Distance Between Two Most Common Vertical Intervals |
3.0 |
Prevalence of Most Common Vertical Interval |
0.2065 |
Prevalence of Second Most Common Vertical Interval |
0.1992 |
Prevalence Ratio of Two Most Common Vertical Intervals |
0.9645 |
Vertical Unisons |
0.02387 |
Vertical Minor Seconds |
0.001966 |
Vertical Thirds |
0.3389 |
Vertical Tritones |
0.0118 |
Vertical Perfect Fourths |
0.1065 |
Vertical Perfect Fifths |
0.2065 |
Vertical Sixths |
0.1384 |
Vertical Sevenths |
0.01823 |
Vertical Octaves |
0.1335 |
Perfect Vertical Intervals |
0.4703 |
Vertical Dissonance Ratio |
0.05518 |
Vertical Minor Third Prevalence |
0.5012 |
Vertical Major Third Prevalence |
0.6206 |
Chord Duration |
1.927 |
Partial Chords |
0.202 |
Standard Triads |
0.6224 |
Diminished and Augmented Triads |
0.03259 |
Dominant Seventh Chords |
0.003666 |
Seventh Chords |
0.01263 |
Non-Standard Chords |
0.1629 |
Complex Chords |
0.0 |
Minor Major Triad Ratio |
0.3195 |
Average Number of Simultaneous Pitch Classes |
2.809 |
Variability of Number of Simultaneous Pitch Classes |
0.5004 |
Average Number of Simultaneous Pitches |
3.39 |
Variability of Number of Simultaneous Pitches |
0.6928 |
Most Common Vertical Interval |
7.0 |
Second Most Common Vertical Interval |
4.0 |
Dynamic Range |
0.0 |
Variation of Dynamics |
0.0 |
Variation of Dynamics In Each Voice |
0.0 |
Average Note to Note Change in Dynamics |
0.0 |
Unpitched Percussion Instrument Prevalence |
0.0 |
String Keyboard Prevalence |
1.0 |
Acoustic Guitar Prevalence |
0.0 |
Electric Guitar Prevalence |
0.0 |
Violin Prevalence |
0.0 |
Saxophone Prevalence |
0.0 |
Brass Prevalence |
0.0 |
Woodwinds Prevalence |
0.0 |
Orchestral Strings Prevalence |
0.0 |
String Ensemble Prevalence |
0.0 |
Electric Instrument Prevalence |
0.0 |
Variability of Note Prevalence of Pitched Instruments |
0.0 |
Variability of Note Prevalence of Unpitched Instruments |
0.0 |
Number of Pitched Instruments |
1.0 |
Number of Unpitched Instruments |
0.0 |
Chromatic Motion |
0.1986 |
Stepwise Motion |
0.5665 |
Melodic Thirds |
0.1306 |
Melodic Perfect Fourths |
0.05009 |
Melodic Tritones |
0.0 |
Melodic Perfect Fifths |
0.04055 |
Melodic Sixths |
0.001193 |
Melodic Sevenths |
0.0 |
Melodic Octaves |
0.01729 |
Melodic Large Intervals |
0.0 |
Most Common Melodic Interval |
2.0 |
Minor Major Melodic Third Ratio |
1.882 |
Melodic Embellishments |
0.01666 |
Direction of Melodic Motion |
0.483 |
Average Length of Melodic Arcs |
1.87 |
Average Interval Spanned by Melodic Arcs |
4.902 |
Melodic Pitch Variety |
4.702 |
Mean Melodic Interval |
2.123 |
Number of Common Melodic Intervals |
3.0 |
Distance Between Most Prevalent Melodic Intervals |
1.0 |
Prevalence of Most Common Melodic Interval |
0.3679 |
Relative Prevalence of Most Common Melodic Intervals |
0.5397 |
Amount of Arpeggiation |
0.3822 |
Repeated Notes |
0.1938 |
Importance of Middle Register |
0.8275 |
Importance of High Register |
0.1011 |
Dominant Spread |
6.0 |
Strong Tonal Centres |
2.0 |
Mean Pitch |
63.61 |
Mean Pitch Class |
5.074 |
Most Common Pitch |
67.0 |
Most Common Pitch Class |
7.0 |
Prevalence of Most Common Pitch |
0.1392 |
Prevalence of Most Common Pitch Class |
0.2225 |
Relative Prevalence of Top Pitches |
0.7179 |
Relative Prevalence of Top Pitch Classes |
0.754 |
Interval Between Most Prevalent Pitches |
7.0 |
Interval Between Most Prevalent Pitch Classes |
7.0 |
Pitch Variability |
6.841 |
Pitch Class Variability |
3.488 |
Pitch Class Variability After Folding |
2.929 |
Pitch Skewness |
0.042 |
Pitch Class Skewness |
0.06344 |
Pitch Class Skewness After Folding |
0.9951 |
Pitch Kurtosis |
5.54 |
Pitch Class Kurtosis |
4.909 |
Pitch Class Kurtosis After Folding |
7.866 |
Major or Minor |
0.0 |
First Pitch |
67.0 |
First Pitch Class |
7.0 |
Last Pitch |
55.0 |
Last Pitch Class |
7.0 |
Glissando Prevalence |
0.0 |
Average Range of Glissandos |
0.0 |
Number of Pitches |
27.0 |
Vibrato Prevalence |
0.0 |
Microtone Prevalence |
0.0 |
Number of Pitch Classes |
11.0 |
Number of Common Pitches |
3.0 |
Number of Common Pitch Classes |
1.0 |
Range |
31.0 |
Importance of Bass Register |
0.07139 |
Note Density per Quarter Note |
1.343 |
Note Density per Quarter Note per Voice |
0.3357 |
Note Density per Quarter Note Variability |
