Distance Between Two Most Common Vertical Intervals |
3.0 |
Prevalence of Most Common Vertical Interval |
0.192 |
Prevalence of Second Most Common Vertical Interval |
0.1854 |
Prevalence Ratio of Two Most Common Vertical Intervals |
0.9656 |
Vertical Unisons |
0.01637 |
Vertical Minor Seconds |
0.003567 |
Vertical Thirds |
0.321 |
Vertical Tritones |
0.01427 |
Vertical Perfect Fourths |
0.1258 |
Vertical Perfect Fifths |
0.1854 |
Vertical Sixths |
0.1316 |
Vertical Sevenths |
0.02287 |
Vertical Octaves |
0.1553 |
Perfect Vertical Intervals |
0.4828 |
Vertical Dissonance Ratio |
0.06909 |
Vertical Minor Third Prevalence |
0.4873 |
Vertical Major Third Prevalence |
0.6494 |
Chord Duration |
1.224 |
Partial Chords |
0.1502 |
Standard Triads |
0.6151 |
Diminished and Augmented Triads |
0.03509 |
Dominant Seventh Chords |
0.01316 |
Seventh Chords |
0.03509 |
Non-Standard Chords |
0.1996 |
Complex Chords |
0.0 |
Minor Major Triad Ratio |
0.2117 |
Average Number of Simultaneous Pitch Classes |
2.837 |
Variability of Number of Simultaneous Pitch Classes |
0.5513 |
Average Number of Simultaneous Pitches |
3.591 |
Variability of Number of Simultaneous Pitches |
0.6921 |
Most Common Vertical Interval |
4.0 |
Second Most Common Vertical Interval |
7.0 |
Dynamic Range |
0.0 |
Variation of Dynamics |
0.0 |
Variation of Dynamics In Each Voice |
0.0 |
Average Note to Note Change in Dynamics |
0.0 |
Unpitched Percussion Instrument Prevalence |
0.0 |
String Keyboard Prevalence |
1.0 |
Acoustic Guitar Prevalence |
0.0 |
Electric Guitar Prevalence |
0.0 |
Violin Prevalence |
0.0 |
Saxophone Prevalence |
0.0 |
Brass Prevalence |
0.0 |
Woodwinds Prevalence |
0.0 |
Orchestral Strings Prevalence |
0.0 |
String Ensemble Prevalence |
0.0 |
Electric Instrument Prevalence |
0.0 |
Variability of Note Prevalence of Pitched Instruments |
0.0 |
Variability of Note Prevalence of Unpitched Instruments |
0.0 |
Number of Pitched Instruments |
1.0 |
Number of Unpitched Instruments |
0.0 |
Chromatic Motion |
0.1981 |
Stepwise Motion |
0.5848 |
Melodic Thirds |
0.08716 |
Melodic Perfect Fourths |
0.06181 |
Melodic Tritones |
0.0 |
Melodic Perfect Fifths |
0.05547 |
Melodic Sixths |
0.001585 |
Melodic Sevenths |
0.0 |
Melodic Octaves |
0.01426 |
Melodic Large Intervals |
0.0 |
Most Common Melodic Interval |
2.0 |
Minor Major Melodic Third Ratio |
1.2 |
Melodic Embellishments |
0.02047 |
Direction of Melodic Motion |
0.4646 |
Average Length of Melodic Arcs |
1.827 |
Average Interval Spanned by Melodic Arcs |
4.853 |
Melodic Pitch Variety |
4.536 |
Mean Melodic Interval |
2.154 |
Number of Common Melodic Intervals |
3.0 |
Distance Between Most Prevalent Melodic Intervals |
1.0 |
Prevalence of Most Common Melodic Interval |
0.3867 |
Relative Prevalence of Most Common Melodic Intervals |
0.5123 |
Amount of Arpeggiation |
0.3518 |
Repeated Notes |
0.1949 |
Importance of Middle Register |
0.789 |
Importance of High Register |
0.0189 |
Dominant Spread |
6.0 |
Strong Tonal Centres |
2.0 |
Mean Pitch |
58.9 |
Mean Pitch Class |
5.524 |
Most Common Pitch |
62.0 |
Most Common Pitch Class |
7.0 |
Prevalence of Most Common Pitch |
0.1339 |
Prevalence of Most Common Pitch Class |
0.2252 |
Relative Prevalence of Top Pitches |
0.9059 |
Relative Prevalence of Top Pitch Classes |
0.9161 |
Interval Between Most Prevalent Pitches |
7.0 |
Interval Between Most Prevalent Pitch Classes |
5.0 |
Pitch Variability |
6.995 |
Pitch Class Variability |
3.547 |
Pitch Class Variability After Folding |
1.951 |
Pitch Skewness |
-0.1756 |
Pitch Class Skewness |
-0.4023 |
Pitch Class Skewness After Folding |
1.177 |
Pitch Kurtosis |
5.664 |
Pitch Class Kurtosis |
4.826 |
Pitch Class Kurtosis After Folding |
5.029 |
Major or Minor |
0.0 |
First Pitch |
60.0 |
First Pitch Class |
0.0 |
Last Pitch |
43.0 |
Last Pitch Class |
7.0 |
Glissando Prevalence |
0.0 |
Average Range of Glissandos |
0.0 |
Number of Pitches |
22.0 |
Vibrato Prevalence |
0.0 |
Microtone Prevalence |
0.0 |
Number of Pitch Classes |
8.0 |
Number of Common Pitches |
2.0 |
Number of Common Pitch Classes |
2.0 |
Range |
31.0 |
Importance of Bass Register |
0.1921 |
Note Density per Quarter Note |
1.345 |
Note Density per Quarter Note per Voice |
0.3363 |
Note Density per Quarter Note Variability |
0.4685 |
Range of Rhythmic Values |
