| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.1962 |
| Prevalence of Second Most Common Vertical Interval |
0.1882 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9593 |
| Vertical Unisons |
0.01492 |
| Vertical Minor Seconds |
0.001531 |
| Vertical Thirds |
0.3253 |
| Vertical Tritones |
0.01171 |
| Vertical Perfect Fourths |
0.1253 |
| Vertical Perfect Fifths |
0.1962 |
| Vertical Sixths |
0.1262 |
| Vertical Sevenths |
0.01707 |
| Vertical Octaves |
0.1733 |
| Perfect Vertical Intervals |
0.5098 |
| Vertical Dissonance Ratio |
0.04024 |
| Vertical Minor Third Prevalence |
0.5154 |
| Vertical Major Third Prevalence |
0.5969 |
| Chord Duration |
2.638 |
| Partial Chords |
0.1009 |
| Standard Triads |
0.7309 |
| Diminished and Augmented Triads |
0.0426 |
| Dominant Seventh Chords |
0.004484 |
| Seventh Chords |
0.0157 |
| Non-Standard Chords |
0.1525 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.6139 |
| Average Number of Simultaneous Pitch Classes |
2.903 |
| Variability of Number of Simultaneous Pitch Classes |
0.4446 |
| Average Number of Simultaneous Pitches |
3.852 |
| Variability of Number of Simultaneous Pitches |
0.4227 |
| Most Common Vertical Interval |
7.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
11.0 |
| Variation of Dynamics |
1.826 |
| Variation of Dynamics In Each Voice |
1.828 |
| Average Note to Note Change in Dynamics |
1.955 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1159 |
| Stepwise Motion |
0.4405 |
| Melodic Thirds |
0.06707 |
| Melodic Perfect Fourths |
0.05183 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.02896 |
| Melodic Sixths |
0.004573 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01067 |
| Melodic Large Intervals |
0.001524 |
| Most Common Melodic Interval |
0.0 |
| Minor Major Melodic Third Ratio |
1.588 |
| Melodic Embellishments |
0.00303 |
| Direction of Melodic Motion |
0.4761 |
| Average Length of Melodic Arcs |
1.805 |
| Average Interval Spanned by Melodic Arcs |
4.786 |
| Melodic Pitch Variety |
3.494 |
| Mean Melodic Interval |
1.645 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.3948 |
| Relative Prevalence of Most Common Melodic Intervals |
0.8224 |
| Amount of Arpeggiation |
0.503 |
| Repeated Notes |
0.3948 |
| Importance of Middle Register |
0.5924 |
| Importance of High Register |
0.0 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
55.28 |
| Mean Pitch Class |
4.994 |
| Most Common Pitch |
60.0 |
| Most Common Pitch Class |
9.0 |
| Prevalence of Most Common Pitch |
0.1212 |
| Prevalence of Most Common Pitch Class |
0.197 |
| Relative Prevalence of Top Pitches |
0.975 |
| Relative Prevalence of Top Pitch Classes |
0.8923 |
| Interval Between Most Prevalent Pitches |
3.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
6.866 |
| Pitch Class Variability |
3.533 |
| Pitch Class Variability After Folding |
3.588 |
| Pitch Skewness |
-0.5031 |
| Pitch Class Skewness |
-0.005146 |
| Pitch Class Skewness After Folding |
0.5878 |
| Pitch Kurtosis |
5.435 |
| Pitch Class Kurtosis |
4.8 |
| Pitch Class Kurtosis After Folding |
6.135 |
| Major or Minor |
0.0 |
| First Pitch |
50.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
41.0 |
| Last Pitch Class |
5.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
21.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
8.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.4076 |
| Note Density per Quarter Note |
1.398 |
| Note Density per Quarter Note per Voice |
0.3496 |
| Note Density per Quarter Note Variability |
0.5623 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.7182 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8591 |
| Prevalence of Very Long Rhythmic Values |
0.06818 |
| Prevalence of Dotted Notes |
0.03333 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.685 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.5773 |
| Relative Prevalence of Most Common Rhythmic Values |
0.336 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.778 |
| Rhythmic Value Skewness |
1.155 |
| Rhythmic Value Kurtosis |
12.3 |
| Mean Rhythmic Value Run Length |
2.588 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
2.707 |
| Mean Rhythmic Value Offset |
0.02424 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.3107 |
| Complete Rests Fraction |
0.03814 |
| Partial Rests Fraction |
0.08051 |
| Average Rest Fraction Across Voices |
0.05297 |
| Longest Complete Rest |
2.0 |
| Longest Partial Rest |
4.0 |
| Mean Complete Rest Duration |
2.0 |
| Mean Partial Rest Duration |
2.041 |
| Median Complete Rest Duration |
2.0 |
| Median Partial Rest Duration |
2.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
0.2857 |
| Variability Across Voices of Combined Rests |
7.024 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
120.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.0 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.7352 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1351 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
5.444 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8703 |
| Rhythmic Variability - Tempo Standardized |
0.05966 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
660.0 |
| Initial Tempo |
320.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.3373 |
| Minimum Note Duration |
0.1875 |
| Maximum Note Duration |
3.0 |
| Average Note Duration |
0.508 |
| Variability of Note Durations |
0.3612 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
4.0 |
| Number of Moderate Rhythmic Pulses |
7.0 |
| Number of Relatively Strong Rhythmic Pulses |
4.0 |
| Mean Tempo |
320.0 |
| Strongest Rhythmic Pulse |
80.0 |
| Second Strongest Rhythmic Pulse |
160.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.2341 |
| Strength of Second Strongest Rhythmic Pulse |
0.229 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.022 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.4632 |
| Rhythmic Variability |
0.03502 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.75 |
| Tempo Variability |
0.0 |
| Duration in Seconds |
88.5 |
| Note Density |
7.458 |
| Note Density Variability |
1.923 |
| Average Time Between Attacks |
0.3815 |
| Average Time Between Attacks for Each Voice |
0.526 |
| Variability of Time Between Attacks |
0.2523 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.5161 |
| Relative Range Isolation of Loudest Voice |
0.0 |
| Relative Range of Highest Line |
0.5484 |
| Relative Note Density of Highest Line |
0.3758 |
| Relative Note Durations of Lowest Line |
1.172 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.8242 |
| Voice Separation |
5.333 |
| Variability of Voice Separation |
4.041 |
| Parallel Motion |
0.08576 |
| Average Number of Independent Voices |
3.938 |
| Similar Motion |
0.1926 |
| Contrary Motion |
0.2071 |
| Oblique Motion |
0.5146 |
| Parallel Fifths |
0.004854 |
| Parallel Octaves |
0.004854 |
| Variability of Number of Independent Voices |
0.3193 |
| Voice Equality - Number of Notes |
18.89 |
| Voice Equality - Note Duration |
1.317 |
| Voice Equality - Dynamics |
0.5 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
0.5774 |
| Importance of Loudest Voice |
0.3333 |