| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2207 |
| Prevalence of Second Most Common Vertical Interval |
0.207 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9378 |
| Vertical Unisons |
0.02896 |
| Vertical Minor Seconds |
0.001078 |
| Vertical Thirds |
0.3061 |
| Vertical Tritones |
0.005749 |
| Vertical Perfect Fourths |
0.1146 |
| Vertical Perfect Fifths |
0.2207 |
| Vertical Sixths |
0.1203 |
| Vertical Sevenths |
0.01078 |
| Vertical Octaves |
0.178 |
| Perfect Vertical Intervals |
0.5422 |
| Vertical Dissonance Ratio |
0.03238 |
| Vertical Minor Third Prevalence |
0.6496 |
| Vertical Major Third Prevalence |
0.6674 |
| Chord Duration |
1.455 |
| Partial Chords |
0.1292 |
| Standard Triads |
0.7337 |
| Diminished and Augmented Triads |
0.0158 |
| Dominant Seventh Chords |
0.003717 |
| Seventh Chords |
0.01719 |
| Non-Standard Chords |
0.1199 |
| Complex Chords |
0.0009294 |
| Minor Major Triad Ratio |
0.6604 |
| Average Number of Simultaneous Pitch Classes |
2.866 |
| Variability of Number of Simultaneous Pitch Classes |
0.4614 |
| Average Number of Simultaneous Pitches |
3.852 |
| Variability of Number of Simultaneous Pitches |
0.96 |
| Most Common Vertical Interval |
7.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2034 |
| Stepwise Motion |
0.4583 |
| Melodic Thirds |
0.1135 |
| Melodic Perfect Fourths |
0.08397 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.05618 |
| Melodic Sixths |
0.0005914 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01538 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
0.0 |
| Minor Major Melodic Third Ratio |
2.254 |
| Melodic Embellishments |
0.006486 |
| Direction of Melodic Motion |
0.5037 |
| Average Length of Melodic Arcs |
1.657 |
| Average Interval Spanned by Melodic Arcs |
4.729 |
| Melodic Pitch Variety |
4.311 |
| Mean Melodic Interval |
2.091 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.272 |
| Relative Prevalence of Most Common Melodic Intervals |
0.937 |
| Amount of Arpeggiation |
0.4571 |
| Repeated Notes |
0.272 |
| Importance of Middle Register |
0.786 |
| Importance of High Register |
0.03243 |
| Dominant Spread |
4.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
60.58 |
| Mean Pitch Class |
5.415 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
9.0 |
| Prevalence of Most Common Pitch |
0.1232 |
| Prevalence of Most Common Pitch Class |
0.2471 |
| Relative Prevalence of Top Pitches |
0.9569 |
| Relative Prevalence of Top Pitch Classes |
0.8401 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
7.334 |
| Pitch Class Variability |
3.292 |
| Pitch Class Variability After Folding |
3.245 |
| Pitch Skewness |
-0.357 |
| Pitch Class Skewness |
0.3783 |
| Pitch Class Skewness After Folding |
0.9179 |
| Pitch Kurtosis |
5.621 |
| Pitch Class Kurtosis |
4.671 |
| Pitch Class Kurtosis After Folding |
6.205 |
| Major or Minor |
0.0 |
| First Pitch |
62.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
50.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
30.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
4.0 |
| Number of Common Pitch Classes |
2.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.1816 |
| Note Density per Quarter Note |
1.547 |
| Note Density per Quarter Note per Voice |
0.3095 |
| Note Density per Quarter Note Variability |
0.6247 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.007075 |
| Prevalence of Medium Rhythmic Values |
0.6757 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8597 |
| Prevalence of Very Long Rhythmic Values |
0.04363 |
| Prevalence of Dotted Notes |
0.07606 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.603 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.5354 |
| Relative Prevalence of Most Common Rhythmic Values |
0.4163 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.48 |
| Rhythmic Value Skewness |
1.222 |
| Rhythmic Value Kurtosis |
13.16 |
| Mean Rhythmic Value Run Length |
1.854 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.434 |
| Mean Rhythmic Value Offset |
0.007075 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.2914 |
| Complete Rests Fraction |
0.0 |
| Partial Rests Fraction |
0.616 |
| Average Rest Fraction Across Voices |
0.1874 |
| Longest Complete Rest |
0.0 |
| Longest Partial Rest |
307.6 |
| Mean Complete Rest Duration |
0.0 |
| Mean Partial Rest Duration |
10.92 |
| Median Complete Rest Duration |
0.0 |
| Median Partial Rest Duration |
5.327 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
31.96 |
| Variability Across Voices of Combined Rests |
118.2 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6788 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1682 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
4.036 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.847 |
| Rhythmic Variability - Tempo Standardized |
0.05614 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
1696.0 |
| Initial Tempo |
100.0 |
| Average Variability of Time Between Attacks for Each Voice |
5.973 |
| Minimum Note Duration |
0.3 |
| Maximum Note Duration |
28.8 |
| Average Note Duration |
2.366 |
| Variability of Note Durations |
1.585 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
1.0 |
| Number of Moderate Rhythmic Pulses |
3.0 |
| Number of Relatively Strong Rhythmic Pulses |
1.0 |
| Mean Tempo |
74.91 |
| Strongest Rhythmic Pulse |
67.0 |
| Second Strongest Rhythmic Pulse |
133.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.985 |
| Strength of Strongest Rhythmic Pulse |
0.9492 |
| Strength of Second Strongest Rhythmic Pulse |
0.02991 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
31.73 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.9791 |
| Rhythmic Variability |
0.07483 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
25.0 |
| Duration in Seconds |
987.6 |
| Note Density |
1.717 |
| Note Density Variability |
0.8724 |
| Average Time Between Attacks |
1.551 |
| Average Time Between Attacks for Each Voice |
2.911 |
| Variability of Time Between Attacks |
0.803 |
| Maximum Number of Independent Voices |
5.0 |
| Relative Range of Loudest Voice |
0.5152 |
| Relative Range Isolation of Loudest Voice |
0.0 |
| Relative Range of Highest Line |
0.5152 |
| Relative Note Density of Highest Line |
0.1975 |
| Relative Note Durations of Lowest Line |
1.017 |
| Relative Size of Melodic Intervals in Lowest Line |
0.7143 |
| Voice Overlap |
0.9481 |
| Voice Separation |
4.5 |
| Variability of Voice Separation |
3.109 |
| Parallel Motion |
0.06671 |
| Average Number of Independent Voices |
4.038 |
| Similar Motion |
0.17 |
| Contrary Motion |
0.1982 |
| Oblique Motion |
0.5651 |
| Parallel Fifths |
0.001962 |
| Parallel Octaves |
0.004578 |
| Variability of Number of Independent Voices |
0.9361 |
| Voice Equality - Number of Notes |
50.77 |
| Voice Equality - Note Duration |
106.5 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.5477 |
| Voice Equality - Range |
1.304 |
| Importance of Loudest Voice |
0.0 |