| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.1896 |
| Prevalence of Second Most Common Vertical Interval |
0.186 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9809 |
| Vertical Unisons |
0.03455 |
| Vertical Minor Seconds |
0.004419 |
| Vertical Thirds |
0.3439 |
| Vertical Tritones |
0.01969 |
| Vertical Perfect Fourths |
0.0916 |
| Vertical Perfect Fifths |
0.186 |
| Vertical Sixths |
0.1507 |
| Vertical Sevenths |
0.01326 |
| Vertical Octaves |
0.1326 |
| Perfect Vertical Intervals |
0.4448 |
| Vertical Dissonance Ratio |
0.06459 |
| Vertical Minor Third Prevalence |
0.4836 |
| Vertical Major Third Prevalence |
0.5724 |
| Chord Duration |
1.84 |
| Partial Chords |
0.2901 |
| Standard Triads |
0.5392 |
| Diminished and Augmented Triads |
0.04778 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.01024 |
| Non-Standard Chords |
0.1604 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.534 |
| Average Number of Simultaneous Pitch Classes |
2.674 |
| Variability of Number of Simultaneous Pitch Classes |
0.587 |
| Average Number of Simultaneous Pitches |
3.194 |
| Variability of Number of Simultaneous Pitches |
0.8142 |
| Most Common Vertical Interval |
4.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2585 |
| Stepwise Motion |
0.6954 |
| Melodic Thirds |
0.1908 |
| Melodic Perfect Fourths |
0.03385 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03385 |
| Melodic Sixths |
0.003077 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.003077 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.647 |
| Melodic Embellishments |
0.006079 |
| Direction of Melodic Motion |
0.4968 |
| Average Length of Melodic Arcs |
1.66 |
| Average Interval Spanned by Melodic Arcs |
3.771 |
| Melodic Pitch Variety |
4.315 |
| Mean Melodic Interval |
2.225 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4369 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5915 |
| Amount of Arpeggiation |
0.2677 |
| Repeated Notes |
0.04 |
| Importance of Middle Register |
0.8602 |
| Importance of High Register |
0.08815 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
3.0 |
| Mean Pitch |
63.4 |
| Mean Pitch Class |
6.027 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
11.0 |
| Prevalence of Most Common Pitch |
0.1094 |
| Prevalence of Most Common Pitch Class |
0.1581 |
| Relative Prevalence of Top Pitches |
0.9167 |
| Relative Prevalence of Top Pitch Classes |
0.9808 |
| Interval Between Most Prevalent Pitches |
2.0 |
| Interval Between Most Prevalent Pitch Classes |
4.0 |
| Pitch Variability |
5.789 |
| Pitch Class Variability |
3.397 |
| Pitch Class Variability After Folding |
2.126 |
| Pitch Skewness |
-0.007875 |
| Pitch Class Skewness |
0.02416 |
| Pitch Class Skewness After Folding |
-0.2016 |
| Pitch Kurtosis |
5.39 |
| Pitch Class Kurtosis |
4.804 |
| Pitch Class Kurtosis After Folding |
5.449 |
| Major or Minor |
0.0 |
| First Pitch |
67.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
54.0 |
| Last Pitch Class |
6.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
22.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
4.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
29.0 |
| Importance of Bass Register |
0.05167 |
| Note Density per Quarter Note |
1.082 |
| Note Density per Quarter Note per Voice |
0.2706 |
| Note Density per Quarter Note Variability |
0.4527 |
| Range of Rhythmic Values |
8.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0304 |
| Prevalence of Medium Rhythmic Values |
0.5593 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8055 |
| Prevalence of Very Long Rhythmic Values |
0.1155 |
| Prevalence of Dotted Notes |
0.04255 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
8.0 |
| Mean Rhythmic Value |
3.082 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3647 |
| Relative Prevalence of Most Common Rhythmic Values |
0.8 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.062 |
| Rhythmic Value Skewness |
1.574 |
| Rhythmic Value Kurtosis |
6.874 |
| Mean Rhythmic Value Run Length |
2.031 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.55 |
| Mean Rhythmic Value Offset |
0.0 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.0 |
| Complete Rests Fraction |
0.0 |
| Partial Rests Fraction |
0.4868 |
| Average Rest Fraction Across Voices |
0.1661 |
| Longest Complete Rest |
0.0 |
| Longest Partial Rest |
24.0 |
| Mean Complete Rest Duration |
0.0 |
| Mean Partial Rest Duration |
8.417 |
| Median Complete Rest Duration |
0.0 |
| Median Partial Rest Duration |
8.0 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
6.487 |
| Variability Across Voices of Combined Rests |
18.14 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
5.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6328 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1718 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.684 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8045 |
| Rhythmic Variability - Tempo Standardized |
0.05322 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
329.0 |
| Initial Tempo |
100.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.98 |
| Minimum Note Duration |
0.3 |
| Maximum Note Duration |
4.8 |
| Average Note Duration |
1.849 |
| Variability of Note Durations |
1.237 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
2.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
1.0 |
| Mean Tempo |
100.0 |
| Strongest Rhythmic Pulse |
50.0 |
| Second Strongest Rhythmic Pulse |
100.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.7517 |
| Strength of Second Strongest Rhythmic Pulse |
0.2027 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
3.709 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.9544 |
| Rhythmic Variability |
0.06127 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
0.0 |
| Duration in Seconds |
182.4 |
| Note Density |
1.804 |
| Note Density Variability |
0.719 |
| Average Time Between Attacks |
1.043 |
| Average Time Between Attacks for Each Voice |
2.329 |
| Variability of Time Between Attacks |
0.6463 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.3448 |
| Relative Range Isolation of Loudest Voice |
0.5914 |
| Relative Range of Highest Line |
0.3448 |
| Relative Note Density of Highest Line |
0.8511 |
| Relative Note Durations of Lowest Line |
1.641 |
| Relative Size of Melodic Intervals in Lowest Line |
1.143 |
| Voice Overlap |
0.8176 |
| Voice Separation |
5.0 |
| Variability of Voice Separation |
1.0 |
| Parallel Motion |
0.05484 |
| Average Number of Independent Voices |
3.336 |
| Similar Motion |
0.1226 |
| Contrary Motion |
0.2032 |
| Oblique Motion |
0.6194 |
| Parallel Fifths |
0.006452 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.7943 |
| Voice Equality - Number of Notes |
25.53 |
| Voice Equality - Note Duration |
10.88 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
1.708 |
| Importance of Loudest Voice |
0.0 |