0.4302 |
Range of Rhythmic Values |
9.0 |
Number of Different Rhythmic Values Present |
8.0 |
Number of Common Rhythmic Values Present |
3.0 |
Prevalence of Very Short Rhythmic Values |
0.0 |
Prevalence of Short Rhythmic Values |
0.004759 |
Prevalence of Medium Rhythmic Values |
0.6704 |
Simple Initial Meter |
1.0 |
Prevalence of Long Rhythmic Values |
0.8418 |
Prevalence of Very Long Rhythmic Values |
0.04224 |
Prevalence of Dotted Notes |
0.07615 |
Shortest Rhythmic Value |
0.5 |
Longest Rhythmic Value |
12.0 |
Mean Rhythmic Value |
2.584 |
Most Common Rhythmic Value |
2.0 |
Prevalence of Most Common Rhythmic Value |
0.5122 |
Relative Prevalence of Most Common Rhythmic Values |
0.4402 |
Difference Between Most Common Rhythmic Values |
2.0 |
Compound Initial Meter |
0.0 |
Rhythmic Value Variability |
1.457 |
Rhythmic Value Skewness |
1.203 |
Rhythmic Value Kurtosis |
11.3 |
Mean Rhythmic Value Run Length |
1.98 |
Median Rhythmic Value Run Length |
1.0 |
Variability in Rhythmic Value Run Lengths |
1.593 |
Mean Rhythmic Value Offset |
0.004759 |
Median Rhythmic Value Offset |
0.0 |
Complex Initial Meter |
0.0 |
Variability of Rhythmic Value Offsets |
0.1379 |
Complete Rests Fraction |
0.00638 |
Partial Rests Fraction |
0.4083 |
Average Rest Fraction Across Voices |
0.1308 |
Longest Complete Rest |
3.994 |
Longest Partial Rest |
33.95 |
Mean Complete Rest Duration |
3.994 |
Mean Partial Rest Duration |
7.706 |
Median Complete Rest Duration |
3.994 |
Median Partial Rest Duration |
3.994 |
Duple Initial Meter |
0.0 |
Variability of Complete Rest Durations |
0.0 |
Variability of Partial Rest Durations |
6.918 |
Variability Across Voices of Combined Rests |
52.55 |
Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
Triple Initial Meter |
0.0 |
Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6584 |
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1786 |
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.687 |
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.837 |
Rhythmic Variability - Tempo Standardized |
0.05503 |
Rhythmic Looseness - Tempo Standardized |
0.0 |
Polyrhythms - Tempo Standardized |
1.0 |
Quadruple Initial Meter |
1.0 |
Metrical Diversity |
2.0 |
Total Number of Notes |
1681.0 |
Initial Tempo |
120.0 |
Average Variability of Time Between Attacks for Each Voice |
1.48 |
Minimum Note Duration |
0.25 |
Maximum Note Duration |
8.0 |
Average Note Duration |
1.297 |
Variability of Note Durations |
0.7507 |
Amount of Staccato |
0.0 |
Number of Strong Rhythmic Pulses |
3.0 |
Number of Moderate Rhythmic Pulses |
3.0 |
Number of Relatively Strong Rhythmic Pulses |
1.0 |
Mean Tempo |
119.9 |
Strongest Rhythmic Pulse |
60.0 |
Second Strongest Rhythmic Pulse |
40.0 |
Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
Strength of Strongest Rhythmic Pulse |
0.6584 |
Strength of Second Strongest Rhythmic Pulse |
0.1786 |
Strength Ratio of Two Strongest Rhythmic Pulses |
3.687 |
Combined Strength of Two Strongest Rhythmic Pulses |
0.837 |
Rhythmic Variability |
0.05503 |
Rhythmic Looseness |
0.0 |
Polyrhythms |
1.0 |
Tempo Variability |
2.376 |
Duration in Seconds |
627.0 |
Note Density |
2.681 |
Note Density Variability |
0.8051 |
Average Time Between Attacks |
0.8443 |
Average Time Between Attacks for Each Voice |
1.481 |
Variability of Time Between Attacks |
0.431 |
Maximum Number of Independent Voices |
4.0 |
Relative Range of Loudest Voice |
0.4839 |
Relative Range Isolation of Loudest Voice |
0.4261 |
Relative Range of Highest Line |
0.4839 |
Relative Note Density of Highest Line |
0.1713 |
Relative Note Durations of Lowest Line |
1.044 |
Relative Size of Melodic Intervals in Lowest Line |
0.6667 |
Voice Overlap |
0.8275 |
Voice Separation |
5.667 |
Variability of Voice Separation |
2.309 |
Parallel Motion |
0.04788 |
Average Number of Independent Voices |
3.498 |
Similar Motion |
0.1664 |
Contrary Motion |
0.1957 |
Oblique Motion |
0.5901 |
Parallel Fifths |
0.001197 |
Parallel Octaves |
0.0005984 |
Variability of Number of Independent Voices |
0.6727 |
Voice Equality - Number of Notes |
40.23 |
Voice Equality - Note Duration |
26.32 |
Voice Equality - Dynamics |
0.0 |
Voice Equality - Melodic Leaps |
0.5774 |
Voice Equality - Range |
1.5 |
Importance of Loudest Voice |
0.0 |