| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.1709 |
| Prevalence of Second Most Common Vertical Interval |
0.1665 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9741 |
| Vertical Unisons |
0.03854 |
| Vertical Minor Seconds |
0.007376 |
| Vertical Thirds |
0.3223 |
| Vertical Tritones |
0.02065 |
| Vertical Perfect Fourths |
0.1296 |
| Vertical Perfect Fifths |
0.1665 |
| Vertical Sixths |
0.125 |
| Vertical Sevenths |
0.02508 |
| Vertical Octaves |
0.1324 |
| Perfect Vertical Intervals |
0.4671 |
| Vertical Dissonance Ratio |
0.09357 |
| Vertical Minor Third Prevalence |
0.5069 |
| Vertical Major Third Prevalence |
0.5177 |
| Chord Duration |
1.116 |
| Partial Chords |
0.2923 |
| Standard Triads |
0.4704 |
| Diminished and Augmented Triads |
0.04534 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.01134 |
| Non-Standard Chords |
0.2259 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.5918 |
| Average Number of Simultaneous Pitch Classes |
2.675 |
| Variability of Number of Simultaneous Pitch Classes |
0.6396 |
| Average Number of Simultaneous Pitches |
3.212 |
| Variability of Number of Simultaneous Pitches |
0.8187 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2437 |
| Stepwise Motion |
0.7073 |
| Melodic Thirds |
0.1432 |
| Melodic Perfect Fourths |
0.04397 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.02387 |
| Melodic Sixths |
0.001256 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.007538 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
3.957 |
| Melodic Embellishments |
0.02 |
| Direction of Melodic Motion |
0.4905 |
| Average Length of Melodic Arcs |
2.044 |
| Average Interval Spanned by Melodic Arcs |
4.643 |
| Melodic Pitch Variety |
4.788 |
| Mean Melodic Interval |
2.117 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4636 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5257 |
| Amount of Arpeggiation |
0.2475 |
| Repeated Notes |
0.07286 |
| Importance of Middle Register |
0.8287 |
| Importance of High Register |
0.0 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
59.09 |
| Mean Pitch Class |
5.11 |
| Most Common Pitch |
60.0 |
| Most Common Pitch Class |
0.0 |
| Prevalence of Most Common Pitch |
0.1487 |
| Prevalence of Most Common Pitch Class |
0.1937 |
| Relative Prevalence of Top Pitches |
0.7899 |
| Relative Prevalence of Top Pitch Classes |
0.7419 |
| Interval Between Most Prevalent Pitches |
3.0 |
| Interval Between Most Prevalent Pitch Classes |
9.0 |
| Pitch Variability |
5.457 |
| Pitch Class Variability |
3.704 |
| Pitch Class Variability After Folding |
3.3 |
| Pitch Skewness |
-0.2831 |
| Pitch Class Skewness |
0.0891 |
| Pitch Class Skewness After Folding |
0.4591 |
| Pitch Kurtosis |
5.77 |
| Pitch Class Kurtosis |
4.79 |
| Pitch Class Kurtosis After Folding |
6.541 |
| Major or Minor |
0.0 |
| First Pitch |
65.0 |
| First Pitch Class |
5.0 |
| Last Pitch |
52.0 |
| Last Pitch Class |
4.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
21.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
9.0 |
| Number of Common Pitches |
4.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
27.0 |
| Importance of Bass Register |
0.1713 |
| Note Density per Quarter Note |
1.235 |
| Note Density per Quarter Note per Voice |
0.3086 |
| Note Density per Quarter Note Variability |
0.4157 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.005 |
| Prevalence of Medium Rhythmic Values |
0.6438 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7825 |
| Prevalence of Very Long Rhythmic Values |
0.0725 |
| Prevalence of Dotted Notes |
0.07375 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.715 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4263 |
| Relative Prevalence of Most Common Rhythmic Values |
0.566 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.798 |
| Rhythmic Value Skewness |
1.193 |
| Rhythmic Value Kurtosis |
11.14 |
| Mean Rhythmic Value Run Length |
1.878 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.342 |
| Mean Rhythmic Value Offset |
0.02 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.2823 |
| Complete Rests Fraction |
0.0 |
| Partial Rests Fraction |
0.4652 |
| Average Rest Fraction Across Voices |
0.1547 |
| Longest Complete Rest |
0.0 |
| Longest Partial Rest |
29.21 |
| Mean Complete Rest Duration |
0.0 |
| Mean Partial Rest Duration |
8.02 |
| Median Complete Rest Duration |
0.0 |
| Median Partial Rest Duration |
6.639 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
6.343 |
| Variability Across Voices of Combined Rests |
23.49 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
2.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6278 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1901 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.303 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8178 |
| Rhythmic Variability - Tempo Standardized |
0.05339 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.5 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
800.0 |
| Initial Tempo |
100.0 |
| Average Variability of Time Between Attacks for Each Voice |
3.214 |
| Minimum Note Duration |
0.3 |
| Maximum Note Duration |
9.6 |
| Average Note Duration |
2.475 |
| Variability of Note Durations |
1.879 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
1.0 |
| Number of Moderate Rhythmic Pulses |
2.0 |
| Number of Relatively Strong Rhythmic Pulses |
1.0 |
| Mean Tempo |
74.69 |
| Strongest Rhythmic Pulse |
67.0 |
| Second Strongest Rhythmic Pulse |
133.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.985 |
| Strength of Strongest Rhythmic Pulse |
0.9763 |
| Strength of Second Strongest Rhythmic Pulse |
0.01505 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
64.86 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.9914 |
| Rhythmic Variability |
0.07695 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
25.0 |
| Duration in Seconds |
585.6 |
| Note Density |
1.366 |
| Note Density Variability |
0.7138 |
| Average Time Between Attacks |
1.429 |
| Average Time Between Attacks for Each Voice |
2.988 |
| Variability of Time Between Attacks |
0.6909 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4444 |
| Relative Range Isolation of Loudest Voice |
0.216 |
| Relative Range of Highest Line |
0.4444 |
| Relative Note Density of Highest Line |
0.33 |
| Relative Note Durations of Lowest Line |
1.24 |
| Relative Size of Melodic Intervals in Lowest Line |
1.0 |
| Voice Overlap |
0.9537 |
| Voice Separation |
4.667 |
| Variability of Voice Separation |
2.309 |
| Parallel Motion |
0.05845 |
| Average Number of Independent Voices |
3.377 |
| Similar Motion |
0.1144 |
| Contrary Motion |
0.1487 |
| Oblique Motion |
0.6785 |
| Parallel Fifths |
0.002541 |
| Parallel Octaves |
0.001271 |
| Variability of Number of Independent Voices |
0.7975 |
| Voice Equality - Number of Notes |
49.16 |
| Voice Equality - Note Duration |
21.23 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.0 |
| Voice Equality - Range |
1.893 |
| Importance of Loudest Voice |
0.0 |