| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.198 |
| Prevalence of Second Most Common Vertical Interval |
0.1796 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9067 |
| Vertical Unisons |
0.01776 |
| Vertical Minor Seconds |
0.0007035 |
| Vertical Thirds |
0.3422 |
| Vertical Tritones |
0.0007035 |
| Vertical Perfect Fourths |
0.1337 |
| Vertical Perfect Fifths |
0.198 |
| Vertical Sixths |
0.1171 |
| Vertical Sevenths |
0.01372 |
| Vertical Octaves |
0.1618 |
| Perfect Vertical Intervals |
0.5113 |
| Vertical Dissonance Ratio |
0.03026 |
| Vertical Minor Third Prevalence |
0.598 |
| Vertical Major Third Prevalence |
0.6275 |
| Chord Duration |
2.091 |
| Partial Chords |
0.1964 |
| Standard Triads |
0.7 |
| Diminished and Augmented Triads |
0.0 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.0 |
| Non-Standard Chords |
0.1036 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.3852 |
| Average Number of Simultaneous Pitch Classes |
2.67 |
| Variability of Number of Simultaneous Pitch Classes |
0.656 |
| Average Number of Simultaneous Pitches |
3.391 |
| Variability of Number of Simultaneous Pitches |
0.9512 |
| Most Common Vertical Interval |
7.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2548 |
| Stepwise Motion |
0.6106 |
| Melodic Thirds |
0.07933 |
| Melodic Perfect Fourths |
0.06971 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.0601 |
| Melodic Sixths |
0.007212 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.004808 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.667 |
| Melodic Embellishments |
0.01667 |
| Direction of Melodic Motion |
0.4566 |
| Average Length of Melodic Arcs |
1.747 |
| Average Interval Spanned by Melodic Arcs |
4.389 |
| Melodic Pitch Variety |
3.836 |
| Mean Melodic Interval |
2.113 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.3558 |
| Relative Prevalence of Most Common Melodic Intervals |
0.7162 |
| Amount of Arpeggiation |
0.3125 |
| Repeated Notes |
0.1683 |
| Importance of Middle Register |
0.7738 |
| Importance of High Register |
0.0 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
59.21 |
| Mean Pitch Class |
4.705 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.1357 |
| Prevalence of Most Common Pitch Class |
0.1952 |
| Relative Prevalence of Top Pitches |
0.7544 |
| Relative Prevalence of Top Pitch Classes |
0.878 |
| Interval Between Most Prevalent Pitches |
2.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
6.401 |
| Pitch Class Variability |
3.185 |
| Pitch Class Variability After Folding |
3.564 |
| Pitch Skewness |
-0.6339 |
| Pitch Class Skewness |
-0.2781 |
| Pitch Class Skewness After Folding |
0.8819 |
| Pitch Kurtosis |
5.655 |
| Pitch Class Kurtosis |
4.968 |
| Pitch Class Kurtosis After Folding |
5.784 |
| Major or Minor |
0.0 |
| First Pitch |
65.0 |
| First Pitch Class |
5.0 |
| Last Pitch |
50.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
25.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
4.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.2262 |
| Note Density per Quarter Note |
1.346 |
| Note Density per Quarter Note per Voice |
0.3365 |
| Note Density per Quarter Note Variability |
0.5635 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.01905 |
| Prevalence of Medium Rhythmic Values |
0.7381 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8667 |
| Prevalence of Very Long Rhythmic Values |
0.03333 |
| Prevalence of Dotted Notes |
0.04286 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.493 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.6048 |
| Relative Prevalence of Most Common Rhythmic Values |
0.3189 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.478 |
| Rhythmic Value Skewness |
1.001 |
| Rhythmic Value Kurtosis |
16.94 |
| Mean Rhythmic Value Run Length |
1.991 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.802 |
| Mean Rhythmic Value Offset |
0.0381 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.6168 |
| Complete Rests Fraction |
0.01987 |
| Partial Rests Fraction |
0.2969 |
| Average Rest Fraction Across Voices |
0.1388 |
| Longest Complete Rest |
2.066 |
| Longest Partial Rest |
30.99 |
| Mean Complete Rest Duration |
1.55 |
| Mean Partial Rest Duration |
5.973 |
| Median Complete Rest Duration |
2.066 |
| Median Partial Rest Duration |
2.066 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.5965 |
| Variability of Partial Rest Durations |
7.288 |
| Variability Across Voices of Combined Rests |
13.86 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
4.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.7125 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1438 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
4.957 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8563 |
| Rhythmic Variability - Tempo Standardized |
0.05797 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
420.0 |
| Initial Tempo |
120.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.063 |
| Minimum Note Duration |
0.1667 |
| Maximum Note Duration |
12.0 |
| Average Note Duration |
1.238 |
| Variability of Note Durations |
0.9259 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
4.0 |
| Number of Relatively Strong Rhythmic Pulses |
1.0 |
| Mean Tempo |
126.5 |
| Strongest Rhythmic Pulse |
62.0 |
| Second Strongest Rhythmic Pulse |
42.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.476 |
| Strength of Strongest Rhythmic Pulse |
0.7125 |
| Strength of Second Strongest Rhythmic Pulse |
0.1438 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
4.957 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.8563 |
| Rhythmic Variability |
0.05797 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
19.89 |
| Duration in Seconds |
151.0 |
| Note Density |
2.781 |
| Note Density Variability |
1.243 |
| Average Time Between Attacks |
0.9064 |
| Average Time Between Attacks for Each Voice |
1.321 |
| Variability of Time Between Attacks |
0.5893 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.3548 |
| Relative Range Isolation of Loudest Voice |
0.0531 |
| Relative Range of Highest Line |
0.3548 |
| Relative Note Density of Highest Line |
0.6286 |
| Relative Note Durations of Lowest Line |
1.095 |
| Relative Size of Melodic Intervals in Lowest Line |
0.5714 |
| Voice Overlap |
0.9262 |
| Voice Separation |
5.333 |
| Variability of Voice Separation |
2.517 |
| Parallel Motion |
0.07069 |
| Average Number of Independent Voices |
3.474 |
| Similar Motion |
0.2266 |
| Contrary Motion |
0.2121 |
| Oblique Motion |
0.4906 |
| Parallel Fifths |
0.002079 |
| Parallel Octaves |
0.002079 |
| Variability of Number of Independent Voices |
0.9044 |
| Voice Equality - Number of Notes |
11.11 |
| Voice Equality - Note Duration |
6.707 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.9574 |
| Voice Equality - Range |
4.113 |
| Importance of Loudest Voice |
0.0 |