| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2159 |
| Prevalence of Second Most Common Vertical Interval |
0.1843 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8536 |
| Vertical Unisons |
0.02606 |
| Vertical Minor Seconds |
0.001714 |
| Vertical Thirds |
0.3106 |
| Vertical Tritones |
0.0104 |
| Vertical Perfect Fourths |
0.1118 |
| Vertical Perfect Fifths |
0.2159 |
| Vertical Sixths |
0.1392 |
| Vertical Sevenths |
0.01257 |
| Vertical Octaves |
0.1582 |
| Perfect Vertical Intervals |
0.512 |
| Vertical Dissonance Ratio |
0.03969 |
| Vertical Minor Third Prevalence |
0.5172 |
| Vertical Major Third Prevalence |
0.5614 |
| Chord Duration |
1.94 |
| Partial Chords |
0.216 |
| Standard Triads |
0.6347 |
| Diminished and Augmented Triads |
0.03416 |
| Dominant Seventh Chords |
0.002755 |
| Seventh Chords |
0.01157 |
| Non-Standard Chords |
0.1377 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.8701 |
| Average Number of Simultaneous Pitch Classes |
2.762 |
| Variability of Number of Simultaneous Pitch Classes |
0.5108 |
| Average Number of Simultaneous Pitches |
3.457 |
| Variability of Number of Simultaneous Pitches |
0.6825 |
| Most Common Vertical Interval |
7.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2247 |
| Stepwise Motion |
0.5043 |
| Melodic Thirds |
0.11 |
| Melodic Perfect Fourths |
0.05699 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.05169 |
| Melodic Sixths |
0.003313 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01325 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.532 |
| Melodic Embellishments |
0.005948 |
| Direction of Melodic Motion |
0.4615 |
| Average Length of Melodic Arcs |
1.736 |
| Average Interval Spanned by Melodic Arcs |
4.617 |
| Melodic Pitch Variety |
4.386 |
| Mean Melodic Interval |
1.979 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.2797 |
| Relative Prevalence of Most Common Melodic Intervals |
0.9313 |
| Amount of Arpeggiation |
0.4354 |
| Repeated Notes |
0.2604 |
| Importance of Middle Register |
0.7978 |
| Importance of High Register |
0.02049 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
60.0 |
| Mean Pitch Class |
5.426 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.1408 |
| Prevalence of Most Common Pitch Class |
0.2115 |
| Relative Prevalence of Top Pitches |
0.7136 |
| Relative Prevalence of Top Pitch Classes |
0.8906 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
6.944 |
| Pitch Class Variability |
3.402 |
| Pitch Class Variability After Folding |
3.972 |
| Pitch Skewness |
0.0791 |
| Pitch Class Skewness |
-0.5065 |
| Pitch Class Skewness After Folding |
1.746 |
| Pitch Kurtosis |
5.544 |
| Pitch Class Kurtosis |
4.681 |
| Pitch Class Kurtosis After Folding |
4.823 |
| Major or Minor |
0.0 |
| First Pitch |
55.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
30.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
34.0 |
| Importance of Bass Register |
0.1818 |
| Note Density per Quarter Note |
1.623 |
| Note Density per Quarter Note per Voice |
0.4058 |
| Note Density per Quarter Note Variability |
0.6565 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.007931 |
| Prevalence of Medium Rhythmic Values |
0.7878 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.6861 |
| Prevalence of Very Long Rhythmic Values |
0.02908 |
| Prevalence of Dotted Notes |
0.06015 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.174 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4739 |
| Relative Prevalence of Most Common Rhythmic Values |
0.6457 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.423 |
| Rhythmic Value Skewness |
0.3679 |
| Rhythmic Value Kurtosis |
17.86 |
| Mean Rhythmic Value Run Length |
1.978 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.539 |
| Mean Rhythmic Value Offset |
0.02115 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.4596 |
| Complete Rests Fraction |
0.004338 |
| Partial Rests Fraction |
0.346 |
| Average Rest Fraction Across Voices |
0.1092 |
| Longest Complete Rest |
2.022 |
| Longest Partial Rest |
30.33 |
| Mean Complete Rest Duration |
2.022 |
| Mean Partial Rest Duration |
5.356 |
| Median Complete Rest Duration |
2.022 |
| Median Partial Rest Duration |
4.043 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
5.159 |
| Variability Across Voices of Combined Rests |
27.12 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5157 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2437 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.116 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7595 |
| Rhythmic Variability - Tempo Standardized |
0.04838 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
3.0 |
| Total Number of Notes |
1513.0 |
| Initial Tempo |
100.0 |
| Average Variability of Time Between Attacks for Each Voice |
1.46 |
| Minimum Note Duration |
0.3 |
| Maximum Note Duration |
14.4 |
| Average Note Duration |
1.303 |
| Variability of Note Durations |
0.977 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
2.0 |
| Number of Moderate Rhythmic Pulses |
2.0 |
| Number of Relatively Strong Rhythmic Pulses |
2.0 |
| Mean Tempo |
101.8 |
| Strongest Rhythmic Pulse |
51.0 |
| Second Strongest Rhythmic Pulse |
101.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.98 |
| Strength of Strongest Rhythmic Pulse |
0.6819 |
| Strength of Second Strongest Rhythmic Pulse |
0.3111 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
2.192 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.993 |
| Rhythmic Variability |
0.05893 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
9.93 |
| Duration in Seconds |
553.2 |
| Note Density |
2.735 |
| Note Density Variability |
1.103 |
| Average Time Between Attacks |
0.9082 |
| Average Time Between Attacks for Each Voice |
1.434 |
| Variability of Time Between Attacks |
0.4247 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4412 |
| Relative Range Isolation of Loudest Voice |
0.5366 |
| Relative Range of Highest Line |
0.4412 |
| Relative Note Density of Highest Line |
0.1798 |
| Relative Note Durations of Lowest Line |
1.028 |
| Relative Size of Melodic Intervals in Lowest Line |
0.8 |
| Voice Overlap |
0.8149 |
| Voice Separation |
5.667 |
| Variability of Voice Separation |
1.528 |
| Parallel Motion |
0.0694 |
| Average Number of Independent Voices |
3.58 |
| Similar Motion |
0.1933 |
| Contrary Motion |
0.2216 |
| Oblique Motion |
0.5157 |
| Parallel Fifths |
0.001493 |
| Parallel Octaves |
0.001493 |
| Variability of Number of Independent Voices |
0.645 |
| Voice Equality - Number of Notes |
29.65 |
| Voice Equality - Note Duration |
16.1 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
1.633 |
| Importance of Loudest Voice |
0.0 |