| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2616 |
| Prevalence of Second Most Common Vertical Interval |
0.2049 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.7835 |
| Vertical Unisons |
0.05932 |
| Vertical Minor Seconds |
0.002679 |
| Vertical Thirds |
0.2633 |
| Vertical Tritones |
0.007654 |
| Vertical Perfect Fourths |
0.1133 |
| Vertical Perfect Fifths |
0.2049 |
| Vertical Sixths |
0.1142 |
| Vertical Sevenths |
0.01665 |
| Vertical Octaves |
0.2023 |
| Perfect Vertical Intervals |
0.5798 |
| Vertical Dissonance Ratio |
0.04457 |
| Vertical Minor Third Prevalence |
0.81 |
| Vertical Major Third Prevalence |
0.83 |
| Chord Duration |
1.393 |
| Partial Chords |
0.04 |
| Standard Triads |
0.735 |
| Diminished and Augmented Triads |
0.03 |
| Dominant Seventh Chords |
0.015 |
| Seventh Chords |
0.055 |
| Non-Standard Chords |
0.17 |
| Complex Chords |
0.02 |
| Minor Major Triad Ratio |
0.2049 |
| Average Number of Simultaneous Pitch Classes |
3.11 |
| Variability of Number of Simultaneous Pitch Classes |
0.4668 |
| Average Number of Simultaneous Pitches |
5.06 |
| Variability of Number of Simultaneous Pitches |
1.033 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1509 |
| Stepwise Motion |
0.4043 |
| Melodic Thirds |
0.1887 |
| Melodic Perfect Fourths |
0.1051 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.07547 |
| Melodic Sixths |
0.002695 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.02965 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.593 |
| Melodic Embellishments |
0.01058 |
| Direction of Melodic Motion |
0.495 |
| Average Length of Melodic Arcs |
1.466 |
| Average Interval Spanned by Melodic Arcs |
4.838 |
| Melodic Pitch Variety |
4.333 |
| Mean Melodic Interval |
2.73 |
| Number of Common Melodic Intervals |
5.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.2534 |
| Relative Prevalence of Most Common Melodic Intervals |
0.766 |
| Amount of Arpeggiation |
0.4879 |
| Repeated Notes |
0.1941 |
| Importance of Middle Register |
0.7381 |
| Importance of High Register |
0.1376 |
| Dominant Spread |
5.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
63.58 |
| Mean Pitch Class |
4.913 |
| Most Common Pitch |
65.0 |
| Most Common Pitch Class |
5.0 |
| Prevalence of Most Common Pitch |
0.1217 |
| Prevalence of Most Common Pitch Class |
0.2275 |
| Relative Prevalence of Top Pitches |
0.8913 |
| Relative Prevalence of Top Pitch Classes |
0.8721 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
7.704 |
| Pitch Class Variability |
3.535 |
| Pitch Class Variability After Folding |
4.631 |
| Pitch Skewness |
-0.3554 |
| Pitch Class Skewness |
-0.0741 |
| Pitch Class Skewness After Folding |
1.619 |
| Pitch Kurtosis |
5.434 |
| Pitch Class Kurtosis |
4.783 |
| Pitch Class Kurtosis After Folding |
4.21 |
| Major or Minor |
0.0 |
| First Pitch |
53.0 |
| First Pitch Class |
5.0 |
| Last Pitch |
53.0 |
| Last Pitch Class |
5.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
23.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.1243 |
| Note Density per Quarter Note |
1.89 |
| Note Density per Quarter Note per Voice |
0.27 |
| Note Density per Quarter Note Variability |
0.6924 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.5873 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.9153 |
| Prevalence of Very Long Rhythmic Values |
0.07937 |
| Prevalence of Dotted Notes |
0.05026 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.053 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.5026 |
| Relative Prevalence of Most Common Rhythmic Values |
0.6 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.897 |
| Rhythmic Value Skewness |
1.665 |
| Rhythmic Value Kurtosis |
11.46 |
| Mean Rhythmic Value Run Length |
1.809 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.401 |
| Mean Rhythmic Value Offset |
0.04233 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.6501 |
| Complete Rests Fraction |
0.0 |
| Partial Rests Fraction |
0.6424 |
| Average Rest Fraction Across Voices |
0.1514 |
| Longest Complete Rest |
0.0 |
| Longest Partial Rest |
18.54 |
| Mean Complete Rest Duration |
0.0 |
| Mean Partial Rest Duration |
6.233 |
| Median Complete Rest Duration |
0.0 |
| Median Partial Rest Duration |
3.974 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
4.983 |
| Variability Across Voices of Combined Rests |
13.32 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
2.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.7892 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1121 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
7.038 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.9013 |
| Rhythmic Variability - Tempo Standardized |
0.06319 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
378.0 |
| Initial Tempo |
100.0 |
| Average Variability of Time Between Attacks for Each Voice |
2.893 |
| Minimum Note Duration |
0.6 |
| Maximum Note Duration |
28.8 |
| Average Note Duration |
2.848 |
| Variability of Note Durations |
2.358 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
1.0 |
| Number of Moderate Rhythmic Pulses |
1.0 |
| Number of Relatively Strong Rhythmic Pulses |
1.0 |
| Mean Tempo |
74.5 |
| Strongest Rhythmic Pulse |
67.0 |
| Second Strongest Rhythmic Pulse |
0.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
67.0 |
| Strength of Strongest Rhythmic Pulse |
1.0 |
| Strength of Second Strongest Rhythmic Pulse |
0.0 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
0.0 |
| Combined Strength of Two Strongest Rhythmic Pulses |
1.0 |
| Rhythmic Variability |
0.07881 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
25.0 |
| Duration in Seconds |
181.2 |
| Note Density |
2.086 |
| Note Density Variability |
1.007 |
| Average Time Between Attacks |
1.573 |
| Average Time Between Attacks for Each Voice |
3.185 |
| Variability of Time Between Attacks |
0.7643 |
| Maximum Number of Independent Voices |
7.0 |
| Relative Range of Loudest Voice |
0.3226 |
| Relative Range Isolation of Loudest Voice |
0.0 |
| Relative Range of Highest Line |
0.3226 |
| Relative Note Density of Highest Line |
1.352 |
| Relative Note Durations of Lowest Line |
1.029 |
| Relative Size of Melodic Intervals in Lowest Line |
0.4375 |
| Voice Overlap |
0.9577 |
| Voice Separation |
3.5 |
| Variability of Voice Separation |
2.881 |
| Parallel Motion |
0.03081 |
| Average Number of Independent Voices |
5.85 |
| Similar Motion |
0.1849 |
| Contrary Motion |
0.1401 |
| Oblique Motion |
0.6443 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.008403 |
| Variability of Number of Independent Voices |
1.071 |
| Voice Equality - Number of Notes |
9.916 |
| Voice Equality - Note Duration |
12.07 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
1.113 |
| Voice Equality - Range |
2.752 |
| Importance of Loudest Voice |
0.0 |