| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2714 |
| Prevalence of Second Most Common Vertical Interval |
0.1847 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.6806 |
| Vertical Unisons |
0.1456 |
| Vertical Minor Seconds |
0.005625 |
| Vertical Thirds |
0.2865 |
| Vertical Tritones |
0.007875 |
| Vertical Perfect Fourths |
0.0819 |
| Vertical Perfect Fifths |
0.1847 |
| Vertical Sixths |
0.1228 |
| Vertical Sevenths |
0.02126 |
| Vertical Octaves |
0.1258 |
| Perfect Vertical Intervals |
0.538 |
| Vertical Dissonance Ratio |
0.05561 |
| Vertical Minor Third Prevalence |
0.4933 |
| Vertical Major Third Prevalence |
0.5231 |
| Chord Duration |
1.337 |
| Partial Chords |
0.2789 |
| Standard Triads |
0.5514 |
| Diminished and Augmented Triads |
0.0167 |
| Dominant Seventh Chords |
0.0004513 |
| Seventh Chords |
0.01399 |
| Non-Standard Chords |
0.1557 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.6925 |
| Average Number of Simultaneous Pitch Classes |
2.639 |
| Variability of Number of Simultaneous Pitch Classes |
0.6645 |
| Average Number of Simultaneous Pitches |
3.195 |
| Variability of Number of Simultaneous Pitches |
0.8183 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2065 |
| Stepwise Motion |
0.5646 |
| Melodic Thirds |
0.1167 |
| Melodic Perfect Fourths |
0.04616 |
| Melodic Tritones |
0.0006238 |
| Melodic Perfect Fifths |
0.03369 |
| Melodic Sixths |
0.001248 |
| Melodic Sevenths |
0.001248 |
| Melodic Octaves |
0.01684 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.066 |
| Melodic Embellishments |
0.01493 |
| Direction of Melodic Motion |
0.48 |
| Average Length of Melodic Arcs |
1.88 |
| Average Interval Spanned by Melodic Arcs |
4.811 |
| Melodic Pitch Variety |
4.495 |
| Mean Melodic Interval |
2.006 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.3581 |
| Relative Prevalence of Most Common Melodic Intervals |
0.6115 |
| Amount of Arpeggiation |
0.3874 |
| Repeated Notes |
0.219 |
| Importance of Middle Register |
0.8085 |
| Importance of High Register |
0.01306 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
59.14 |
| Mean Pitch Class |
5.835 |
| Most Common Pitch |
58.0 |
| Most Common Pitch Class |
10.0 |
| Prevalence of Most Common Pitch |
0.1387 |
| Prevalence of Most Common Pitch Class |
0.2289 |
| Relative Prevalence of Top Pitches |
0.7713 |
| Relative Prevalence of Top Pitch Classes |
0.6984 |
| Interval Between Most Prevalent Pitches |
4.0 |
| Interval Between Most Prevalent Pitch Classes |
3.0 |
| Pitch Variability |
6.75 |
| Pitch Class Variability |
3.485 |
| Pitch Class Variability After Folding |
4.323 |
| Pitch Skewness |
-0.1398 |
| Pitch Class Skewness |
-1.003 |
| Pitch Class Skewness After Folding |
1.584 |
| Pitch Kurtosis |
5.736 |
| Pitch Class Kurtosis |
4.723 |
| Pitch Class Kurtosis After Folding |
4.254 |
| Major or Minor |
0.0 |
| First Pitch |
53.0 |
| First Pitch Class |
5.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
27.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.1785 |
| Note Density per Quarter Note |
1.349 |
| Note Density per Quarter Note per Voice |
0.2698 |
| Note Density per Quarter Note Variability |
0.5955 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.002488 |
| Prevalence of Medium Rhythmic Values |
0.6262 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8035 |
| Prevalence of Very Long Rhythmic Values |
0.1088 |
| Prevalence of Dotted Notes |
0.1026 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.908 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4297 |
| Relative Prevalence of Most Common Rhythmic Values |
0.5094 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
2.058 |
| Rhythmic Value Skewness |
1.324 |
| Rhythmic Value Kurtosis |
10.61 |
| Mean Rhythmic Value Run Length |
1.7 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.145 |
| Mean Rhythmic Value Offset |
0.07463 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.244 |
| Complete Rests Fraction |
0.001117 |
| Partial Rests Fraction |
0.5777 |
| Average Rest Fraction Across Voices |
0.1761 |
| Longest Complete Rest |
1.332 |
| Longest Partial Rest |
238.4 |
| Mean Complete Rest Duration |
1.332 |
| Mean Partial Rest Duration |
9.995 |
| Median Complete Rest Duration |
1.332 |
| Median Partial Rest Duration |
2.664 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
27.69 |
| Variability Across Voices of Combined Rests |
86.53 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
2.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6272 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1937 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.238 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8209 |
| Rhythmic Variability - Tempo Standardized |
0.0534 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.5 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
1608.0 |
| Initial Tempo |
120.0 |
| Average Variability of Time Between Attacks for Each Voice |
5.705 |
| Minimum Note Duration |
0.25 |
| Maximum Note Duration |
40.0 |
| Average Note Duration |
2.293 |
| Variability of Note Durations |
2.497 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
2.0 |
| Number of Moderate Rhythmic Pulses |
2.0 |
| Number of Relatively Strong Rhythmic Pulses |
1.0 |
| Mean Tempo |
89.9 |
| Strongest Rhythmic Pulse |
40.0 |
| Second Strongest Rhythmic Pulse |
80.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.7777 |
| Strength of Second Strongest Rhythmic Pulse |
0.2204 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
3.528 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.9981 |
| Rhythmic Variability |
0.0636 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
30.0 |
| Duration in Seconds |
895.0 |
| Note Density |
1.797 |
| Note Density Variability |
0.9676 |
| Average Time Between Attacks |
1.305 |
| Average Time Between Attacks for Each Voice |
2.716 |
| Variability of Time Between Attacks |
0.7987 |
| Maximum Number of Independent Voices |
5.0 |
| Relative Range of Loudest Voice |
0.4242 |
| Relative Range Isolation of Loudest Voice |
0.5994 |
| Relative Range of Highest Line |
0.4242 |
| Relative Note Density of Highest Line |
0.2114 |
| Relative Note Durations of Lowest Line |
1.013 |
| Relative Size of Melodic Intervals in Lowest Line |
0.8333 |
| Voice Overlap |
0.8501 |
| Voice Separation |
4.5 |
| Variability of Voice Separation |
3.416 |
| Parallel Motion |
0.02606 |
| Average Number of Independent Voices |
4.03 |
| Similar Motion |
0.1273 |
| Contrary Motion |
0.1325 |
| Oblique Motion |
0.7141 |
| Parallel Fifths |
0.0007446 |
| Parallel Octaves |
0.001489 |
| Variability of Number of Independent Voices |
1.02 |
| Voice Equality - Number of Notes |
25.09 |
| Voice Equality - Note Duration |
64.97 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.4472 |
| Voice Equality - Range |
1.643 |
| Importance of Loudest Voice |
0.0 |