Median Complete Rest Duration |
0.0 |
| Median Partial Rest Duration |
10.62 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
30.75 |
| Variability Across Voices of Combined Rests |
55.49 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.7324 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1526 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
4.8 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.885 |
| Rhythmic Variability - Tempo Standardized |
0.05951 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
300.0 |
| Initial Tempo |
100.0 |
| Average Variability of Time Between Attacks for Each Voice |
7.922 |
| Minimum Note Duration |
0.6 |
| Maximum Note Duration |
28.8 |
| Average Note Duration |
5.012 |
| Variability of Note Durations |
3.664 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
1.0 |
| Number of Moderate Rhythmic Pulses |
1.0 |
| Number of Relatively Strong Rhythmic Pulses |
1.0 |
| Mean Tempo |
74.7 |
| Strongest Rhythmic Pulse |
67.0 |
| Second Strongest Rhythmic Pulse |
0.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
67.0 |
| Strength of Strongest Rhythmic Pulse |
1.0 |
| Strength of Second Strongest Rhythmic Pulse |
0.0 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
0.0 |
| Combined Strength of Two Strongest Rhythmic Pulses |
1.0 |
| Rhythmic Variability |
0.07881 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
25.0 |
| Duration in Seconds |
303.6 |
| Note Density |
0.9881 |
| Note Density Variability |
0.6029 |
| Average Time Between Attacks |
2.447 |
| Average Time Between Attacks for Each Voice |
6.197 |
| Variability of Time Between Attacks |
1.421 |
| Maximum Number of Independent Voices |
6.0 |
| Relative Range of Loudest Voice |
0.4412 |
| Relative Range Isolation of Loudest Voice |
0.01538 |
| Relative Range of Highest Line |
0.2941 |
| Relative Note Density of Highest Line |
1.36 |
| Relative Note Durations of Lowest Line |
1.279 |
| Relative Size of Melodic Intervals in Lowest Line |
0.5 |
| Voice Overlap |
0.9567 |
| Voice Separation |
4.4 |
| Variability of Voice Separation |
2.408 |
| Parallel Motion |
0.04848 |
| Average Number of Independent Voices |
4.863 |
| Similar Motion |
0.103 |
| Contrary Motion |
0.1242 |
| Oblique Motion |
0.7242 |
| Parallel Fifths |
0.006061 |
| Parallel Octaves |
0.006061 |
| Variability of Number of Independent Voices |
1.295 |
| Voice Equality - Number of Notes |
12.68 |
| Voice Equality - Note Duration |
50.14 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
1.095 |
| Voice Equality - Range |
1.835 |
| Importance of Loudest Voice |
0.0 |