| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2706 |
| Prevalence of Second Most Common Vertical Interval |
0.2172 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8027 |
| Vertical Unisons |
0.05204 |
| Vertical Minor Seconds |
0.001227 |
| Vertical Thirds |
0.261 |
| Vertical Tritones |
0.004582 |
| Vertical Perfect Fourths |
0.1135 |
| Vertical Perfect Fifths |
0.2172 |
| Vertical Sixths |
0.1084 |
| Vertical Sevenths |
0.0117 |
| Vertical Octaves |
0.2186 |
| Perfect Vertical Intervals |
0.6013 |
| Vertical Dissonance Ratio |
0.03018 |
| Vertical Minor Third Prevalence |
0.7304 |
| Vertical Major Third Prevalence |
0.7116 |
| Chord Duration |
1.433 |
| Partial Chords |
0.09944 |
| Standard Triads |
0.7519 |
| Diminished and Augmented Triads |
0.008364 |
| Dominant Seventh Chords |
0.005576 |
| Seventh Chords |
0.007435 |
| Non-Standard Chords |
0.1413 |
| Complex Chords |
0.003717 |
| Minor Major Triad Ratio |
0.5678 |
| Average Number of Simultaneous Pitch Classes |
2.888 |
| Variability of Number of Simultaneous Pitch Classes |
0.5567 |
| Average Number of Simultaneous Pitches |
4.465 |
| Variability of Number of Simultaneous Pitches |
1.594 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.187 |
| Stepwise Motion |
0.4231 |
| Melodic Thirds |
0.1207 |
| Melodic Perfect Fourths |
0.1229 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.06944 |
| Melodic Sixths |
0.002137 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01068 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
0.0 |
| Minor Major Melodic Third Ratio |
3.913 |
| Melodic Embellishments |
0.02013 |
| Direction of Melodic Motion |
0.5078 |
| Average Length of Melodic Arcs |
1.642 |
| Average Interval Spanned by Melodic Arcs |
4.932 |
| Melodic Pitch Variety |
4.303 |
| Mean Melodic Interval |
2.292 |
| Number of Common Melodic Intervals |
5.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.2511 |
| Relative Prevalence of Most Common Melodic Intervals |
0.9404 |
| Amount of Arpeggiation |
0.4519 |
| Repeated Notes |
0.2511 |
| Importance of Middle Register |
0.7331 |
| Importance of High Register |
0.03284 |
| Dominant Spread |
4.0 |
| Strong Tonal Centres |
1.0 |
| Mean Pitch |
59.66 |
| Mean Pitch Class |
5.37 |
| Most Common Pitch |
69.0 |
| Most Common Pitch Class |
9.0 |
| Prevalence of Most Common Pitch |
0.1102 |
| Prevalence of Most Common Pitch Class |
0.232 |
| Relative Prevalence of Top Pitches |
0.8462 |
| Relative Prevalence of Top Pitch Classes |
0.9315 |
| Interval Between Most Prevalent Pitches |
19.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
7.948 |
| Pitch Class Variability |
3.336 |
| Pitch Class Variability After Folding |
3.077 |
| Pitch Skewness |
-0.6617 |
| Pitch Class Skewness |
0.3324 |
| Pitch Class Skewness After Folding |
0.5938 |
| Pitch Kurtosis |
5.356 |
| Pitch Class Kurtosis |
4.7 |
| Pitch Class Kurtosis After Folding |
6.896 |
| Major or Minor |
0.0 |
| First Pitch |
62.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
38.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
31.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
4.0 |
| Number of Common Pitch Classes |
2.0 |
| Range |
36.0 |
| Importance of Bass Register |
0.2341 |
| Note Density per Quarter Note |
1.686 |
| Note Density per Quarter Note per Voice |
0.2107 |
| Note Density per Quarter Note Variability |
0.9309 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.008475 |
| Prevalence of Medium Rhythmic Values |
0.6006 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8506 |
| Prevalence of Very Long Rhythmic Values |
0.0964 |
| Prevalence of Dotted Notes |
0.1028 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.939 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4513 |
| Relative Prevalence of Most Common Rhythmic Values |
0.5188 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.924 |
| Rhythmic Value Skewness |
1.463 |
| Rhythmic Value Kurtosis |
10.08 |
| Mean Rhythmic Value Run Length |
1.52 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.154 |
| Mean Rhythmic Value Offset |
0.05932 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.8008 |
| Complete Rests Fraction |
0.0 |
| Partial Rests Fraction |
0.7275 |
| Average Rest Fraction Across Voices |
0.3904 |
| Longest Complete Rest |
0.0 |
| Longest Partial Rest |
244.2 |
| Mean Complete Rest Duration |
0.0 |
| Mean Partial Rest Duration |
18.41 |
| Median Complete Rest Duration |
0.0 |
| Median Partial Rest Duration |
6.635 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
48.07 |
| Variability Across Voices of Combined Rests |
119.5 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6404 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1913 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.347 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8318 |
| Rhythmic Variability - Tempo Standardized |
0.05399 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
944.0 |
| Initial Tempo |
100.0 |
| Average Variability of Time Between Attacks for Each Voice |
14.17 |
| Minimum Note Duration |
0.3 |
| Maximum Note Duration |
28.8 |
| Average Note Duration |
2.616 |
| Variability of Note Durations |
2.377 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
1.0 |
| Number of Moderate Rhythmic Pulses |
3.0 |
| Number of Relatively Strong Rhythmic Pulses |
1.0 |
| Mean Tempo |
74.64 |
| Strongest Rhythmic Pulse |
67.0 |
| Second Strongest Rhythmic Pulse |
133.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.985 |
| Strength of Strongest Rhythmic Pulse |
0.9517 |
| Strength of Second Strongest Rhythmic Pulse |
0.0255 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
37.32 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.9772 |
| Rhythmic Variability |
0.07503 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
25.0 |
| Duration in Seconds |
506.4 |
| Note Density |
1.864 |
| Note Density Variability |
1.596 |
| Average Time Between Attacks |
1.575 |
| Average Time Between Attacks for Each Voice |
4.295 |
| Variability of Time Between Attacks |
1.047 |
| Maximum Number of Independent Voices |
8.0 |
| Relative Range of Loudest Voice |
0.3333 |
| Relative Range Isolation of Loudest Voice |
0.0 |
| Relative Range of Highest Line |
0.3333 |
| Relative Note Density of Highest Line |
0.5763 |
| Relative Note Durations of Lowest Line |
1.0 |
| Relative Size of Melodic Intervals in Lowest Line |
1.143 |
| Voice Overlap |
0.9915 |
| Voice Separation |
3.0 |
| Variability of Voice Separation |
2.082 |
| Parallel Motion |
0.02962 |
| Average Number of Independent Voices |
5.054 |
| Similar Motion |
0.1481 |
| Contrary Motion |
0.1635 |
| Oblique Motion |
0.6588 |
| Parallel Fifths |
0.001185 |
| Parallel Octaves |
0.00237 |
| Variability of Number of Independent Voices |
2.155 |
| Voice Equality - Number of Notes |
31.12 |
| Voice Equality - Note Duration |
108.1 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.8864 |
| Voice Equality - Range |
2.167 |
| Importance of Loudest Voice |
0.0 |