| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.2264 |
| Prevalence of Second Most Common Vertical Interval |
0.1842 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8136 |
| Vertical Unisons |
0.05907 |
| Vertical Minor Seconds |
0.00477 |
| Vertical Thirds |
0.3893 |
| Vertical Tritones |
0.01945 |
| Vertical Perfect Fourths |
0.08439 |
| Vertical Perfect Fifths |
0.1842 |
| Vertical Sixths |
0.09374 |
| Vertical Sevenths |
0.01633 |
| Vertical Octaves |
0.1169 |
| Perfect Vertical Intervals |
0.4445 |
| Vertical Dissonance Ratio |
0.07812 |
| Vertical Minor Third Prevalence |
0.5407 |
| Vertical Major Third Prevalence |
0.6325 |
| Chord Duration |
2.016 |
| Partial Chords |
0.2988 |
| Standard Triads |
0.502 |
| Diminished and Augmented Triads |
0.04863 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.01412 |
| Non-Standard Chords |
0.1851 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.3389 |
| Average Number of Simultaneous Pitch Classes |
2.677 |
| Variability of Number of Simultaneous Pitch Classes |
0.6212 |
| Average Number of Simultaneous Pitches |
3.142 |
| Variability of Number of Simultaneous Pitches |
0.7826 |
| Most Common Vertical Interval |
4.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2168 |
| Stepwise Motion |
0.6139 |
| Melodic Thirds |
0.1413 |
| Melodic Perfect Fourths |
0.04141 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03045 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.02314 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.412 |
| Melodic Embellishments |
0.009697 |
| Direction of Melodic Motion |
0.5315 |
| Average Length of Melodic Arcs |
1.711 |
| Average Interval Spanned by Melodic Arcs |
4.35 |
| Melodic Pitch Variety |
4.525 |
| Mean Melodic Interval |
2.174 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.3971 |
| Relative Prevalence of Most Common Melodic Intervals |
0.546 |
| Amount of Arpeggiation |
0.3447 |
| Repeated Notes |
0.1498 |
| Importance of Middle Register |
0.8255 |
| Importance of High Register |
0.0 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
57.64 |
| Mean Pitch Class |
5.595 |
| Most Common Pitch |
58.0 |
| Most Common Pitch Class |
10.0 |
| Prevalence of Most Common Pitch |
0.1964 |
| Prevalence of Most Common Pitch Class |
0.2279 |
| Relative Prevalence of Top Pitches |
0.6605 |
| Relative Prevalence of Top Pitch Classes |
0.7074 |
| Interval Between Most Prevalent Pitches |
4.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
4.756 |
| Pitch Class Variability |
3.438 |
| Pitch Class Variability After Folding |
4.37 |
| Pitch Skewness |
0.1575 |
| Pitch Class Skewness |
0.5193 |
| Pitch Class Skewness After Folding |
-1.471 |
| Pitch Kurtosis |
6.104 |
| Pitch Class Kurtosis |
4.683 |
| Pitch Class Kurtosis After Folding |
4.197 |
| Major or Minor |
0.0 |
| First Pitch |
58.0 |
| First Pitch Class |
10.0 |
| Last Pitch |
46.0 |
| Last Pitch Class |
10.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
17.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
5.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
24.0 |
| Importance of Bass Register |
0.1745 |
| Note Density per Quarter Note |
1.242 |
| Note Density per Quarter Note per Voice |
0.3106 |
| Note Density per Quarter Note Variability |
0.5221 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.007273 |
| Prevalence of Medium Rhythmic Values |
0.6279 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8 |
| Prevalence of Very Long Rhythmic Values |
0.06545 |
| Prevalence of Dotted Notes |
0.1248 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.687 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4279 |
| Relative Prevalence of Most Common Rhythmic Values |
0.4873 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.733 |
| Rhythmic Value Skewness |
1.189 |
| Rhythmic Value Kurtosis |
12.11 |
| Mean Rhythmic Value Run Length |
1.557 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.193 |
| Mean Rhythmic Value Offset |
0.04 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.7371 |
| Complete Rests Fraction |
0.0 |
| Partial Rests Fraction |
0.4639 |
| Average Rest Fraction Across Voices |
0.1536 |
| Longest Complete Rest |
0.0 |
| Longest Partial Rest |
58.0 |
| Mean Complete Rest Duration |
0.0 |
| Mean Partial Rest Duration |
10.2 |
| Median Complete Rest Duration |
0.0 |
| Median Partial Rest Duration |
6.0 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
14.09 |
| Variability Across Voices of Combined Rests |
45.4 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5832 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2203 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.648 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8035 |
| Rhythmic Variability - Tempo Standardized |
0.0512 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
825.0 |
| Initial Tempo |
120.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.676 |
| Minimum Note Duration |
0.25 |
| Maximum Note Duration |
16.0 |
| Average Note Duration |
1.362 |
| Variability of Note Durations |
1.032 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
3.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
120.0 |
| Strongest Rhythmic Pulse |
60.0 |
| Second Strongest Rhythmic Pulse |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.5832 |
| Strength of Second Strongest Rhythmic Pulse |
0.2203 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
2.648 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.8035 |
| Rhythmic Variability |
0.0512 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
0.0 |
| Duration in Seconds |
332.0 |
| Note Density |
2.485 |
| Note Density Variability |
0.9574 |
| Average Time Between Attacks |
0.8479 |
| Average Time Between Attacks for Each Voice |
1.499 |
| Variability of Time Between Attacks |
0.4465 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5 |
| Relative Range Isolation of Loudest Voice |
0.0 |
| Relative Range of Highest Line |
0.5 |
| Relative Note Density of Highest Line |
0.2958 |
| Relative Note Durations of Lowest Line |
0.9969 |
| Relative Size of Melodic Intervals in Lowest Line |
0.6667 |
| Voice Overlap |
1.0 |
| Voice Separation |
2.333 |
| Variability of Voice Separation |
4.041 |
| Parallel Motion |
0.04956 |
| Average Number of Independent Voices |
3.386 |
| Similar Motion |
0.1469 |
| Contrary Motion |
0.1929 |
| Oblique Motion |
0.6106 |
| Parallel Fifths |
0.00708 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.7498 |
| Voice Equality - Number of Notes |
12.04 |
| Voice Equality - Note Duration |
22.7 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.5774 |
| Voice Equality - Range |
2.449 |
| Importance of Loudest Voice |
0.0 |