Distance Between Two Most Common Vertical Intervals |
7.0 |
Prevalence of Most Common Vertical Interval |
0.2111 |
Prevalence of Second Most Common Vertical Interval |
0.1916 |
Prevalence Ratio of Two Most Common Vertical Intervals |
0.9079 |
Vertical Unisons |
0.04072 |
Vertical Minor Seconds |
0.003938 |
Vertical Thirds |
0.2732 |
Vertical Tritones |
0.01132 |
Vertical Perfect Fourths |
0.1308 |
Vertical Perfect Fifths |
0.1916 |
Vertical Sixths |
0.1339 |
Vertical Sevenths |
0.02011 |
Vertical Octaves |
0.1704 |
Perfect Vertical Intervals |
0.5335 |
Vertical Dissonance Ratio |
0.0631 |
Vertical Minor Third Prevalence |
0.6156 |
Vertical Major Third Prevalence |
0.5473 |
Chord Duration |
1.736 |
Partial Chords |
0.1397 |
Standard Triads |
0.6146 |
Diminished and Augmented Triads |
0.03774 |
Dominant Seventh Chords |
0.005391 |
Seventh Chords |
0.01887 |
Non-Standard Chords |
0.2269 |
Complex Chords |
0.002695 |
Minor Major Triad Ratio |
0.7538 |
Average Number of Simultaneous Pitch Classes |
2.875 |
Variability of Number of Simultaneous Pitch Classes |
0.5381 |
Average Number of Simultaneous Pitches |
3.79 |
Variability of Number of Simultaneous Pitches |
0.848 |
Most Common Vertical Interval |
0.0 |
Second Most Common Vertical Interval |
7.0 |
Dynamic Range |
0.0 |
Variation of Dynamics |
0.0 |
Variation of Dynamics In Each Voice |
0.0 |
Average Note to Note Change in Dynamics |
0.0 |
Unpitched Percussion Instrument Prevalence |
0.0 |
String Keyboard Prevalence |
1.0 |
Acoustic Guitar Prevalence |
0.0 |
Electric Guitar Prevalence |
0.0 |
Violin Prevalence |
0.0 |
Saxophone Prevalence |
0.0 |
Brass Prevalence |
0.0 |
Woodwinds Prevalence |
0.0 |
Orchestral Strings Prevalence |
0.0 |
String Ensemble Prevalence |
0.0 |
Electric Instrument Prevalence |
0.0 |
Variability of Note Prevalence of Pitched Instruments |
0.0 |
Variability of Note Prevalence of Unpitched Instruments |
0.0 |
Number of Pitched Instruments |
1.0 |
Number of Unpitched Instruments |
0.0 |
Chromatic Motion |
0.2279 |
Stepwise Motion |
0.6466 |
Melodic Thirds |
0.1048 |
Melodic Perfect Fourths |
0.08349 |
Melodic Tritones |
0.0 |
Melodic Perfect Fifths |
0.06216 |
Melodic Sixths |
0.0 |
Melodic Sevenths |
0.0006094 |
Melodic Octaves |
0.01767 |
Melodic Large Intervals |
0.0 |
Most Common Melodic Interval |
2.0 |
Minor Major Melodic Third Ratio |
2.909 |
Melodic Embellishments |
0.01762 |
Direction of Melodic Motion |
0.472 |
Average Length of Melodic Arcs |
1.892 |
Average Interval Spanned by Melodic Arcs |
5.097 |
Melodic Pitch Variety |
5.293 |
Mean Melodic Interval |
2.477 |
Number of Common Melodic Intervals |
2.0 |
Distance Between Most Prevalent Melodic Intervals |
1.0 |
Prevalence of Most Common Melodic Interval |
0.4186 |
Relative Prevalence of Most Common Melodic Intervals |
0.5444 |
Amount of Arpeggiation |
0.27 |
Repeated Notes |
0.0847 |
Importance of Middle Register |
0.7029 |
Importance of High Register |
0.01033 |
Dominant Spread |
6.0 |
Strong Tonal Centres |
1.0 |
Mean Pitch |
57.93 |
Mean Pitch Class |
5.724 |
Most Common Pitch |
57.0 |
Most Common Pitch Class |
9.0 |
Prevalence of Most Common Pitch |
0.1197 |
Prevalence of Most Common Pitch Class |
0.2041 |
Relative Prevalence of Top Pitches |
0.7817 |
Relative Prevalence of Top Pitch Classes |
0.8393 |
Interval Between Most Prevalent Pitches |
5.0 |
Interval Between Most Prevalent Pitch Classes |
7.0 |
Pitch Variability |
6.912 |
Pitch Class Variability |
3.53 |
Pitch Class Variability After Folding |
2.042 |
Pitch Skewness |
-0.2964 |
Pitch Class Skewness |
-0.2344 |
Pitch Class Skewness After Folding |
0.1892 |
Pitch Kurtosis |
5.49 |
Pitch Class Kurtosis |
4.754 |
Pitch Class Kurtosis After Folding |
6.946 |
Major or Minor |
0.0 |
First Pitch |
62.0 |
First Pitch Class |
2.0 |
Last Pitch |
50.0 |
Last Pitch Class |
2.0 |
Glissando Prevalence |
0.0 |
Average Range of Glissandos |
0.0 |
Number of Pitches |
27.0 |
Vibrato Prevalence |
0.0 |
Microtone Prevalence |
0.0 |
Number of Pitch Classes |
10.0 |
Number of Common Pitches |
2.0 |
Number of Common Pitch Classes |
1.0 |
Range |
32.0 |
Importance of Bass Register |
0.2868 |
Note Density per Quarter Note |
1.441 |
Note Density per Quarter Note per Voice |
0.2883 |
Note Density per Quarter Note Variability |
