Distance Between Two Most Common Vertical Intervals |
7.0 |
Prevalence of Most Common Vertical Interval |
0.2135 |
Prevalence of Second Most Common Vertical Interval |
0.2021 |
Prevalence Ratio of Two Most Common Vertical Intervals |
0.9466 |
Vertical Unisons |
0.03559 |
Vertical Minor Seconds |
0.005598 |
Vertical Thirds |
0.2929 |
Vertical Tritones |
0.0122 |
Vertical Perfect Fourths |
0.109 |
Vertical Perfect Fifths |
0.2021 |
Vertical Sixths |
0.1162 |
Vertical Sevenths |
0.02139 |
Vertical Octaves |
0.1779 |
Perfect Vertical Intervals |
0.5246 |
Vertical Dissonance Ratio |
0.07109 |
Vertical Minor Third Prevalence |
0.5568 |
Vertical Major Third Prevalence |
0.7202 |
Chord Duration |
1.185 |
Partial Chords |
0.1121 |
Standard Triads |
0.6293 |
Diminished and Augmented Triads |
0.03736 |
Dominant Seventh Chords |
0.0 |
Seventh Chords |
0.01724 |
Non-Standard Chords |
0.2414 |
Complex Chords |
0.01437 |
Minor Major Triad Ratio |
0.3036 |
Average Number of Simultaneous Pitch Classes |
2.962 |
Variability of Number of Simultaneous Pitch Classes |
0.5276 |
Average Number of Simultaneous Pitches |
4.045 |
Variability of Number of Simultaneous Pitches |
0.8516 |
Most Common Vertical Interval |
0.0 |
Second Most Common Vertical Interval |
7.0 |
Dynamic Range |
0.0 |
Variation of Dynamics |
0.0 |
Variation of Dynamics In Each Voice |
0.0 |
Average Note to Note Change in Dynamics |
0.0 |
Unpitched Percussion Instrument Prevalence |
0.0 |
String Keyboard Prevalence |
1.0 |
Acoustic Guitar Prevalence |
0.0 |
Electric Guitar Prevalence |
0.0 |
Violin Prevalence |
0.0 |
Saxophone Prevalence |
0.0 |
Brass Prevalence |
0.0 |
Woodwinds Prevalence |
0.0 |
Orchestral Strings Prevalence |
0.0 |
String Ensemble Prevalence |
0.0 |
Electric Instrument Prevalence |
0.0 |
Variability of Note Prevalence of Pitched Instruments |
0.0 |
Variability of Note Prevalence of Unpitched Instruments |
0.0 |
Number of Pitched Instruments |
1.0 |
Number of Unpitched Instruments |
0.0 |
Chromatic Motion |
0.2 |
Stepwise Motion |
0.5917 |
Melodic Thirds |
0.1146 |
Melodic Perfect Fourths |
0.1042 |
Melodic Tritones |
0.0 |
Melodic Perfect Fifths |
0.05833 |
Melodic Sixths |
0.0 |
Melodic Sevenths |
0.0 |
Melodic Octaves |
0.01042 |
Melodic Large Intervals |
0.0 |
Most Common Melodic Interval |
2.0 |
Minor Major Melodic Third Ratio |
0.9643 |
Melodic Embellishments |
0.02268 |
Direction of Melodic Motion |
0.5047 |
Average Length of Melodic Arcs |
1.773 |
Average Interval Spanned by Melodic Arcs |
4.845 |
Melodic Pitch Variety |
4.606 |
Mean Melodic Interval |
2.44 |
Number of Common Melodic Intervals |
4.0 |
Distance Between Most Prevalent Melodic Intervals |
1.0 |
Prevalence of Most Common Melodic Interval |
0.3917 |
Relative Prevalence of Most Common Melodic Intervals |
0.5106 |
Amount of Arpeggiation |
0.3042 |
Repeated Notes |
0.1208 |
Importance of Middle Register |
0.7361 |
Importance of High Register |
0.101 |
Dominant Spread |
6.0 |
Strong Tonal Centres |
2.0 |
Mean Pitch |
62.85 |
Mean Pitch Class |
4.905 |
Most Common Pitch |
65.0 |
Most Common Pitch Class |
5.0 |
Prevalence of Most Common Pitch |
0.1134 |
Prevalence of Most Common Pitch Class |
0.2268 |
Relative Prevalence of Top Pitches |
0.7818 |
Relative Prevalence of Top Pitch Classes |
0.8818 |
Interval Between Most Prevalent Pitches |
5.0 |
Interval Between Most Prevalent Pitch Classes |
5.0 |
Pitch Variability |
7.829 |
Pitch Class Variability |
3.471 |
Pitch Class Variability After Folding |
4.354 |
Pitch Skewness |
-0.2884 |
Pitch Class Skewness |
-0.08199 |
Pitch Class Skewness After Folding |
1.151 |
Pitch Kurtosis |
5.265 |
Pitch Class Kurtosis |
4.851 |
Pitch Class Kurtosis After Folding |
4.608 |
Major or Minor |
0.0 |
First Pitch |
65.0 |
First Pitch Class |
5.0 |
Last Pitch |
53.0 |
Last Pitch Class |
5.0 |
Glissando Prevalence |
0.0 |
Average Range of Glissandos |
0.0 |
Number of Pitches |
22.0 |
Vibrato Prevalence |
0.0 |
Microtone Prevalence |
0.0 |
Number of Pitch Classes |
8.0 |
Number of Common Pitches |
1.0 |
Number of Common Pitch Classes |
2.0 |
Range |
33.0 |
Importance of Bass Register |
0.1629 |
Note Density per Quarter Note |
1.378 |
Note Density per Quarter Note per Voice |
0.2756 |
Note Density per Quarter Note Variability |
0.4889 |
Range of Rhythmic Values |
