| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2141 |
| Prevalence of Second Most Common Vertical Interval |
0.1852 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8646 |
| Vertical Unisons |
0.05798 |
| Vertical Minor Seconds |
0.004393 |
| Vertical Thirds |
0.291 |
| Vertical Tritones |
0.006589 |
| Vertical Perfect Fourths |
0.1195 |
| Vertical Perfect Fifths |
0.1852 |
| Vertical Sixths |
0.1309 |
| Vertical Sevenths |
0.02328 |
| Vertical Octaves |
0.1562 |
| Perfect Vertical Intervals |
0.5188 |
| Vertical Dissonance Ratio |
0.06304 |
| Vertical Minor Third Prevalence |
0.6743 |
| Vertical Major Third Prevalence |
0.6645 |
| Chord Duration |
1.152 |
| Partial Chords |
0.1047 |
| Standard Triads |
0.6486 |
| Diminished and Augmented Triads |
0.01689 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.03716 |
| Non-Standard Chords |
0.2095 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.3813 |
| Average Number of Simultaneous Pitch Classes |
2.964 |
| Variability of Number of Simultaneous Pitch Classes |
0.5695 |
| Average Number of Simultaneous Pitches |
3.987 |
| Variability of Number of Simultaneous Pitches |
0.9933 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.188 |
| Stepwise Motion |
0.576 |
| Melodic Thirds |
0.154 |
| Melodic Perfect Fourths |
0.07 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.064 |
| Melodic Sixths |
0.008 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.02 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.567 |
| Melodic Embellishments |
0.007905 |
| Direction of Melodic Motion |
0.5067 |
| Average Length of Melodic Arcs |
1.646 |
| Average Interval Spanned by Melodic Arcs |
4.727 |
| Melodic Pitch Variety |
5.46 |
| Mean Melodic Interval |
2.592 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.388 |
| Relative Prevalence of Most Common Melodic Intervals |
0.4845 |
| Amount of Arpeggiation |
0.346 |
| Repeated Notes |
0.108 |
| Importance of Middle Register |
0.7905 |
| Importance of High Register |
0.01186 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
59.34 |
| Mean Pitch Class |
5.632 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1245 |
| Prevalence of Most Common Pitch Class |
0.1877 |
| Relative Prevalence of Top Pitches |
0.8889 |
| Relative Prevalence of Top Pitch Classes |
0.9474 |
| Interval Between Most Prevalent Pitches |
3.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
6.791 |
| Pitch Class Variability |
3.662 |
| Pitch Class Variability After Folding |
1.941 |
| Pitch Skewness |
-0.07858 |
| Pitch Class Skewness |
-0.3011 |
| Pitch Class Skewness After Folding |
-0.3299 |
| Pitch Kurtosis |
5.665 |
| Pitch Class Kurtosis |
4.806 |
| Pitch Class Kurtosis After Folding |
5.863 |
| Major or Minor |
0.0 |
| First Pitch |
55.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
20.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
8.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.1976 |
| Note Density per Quarter Note |
1.664 |
| Note Density per Quarter Note per Voice |
0.2774 |
| Note Density per Quarter Note Variability |
0.725 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.6877 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7767 |
| Prevalence of Very Long Rhythmic Values |
0.05534 |
| Prevalence of Dotted Notes |
0.05336 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.581 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4644 |
| Relative Prevalence of Most Common Rhythmic Values |
0.4809 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.698 |
| Rhythmic Value Skewness |
1.027 |
| Rhythmic Value Kurtosis |
11.81 |
| Mean Rhythmic Value Run Length |
1.853 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.255 |
| Mean Rhythmic Value Offset |
0.07905 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.256 |
| Complete Rests Fraction |
0.0 |
| Partial Rests Fraction |
0.7598 |
| Average Rest Fraction Across Voices |
0.2409 |
| Longest Complete Rest |
0.0 |
| Longest Partial Rest |
45.14 |
| Mean Complete Rest Duration |
0.0 |
| Mean Partial Rest Duration |
12.92 |
| Median Complete Rest Duration |
0.0 |
| Median Partial Rest Duration |
10.62 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
12.0 |
| Variability Across Voices of Combined Rests |
30.88 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
2.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6196 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1959 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.163 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8155 |
| Rhythmic Variability - Tempo Standardized |
0.05304 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.5 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
506.0 |
| Initial Tempo |
120.0 |
| Average Variability of Time Between Attacks for Each Voice |
3.516 |
| Minimum Note Duration |
0.5 |
| Maximum Note Duration |
32.0 |
| Average Note Duration |
2.061 |
| Variability of Note Durations |
2.261 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
2.0 |
| Number of Moderate Rhythmic Pulses |
2.0 |
| Number of Relatively Strong Rhythmic Pulses |
1.0 |
| Mean Tempo |
89.61 |
| Strongest Rhythmic Pulse |
40.0 |
| Second Strongest Rhythmic Pulse |
80.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.7706 |
| Strength of Second Strongest Rhythmic Pulse |
0.2294 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
3.359 |
| Combined Strength of Two Strongest Rhythmic Pulses |
1.0 |
| Rhythmic Variability |
0.06326 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
30.0 |
| Duration in Seconds |
229.0 |
| Note Density |
2.21 |
| Note Density Variability |
0.9232 |
| Average Time Between Attacks |
1.146 |
| Average Time Between Attacks for Each Voice |
2.534 |
| Variability of Time Between Attacks |
0.5623 |
| Maximum Number of Independent Voices |
6.0 |
| Relative Range of Loudest Voice |
0.5484 |
| Relative Range Isolation of Loudest Voice |
0.4831 |
| Relative Range of Highest Line |
0.5484 |
| Relative Note Density of Highest Line |
0.7945 |
| Relative Note Durations of Lowest Line |
1.049 |
| Relative Size of Melodic Intervals in Lowest Line |
0.9231 |
| Voice Overlap |
0.8498 |
| Voice Separation |
3.2 |
| Variability of Voice Separation |
3.033 |
| Parallel Motion |
0.03804 |
| Average Number of Independent Voices |
4.428 |
| Similar Motion |
0.1793 |
| Contrary Motion |
0.1413 |
| Oblique Motion |
0.6413 |
| Parallel Fifths |
0.002717 |
| Parallel Octaves |
0.002717 |
| Variability of Number of Independent Voices |
1.092 |
| Voice Equality - Number of Notes |
20.84 |
| Voice Equality - Note Duration |
23.26 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.4082 |
| Voice Equality - Range |
1.211 |
| Importance of Loudest Voice |
0.0 |