| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2778 |
| Prevalence of Second Most Common Vertical Interval |
0.2135 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.7683 |
| Vertical Unisons |
0.05139 |
| Vertical Minor Seconds |
0.004381 |
| Vertical Thirds |
0.2537 |
| Vertical Tritones |
0.009099 |
| Vertical Perfect Fourths |
0.1124 |
| Vertical Perfect Fifths |
0.2135 |
| Vertical Sixths |
0.09773 |
| Vertical Sevenths |
0.01466 |
| Vertical Octaves |
0.2265 |
| Perfect Vertical Intervals |
0.6037 |
| Vertical Dissonance Ratio |
0.04692 |
| Vertical Minor Third Prevalence |
0.7625 |
| Vertical Major Third Prevalence |
0.6458 |
| Chord Duration |
1.903 |
| Partial Chords |
0.1043 |
| Standard Triads |
0.6391 |
| Diminished and Augmented Triads |
0.0587 |
| Dominant Seventh Chords |
0.004348 |
| Seventh Chords |
0.03478 |
| Non-Standard Chords |
0.2217 |
| Complex Chords |
0.01739 |
| Minor Major Triad Ratio |
0.4554 |
| Average Number of Simultaneous Pitch Classes |
2.927 |
| Variability of Number of Simultaneous Pitch Classes |
0.6365 |
| Average Number of Simultaneous Pitches |
4.696 |
| Variability of Number of Simultaneous Pitches |
1.764 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1875 |
| Stepwise Motion |
0.5245 |
| Melodic Thirds |
0.08152 |
| Melodic Perfect Fourths |
0.0625 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.07609 |
| Melodic Sixths |
0.01359 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01359 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.333 |
| Melodic Embellishments |
0.02128 |
| Direction of Melodic Motion |
0.4331 |
| Average Length of Melodic Arcs |
1.856 |
| Average Interval Spanned by Melodic Arcs |
5.229 |
| Melodic Pitch Variety |
4.229 |
| Mean Melodic Interval |
2.258 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.337 |
| Relative Prevalence of Most Common Melodic Intervals |
0.6774 |
| Amount of Arpeggiation |
0.3995 |
| Repeated Notes |
0.2283 |
| Importance of Middle Register |
0.6383 |
| Importance of High Register |
0.02926 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
57.24 |
| Mean Pitch Class |
5.051 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.09309 |
| Prevalence of Most Common Pitch Class |
0.2154 |
| Relative Prevalence of Top Pitches |
0.9429 |
| Relative Prevalence of Top Pitch Classes |
0.7407 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
8.318 |
| Pitch Class Variability |
3.332 |
| Pitch Class Variability After Folding |
3.579 |
| Pitch Skewness |
-0.047 |
| Pitch Class Skewness |
0.04549 |
| Pitch Class Skewness After Folding |
0.6622 |
| Pitch Kurtosis |
5.454 |
| Pitch Class Kurtosis |
4.854 |
| Pitch Class Kurtosis After Folding |
5.942 |
| Major or Minor |
0.0 |
| First Pitch |
62.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
38.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
28.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
1.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
36.0 |
| Importance of Bass Register |
0.3324 |
| Note Density per Quarter Note |
1.567 |
| Note Density per Quarter Note per Voice |
0.1958 |
| Note Density per Quarter Note Variability |
0.8511 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.01064 |
| Prevalence of Medium Rhythmic Values |
0.5452 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8351 |
| Prevalence of Very Long Rhythmic Values |
0.1569 |
| Prevalence of Dotted Notes |
0.1277 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
3.319 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3803 |
| Relative Prevalence of Most Common Rhythmic Values |
0.6154 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.416 |
| Rhythmic Value Skewness |
1.638 |
| Rhythmic Value Kurtosis |
8.677 |
| Mean Rhythmic Value Run Length |
1.58 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.083 |
| Mean Rhythmic Value Offset |
0.09574 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.108 |
| Complete Rests Fraction |
0.0 |
| Partial Rests Fraction |
0.6333 |
| Average Rest Fraction Across Voices |
0.3313 |
| Longest Complete Rest |
0.0 |
| Longest Partial Rest |
74.0 |
| Mean Complete Rest Duration |
0.0 |
| Mean Partial Rest Duration |
22.71 |
| Median Complete Rest Duration |
0.0 |
| Median Partial Rest Duration |
16.0 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
22.71 |
| Variability Across Voices of Combined Rests |
36.47 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.658 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.176 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.739 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.834 |
| Rhythmic Variability - Tempo Standardized |
0.05497 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
376.0 |
| Initial Tempo |
100.0 |
| Average Variability of Time Between Attacks for Each Voice |
3.393 |
| Minimum Note Duration |
0.3 |
| Maximum Note Duration |
19.2 |
| Average Note Duration |
2.049 |
| Variability of Note Durations |
1.773 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
2.0 |
| Number of Moderate Rhythmic Pulses |
2.0 |
| Number of Relatively Strong Rhythmic Pulses |
1.0 |
| Mean Tempo |
100.0 |
| Strongest Rhythmic Pulse |
50.0 |
| Second Strongest Rhythmic Pulse |
100.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.7934 |
| Strength of Second Strongest Rhythmic Pulse |
0.1937 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
4.095 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.9871 |
| Rhythmic Variability |
0.06427 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
0.0 |
| Duration in Seconds |
144.0 |
| Note Density |
2.611 |
| Note Density Variability |
1.433 |
| Average Time Between Attacks |
0.9722 |
| Average Time Between Attacks for Each Voice |
2.574 |
| Variability of Time Between Attacks |
0.4897 |
| Maximum Number of Independent Voices |
8.0 |
| Relative Range of Loudest Voice |
0.3333 |
| Relative Range Isolation of Loudest Voice |
0.3235 |
| Relative Range of Highest Line |
0.3333 |
| Relative Note Density of Highest Line |
1.468 |
| Relative Note Durations of Lowest Line |
1.003 |
| Relative Size of Melodic Intervals in Lowest Line |
0.5714 |
| Voice Overlap |
0.9601 |
| Voice Separation |
3.286 |
| Variability of Voice Separation |
1.604 |
| Parallel Motion |
0.0365 |
| Average Number of Independent Voices |
5.35 |
| Similar Motion |
0.09489 |
| Contrary Motion |
0.1241 |
| Oblique Motion |
0.7445 |
| Parallel Fifths |
0.0 |
| Parallel Octaves |
0.002433 |
| Variability of Number of Independent Voices |
2.25 |
| Voice Equality - Number of Notes |
18.33 |
| Voice Equality - Note Duration |
21.88 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.8864 |
| Voice Equality - Range |
2.532 |
| Importance of Loudest Voice |
0.0 |