9.0 |
Number of Different Rhythmic Values Present |
8.0 |
Number of Common Rhythmic Values Present |
3.0 |
Prevalence of Very Short Rhythmic Values |
0.0 |
Prevalence of Short Rhythmic Values |
0.01237 |
Prevalence of Medium Rhythmic Values |
0.5216 |
Simple Initial Meter |
1.0 |
Prevalence of Long Rhythmic Values |
0.7918 |
Prevalence of Very Long Rhythmic Values |
0.1175 |
Prevalence of Dotted Notes |
0.09072 |
Shortest Rhythmic Value |
0.5 |
Longest Rhythmic Value |
12.0 |
Mean Rhythmic Value |
3.113 |
Most Common Rhythmic Value |
4.0 |
Prevalence of Most Common Rhythmic Value |
0.3155 |
Relative Prevalence of Most Common Rhythmic Values |
0.9935 |
Difference Between Most Common Rhythmic Values |
2.0 |
Compound Initial Meter |
0.0 |
Rhythmic Value Variability |
2.035 |
Rhythmic Value Skewness |
1.641 |
Rhythmic Value Kurtosis |
8.197 |
Mean Rhythmic Value Run Length |
1.655 |
Median Rhythmic Value Run Length |
1.0 |
Variability in Rhythmic Value Run Lengths |
1.092 |
Mean Rhythmic Value Offset |
0.008247 |
Median Rhythmic Value Offset |
0.0 |
Complex Initial Meter |
0.0 |
Variability of Rhythmic Value Offsets |
0.1816 |
Complete Rests Fraction |
0.0 |
Partial Rests Fraction |
0.5132 |
Average Rest Fraction Across Voices |
0.1419 |
Longest Complete Rest |
0.0 |
Longest Partial Rest |
21.25 |
Mean Complete Rest Duration |
0.0 |
Mean Partial Rest Duration |
7.567 |
Median Complete Rest Duration |
0.0 |
Median Partial Rest Duration |
5.313 |
Duple Initial Meter |
0.0 |
Variability of Complete Rest Durations |
0.0 |
Variability of Partial Rest Durations |
6.27 |
Variability Across Voices of Combined Rests |
11.53 |
Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
2.0 |
Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
Triple Initial Meter |
0.0 |
Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6049 |
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2049 |
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.952 |
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8098 |
Rhythmic Variability - Tempo Standardized |
0.05207 |
Rhythmic Looseness - Tempo Standardized |
0.0 |
Polyrhythms - Tempo Standardized |
0.5 |
Quadruple Initial Meter |
1.0 |
Metrical Diversity |
1.0 |
Total Number of Notes |
485.0 |
Initial Tempo |
100.0 |
Average Variability of Time Between Attacks for Each Voice |
3.227 |
Minimum Note Duration |
0.3 |
Maximum Note Duration |
19.2 |
Average Note Duration |
2.813 |
Variability of Note Durations |
2.096 |
Amount of Staccato |
0.0 |
Number of Strong Rhythmic Pulses |
1.0 |
Number of Moderate Rhythmic Pulses |
3.0 |
Number of Relatively Strong Rhythmic Pulses |
1.0 |
Mean Tempo |
74.72 |
Strongest Rhythmic Pulse |
67.0 |
Second Strongest Rhythmic Pulse |
133.0 |
Harmonicity of Two Strongest Rhythmic Pulses |
1.985 |
Strength of Strongest Rhythmic Pulse |
0.9393 |
Strength of Second Strongest Rhythmic Pulse |
0.04473 |
Strength Ratio of Two Strongest Rhythmic Pulses |
21.0 |
Combined Strength of Two Strongest Rhythmic Pulses |
0.984 |
Rhythmic Variability |
0.07409 |
Rhythmic Looseness |
0.0 |
Polyrhythms |
1.0 |
Tempo Variability |
25.0 |
Duration in Seconds |
318.0 |
Note Density |
1.525 |
Note Density Variability |
0.7851 |
Average Time Between Attacks |
1.448 |
Average Time Between Attacks for Each Voice |
3.307 |
Variability of Time Between Attacks |
0.7195 |
Maximum Number of Independent Voices |
5.0 |
Relative Range of Loudest Voice |
0.5152 |
Relative Range Isolation of Loudest Voice |
0.009615 |
Relative Range of Highest Line |
0.5152 |
Relative Note Density of Highest Line |
0.7423 |
Relative Note Durations of Lowest Line |
0.9521 |
Relative Size of Melodic Intervals in Lowest Line |
1.0 |
Voice Overlap |
0.9216 |
Voice Separation |
5.0 |
Variability of Voice Separation |
1.826 |
Parallel Motion |
0.02576 |
Average Number of Independent Voices |
4.301 |
Similar Motion |
0.1514 |
Contrary Motion |
0.1449 |
Oblique Motion |
0.6779 |
Parallel Fifths |
0.003221 |
Parallel Octaves |
0.004831 |
Variability of Number of Independent Voices |
0.8429 |
Voice Equality - Number of Notes |
20.65 |
Voice Equality - Note Duration |
10.41 |
Voice Equality - Dynamics |
0.0 |
Voice Equality - Melodic Leaps |
0.7071 |
Voice Equality - Range |
1.643 |
Importance of Loudest Voice |
0.0 |