| Distance Between Two Most Common Vertical Intervals |
3.0 |
| Prevalence of Most Common Vertical Interval |
0.1964 |
| Prevalence of Second Most Common Vertical Interval |
0.1896 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9651 |
| Vertical Unisons |
0.02504 |
| Vertical Minor Seconds |
0.008076 |
| Vertical Thirds |
0.339 |
| Vertical Tritones |
0.01211 |
| Vertical Perfect Fourths |
0.09287 |
| Vertical Perfect Fifths |
0.1964 |
| Vertical Sixths |
0.1242 |
| Vertical Sevenths |
0.02281 |
| Vertical Octaves |
0.1561 |
| Perfect Vertical Intervals |
0.4704 |
| Vertical Dissonance Ratio |
0.07115 |
| Vertical Minor Third Prevalence |
0.4982 |
| Vertical Major Third Prevalence |
0.5571 |
| Chord Duration |
3.498 |
| Partial Chords |
0.2765 |
| Standard Triads |
0.5246 |
| Diminished and Augmented Triads |
0.02652 |
| Dominant Seventh Chords |
0.003788 |
| Seventh Chords |
0.00947 |
| Non-Standard Chords |
0.1894 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.5054 |
| Average Number of Simultaneous Pitch Classes |
2.686 |
| Variability of Number of Simultaneous Pitch Classes |
0.6717 |
| Average Number of Simultaneous Pitches |
3.346 |
| Variability of Number of Simultaneous Pitches |
0.7498 |
| Most Common Vertical Interval |
7.0 |
| Second Most Common Vertical Interval |
4.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1944 |
| Stepwise Motion |
0.5714 |
| Melodic Thirds |
0.1329 |
| Melodic Perfect Fourths |
0.06146 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.06146 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01329 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
3.706 |
| Melodic Embellishments |
0.0132 |
| Direction of Melodic Motion |
0.5415 |
| Average Length of Melodic Arcs |
1.727 |
| Average Interval Spanned by Melodic Arcs |
4.618 |
| Melodic Pitch Variety |
4.844 |
| Mean Melodic Interval |
2.272 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.3771 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5154 |
| Amount of Arpeggiation |
0.3671 |
| Repeated Notes |
0.1595 |
| Importance of Middle Register |
0.835 |
| Importance of High Register |
0.09406 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
63.81 |
| Mean Pitch Class |
5.028 |
| Most Common Pitch |
67.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1271 |
| Prevalence of Most Common Pitch Class |
0.1898 |
| Relative Prevalence of Top Pitches |
0.8052 |
| Relative Prevalence of Top Pitch Classes |
0.8957 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
6.667 |
| Pitch Class Variability |
3.513 |
| Pitch Class Variability After Folding |
3.123 |
| Pitch Skewness |
0.06163 |
| Pitch Class Skewness |
0.02395 |
| Pitch Class Skewness After Folding |
1.111 |
| Pitch Kurtosis |
5.563 |
| Pitch Class Kurtosis |
4.896 |
| Pitch Class Kurtosis After Folding |
7.376 |
| Major or Minor |
0.0 |
| First Pitch |
55.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
55.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
22.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.07096 |
| Note Density per Quarter Note |
1.082 |
| Note Density per Quarter Note per Voice |
0.2705 |
| Note Density per Quarter Note Variability |
0.6539 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0033 |
| Prevalence of Medium Rhythmic Values |
0.5462 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8251 |
| Prevalence of Very Long Rhythmic Values |
0.1304 |
| Prevalence of Dotted Notes |
0.09241 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.188 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3713 |
| Relative Prevalence of Most Common Rhythmic Values |
0.76 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.173 |
| Rhythmic Value Skewness |
1.64 |
| Rhythmic Value Kurtosis |
8.881 |
| Mean Rhythmic Value Run Length |
1.746 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.327 |
| Mean Rhythmic Value Offset |
0.006601 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.1625 |
| Complete Rests Fraction |
0.0 |
| Partial Rests Fraction |
0.4407 |
| Average Rest Fraction Across Voices |
0.1469 |
| Longest Complete Rest |
0.0 |
| Longest Partial Rest |
75.93 |
| Mean Complete Rest Duration |
0.0 |
| Mean Partial Rest Duration |
8.893 |
| Median Complete Rest Duration |
0.0 |
| Median Partial Rest Duration |
3.164 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
13.62 |
| Variability Across Voices of Combined Rests |
53.24 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6035 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1965 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.071 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8 |
| Rhythmic Variability - Tempo Standardized |
0.05216 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
606.0 |
| Initial Tempo |
120.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.089 |
| Minimum Note Duration |
0.125 |
| Maximum Note Duration |
8.0 |
| Average Note Duration |
0.9967 |
| Variability of Note Durations |
0.7327 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
4.0 |
| Number of Moderate Rhythmic Pulses |
4.0 |
| Number of Relatively Strong Rhythmic Pulses |
2.0 |
| Mean Tempo |
208.3 |
| Strongest Rhythmic Pulse |
48.0 |
| Second Strongest Rhythmic Pulse |
95.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.979 |
| Strength of Strongest Rhythmic Pulse |
0.4365 |
| Strength of Second Strongest Rhythmic Pulse |
0.3389 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.288 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.7754 |
| Rhythmic Variability |
0.04497 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
52.91 |
| Duration in Seconds |
177.0 |
| Note Density |
3.424 |
| Note Density Variability |
1.675 |
| Average Time Between Attacks |
0.6252 |
| Average Time Between Attacks for Each Voice |
1.108 |
| Variability of Time Between Attacks |
0.3266 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4194 |
| Relative Range Isolation of Loudest Voice |
0.4101 |
| Relative Range of Highest Line |
0.4194 |
| Relative Note Density of Highest Line |
0.4752 |
| Relative Note Durations of Lowest Line |
1.046 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.835 |
| Voice Separation |
5.667 |
| Variability of Voice Separation |
0.5774 |
| Parallel Motion |
0.03986 |
| Average Number of Independent Voices |
3.457 |
| Similar Motion |
0.1178 |
| Contrary Motion |
0.2083 |
| Oblique Motion |
0.6341 |
| Parallel Fifths |
0.001812 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.75 |
| Voice Equality - Number of Notes |
26.16 |
| Voice Equality - Note Duration |
16.83 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
1.826 |
| Importance of Loudest Voice |
0.0 |