9.0 |
Number of Different Rhythmic Values Present |
8.0 |
Number of Common Rhythmic Values Present |
3.0 |
Prevalence of Very Short Rhythmic Values |
0.0 |
Prevalence of Short Rhythmic Values |
0.0126 |
Prevalence of Medium Rhythmic Values |
0.6457 |
Simple Initial Meter |
1.0 |
Prevalence of Long Rhythmic Values |
0.7858 |
Prevalence of Very Long Rhythmic Values |
0.08031 |
Prevalence of Dotted Notes |
0.1008 |
Shortest Rhythmic Value |
0.5 |
Longest Rhythmic Value |
12.0 |
Mean Rhythmic Value |
2.687 |
Most Common Rhythmic Value |
2.0 |
Prevalence of Most Common Rhythmic Value |
0.4315 |
Relative Prevalence of Most Common Rhythmic Values |
0.4964 |
Difference Between Most Common Rhythmic Values |
2.0 |
Compound Initial Meter |
0.0 |
Rhythmic Value Variability |
1.737 |
Rhythmic Value Skewness |
1.186 |
Rhythmic Value Kurtosis |
9.934 |
Mean Rhythmic Value Run Length |
1.693 |
Median Rhythmic Value Run Length |
1.0 |
Variability in Rhythmic Value Run Lengths |
1.431 |
Mean Rhythmic Value Offset |
0.04409 |
Median Rhythmic Value Offset |
0.0 |
Complex Initial Meter |
0.0 |
Variability of Rhythmic Value Offsets |
0.9653 |
Complete Rests Fraction |
0.0 |
Partial Rests Fraction |
0.2141 |
Average Rest Fraction Across Voices |
0.0662 |
Longest Complete Rest |
0.0 |
Longest Partial Rest |
26.59 |
Mean Complete Rest Duration |
0.0 |
Mean Partial Rest Duration |
5.208 |
Median Complete Rest Duration |
0.0 |
Median Partial Rest Duration |
2.659 |
Duple Initial Meter |
0.0 |
Variability of Complete Rest Durations |
0.0 |
Variability of Partial Rest Durations |
5.88 |
Variability Across Voices of Combined Rests |
14.09 |
Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
2.0 |
Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
Triple Initial Meter |
0.0 |
Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6164 |
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1983 |
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.108 |
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8147 |
Rhythmic Variability - Tempo Standardized |
0.05275 |
Rhythmic Looseness - Tempo Standardized |
0.0 |
Polyrhythms - Tempo Standardized |
0.5 |
Quadruple Initial Meter |
1.0 |
Metrical Diversity |
1.0 |
Total Number of Notes |
635.0 |
Initial Tempo |
100.0 |
Average Variability of Time Between Attacks for Each Voice |
2.089 |
Minimum Note Duration |
0.3 |
Maximum Note Duration |
43.2 |
Average Note Duration |
2.506 |
Variability of Note Durations |
2.475 |
Amount of Staccato |
0.0 |
Number of Strong Rhythmic Pulses |
1.0 |
Number of Moderate Rhythmic Pulses |
3.0 |
Number of Relatively Strong Rhythmic Pulses |
1.0 |
Mean Tempo |
74.79 |
Strongest Rhythmic Pulse |
67.0 |
Second Strongest Rhythmic Pulse |
133.0 |
Harmonicity of Two Strongest Rhythmic Pulses |
1.985 |
Strength of Strongest Rhythmic Pulse |
0.9436 |
Strength of Second Strongest Rhythmic Pulse |
0.04167 |
Strength Ratio of Two Strongest Rhythmic Pulses |
22.65 |
Combined Strength of Two Strongest Rhythmic Pulses |
0.9853 |
Rhythmic Variability |
0.07442 |
Rhythmic Looseness |
0.0 |
Polyrhythms |
1.0 |
Tempo Variability |
25.0 |
Duration in Seconds |
426.0 |
Note Density |
1.491 |
Note Density Variability |
0.822 |
Average Time Between Attacks |
1.441 |
Average Time Between Attacks for Each Voice |
2.559 |
Variability of Time Between Attacks |
0.8314 |
Maximum Number of Independent Voices |
4.0 |
Relative Range of Loudest Voice |
0.3871 |
Relative Range Isolation of Loudest Voice |
0.4452 |
Relative Range of Highest Line |
0.3871 |
Relative Note Density of Highest Line |
0.422 |
Relative Note Durations of Lowest Line |
1.148 |
Relative Size of Melodic Intervals in Lowest Line |
0.6667 |
Voice Overlap |
0.8535 |
Voice Separation |
5.667 |
Variability of Voice Separation |
1.528 |
Parallel Motion |
0.02861 |
Average Number of Independent Voices |
3.674 |
Similar Motion |
0.1443 |
Contrary Motion |
0.1795 |
Oblique Motion |
0.6476 |
Parallel Fifths |
0.0013 |
Parallel Octaves |
0.0 |
Variability of Number of Independent Voices |
0.6505 |
Voice Equality - Number of Notes |
25.02 |
Voice Equality - Note Duration |
12.72 |
Voice Equality - Dynamics |
0.0 |
Voice Equality - Melodic Leaps |
0.5774 |
Voice Equality - Range |
2.309 |
Importance of Loudest Voice |
0.0 |