0.4982 |
Range of Rhythmic Values |
9.0 |
Number of Different Rhythmic Values Present |
8.0 |
Number of Common Rhythmic Values Present |
2.0 |
Prevalence of Very Short Rhythmic Values |
0.0 |
Prevalence of Short Rhythmic Values |
0.001215 |
Prevalence of Medium Rhythmic Values |
0.627 |
Simple Initial Meter |
1.0 |
Prevalence of Long Rhythmic Values |
0.8609 |
Prevalence of Very Long Rhythmic Values |
0.05711 |
Prevalence of Dotted Notes |
0.08991 |
Shortest Rhythmic Value |
0.5 |
Longest Rhythmic Value |
12.0 |
Mean Rhythmic Value |
2.778 |
Most Common Rhythmic Value |
2.0 |
Prevalence of Most Common Rhythmic Value |
0.4878 |
Relative Prevalence of Most Common Rhythmic Values |
0.5305 |
Difference Between Most Common Rhythmic Values |
2.0 |
Compound Initial Meter |
0.0 |
Rhythmic Value Variability |
1.717 |
Rhythmic Value Skewness |
1.359 |
Rhythmic Value Kurtosis |
14.76 |
Mean Rhythmic Value Run Length |
1.829 |
Median Rhythmic Value Run Length |
1.0 |
Variability in Rhythmic Value Run Lengths |
1.417 |
Mean Rhythmic Value Offset |
0.02916 |
Median Rhythmic Value Offset |
0.0 |
Complex Initial Meter |
0.0 |
Variability of Rhythmic Value Offsets |
0.7106 |
Complete Rests Fraction |
0.0 |
Partial Rests Fraction |
0.6693 |
Average Rest Fraction Across Voices |
0.19 |
Longest Complete Rest |
0.0 |
Longest Partial Rest |
129.4 |
Mean Complete Rest Duration |
0.0 |
Mean Partial Rest Duration |
8.541 |
Median Complete Rest Duration |
0.0 |
Median Partial Rest Duration |
5.825 |
Duple Initial Meter |
0.0 |
Variability of Complete Rest Durations |
0.0 |
Variability of Partial Rest Durations |
13.13 |
Variability Across Voices of Combined Rests |
78.83 |
Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
Triple Initial Meter |
0.0 |
Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6943 |
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.16 |
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
4.338 |
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8543 |
Rhythmic Variability - Tempo Standardized |
0.05714 |
Rhythmic Looseness - Tempo Standardized |
0.0 |
Polyrhythms - Tempo Standardized |
1.0 |
Quadruple Initial Meter |
1.0 |
Metrical Diversity |
2.0 |
Total Number of Notes |
1646.0 |
Initial Tempo |
120.0 |
Average Variability of Time Between Attacks for Each Voice |
2.393 |
Minimum Note Duration |
0.25 |
Maximum Note Duration |
16.0 |
Average Note Duration |
1.447 |
Variability of Note Durations |
1.083 |
Amount of Staccato |
0.0 |
Number of Strong Rhythmic Pulses |
2.0 |
Number of Moderate Rhythmic Pulses |
2.0 |
Number of Relatively Strong Rhythmic Pulses |
1.0 |
Mean Tempo |
118.5 |
Strongest Rhythmic Pulse |
59.0 |
Second Strongest Rhythmic Pulse |
117.0 |
Harmonicity of Two Strongest Rhythmic Pulses |
1.983 |
Strength of Strongest Rhythmic Pulse |
0.8266 |
Strength of Second Strongest Rhythmic Pulse |
0.1726 |
Strength Ratio of Two Strongest Rhythmic Pulses |
4.788 |
Combined Strength of Two Strongest Rhythmic Pulses |
0.9992 |
Rhythmic Variability |
0.06646 |
Rhythmic Looseness |
0.0 |
Polyrhythms |
1.0 |
Tempo Variability |
11.42 |
Duration in Seconds |
588.2 |
Note Density |
2.799 |
Note Density Variability |
0.973 |
Average Time Between Attacks |
0.858 |
Average Time Between Attacks for Each Voice |
1.758 |
Variability of Time Between Attacks |
0.4892 |
Maximum Number of Independent Voices |
5.0 |
Relative Range of Loudest Voice |
0.4375 |
Relative Range Isolation of Loudest Voice |
0.6087 |
Relative Range of Highest Line |
0.4375 |
Relative Note Density of Highest Line |
0.2066 |
Relative Note Durations of Lowest Line |
1.054 |
Relative Size of Melodic Intervals in Lowest Line |
0.9091 |
Voice Overlap |
0.8269 |
Voice Separation |
4.75 |
Variability of Voice Separation |
3.594 |
Parallel Motion |
0.05353 |
Average Number of Independent Voices |
4.046 |
Similar Motion |
0.1571 |
Contrary Motion |
0.1676 |
Oblique Motion |
0.6218 |
Parallel Fifths |
0.002353 |
Parallel Octaves |
0.004118 |
Variability of Number of Independent Voices |
0.8925 |
Voice Equality - Number of Notes |
43.91 |
Voice Equality - Note Duration |
40.6 |
Voice Equality - Dynamics |
0.0 |
Voice Equality - Melodic Leaps |
0.4472 |
Voice Equality - Range |
1.517 |
Importance of Loudest Voice |
0.0 |