| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.1937 |
| Prevalence of Second Most Common Vertical Interval |
0.1823 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9407 |
| Vertical Unisons |
0.03724 |
| Vertical Minor Seconds |
0.003962 |
| Vertical Thirds |
0.3284 |
| Vertical Tritones |
0.0103 |
| Vertical Perfect Fourths |
0.09984 |
| Vertical Perfect Fifths |
0.1823 |
| Vertical Sixths |
0.1363 |
| Vertical Sevenths |
0.01585 |
| Vertical Octaves |
0.1565 |
| Perfect Vertical Intervals |
0.4758 |
| Vertical Dissonance Ratio |
0.06318 |
| Vertical Minor Third Prevalence |
0.5533 |
| Vertical Major Third Prevalence |
0.5515 |
| Chord Duration |
1.194 |
| Partial Chords |
0.2587 |
| Standard Triads |
0.5444 |
| Diminished and Augmented Triads |
0.02703 |
| Dominant Seventh Chords |
0.003861 |
| Seventh Chords |
0.01544 |
| Non-Standard Chords |
0.1815 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.3429 |
| Average Number of Simultaneous Pitch Classes |
2.684 |
| Variability of Number of Simultaneous Pitch Classes |
0.6027 |
| Average Number of Simultaneous Pitches |
3.371 |
| Variability of Number of Simultaneous Pitches |
0.8033 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1928 |
| Stepwise Motion |
0.6898 |
| Melodic Thirds |
0.1205 |
| Melodic Perfect Fourths |
0.05723 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03916 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.0241 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.667 |
| Melodic Embellishments |
0.01786 |
| Direction of Melodic Motion |
0.4919 |
| Average Length of Melodic Arcs |
1.981 |
| Average Interval Spanned by Melodic Arcs |
5.135 |
| Melodic Pitch Variety |
4.922 |
| Mean Melodic Interval |
2.443 |
| Number of Common Melodic Intervals |
2.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.497 |
| Relative Prevalence of Most Common Melodic Intervals |
0.3879 |
| Amount of Arpeggiation |
0.253 |
| Repeated Notes |
0.06928 |
| Importance of Middle Register |
0.7351 |
| Importance of High Register |
0.0 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
3.0 |
| Mean Pitch |
57.69 |
| Mean Pitch Class |
4.673 |
| Most Common Pitch |
60.0 |
| Most Common Pitch Class |
0.0 |
| Prevalence of Most Common Pitch |
0.128 |
| Prevalence of Most Common Pitch Class |
0.1994 |
| Relative Prevalence of Top Pitches |
0.8605 |
| Relative Prevalence of Top Pitch Classes |
0.806 |
| Interval Between Most Prevalent Pitches |
2.0 |
| Interval Between Most Prevalent Pitch Classes |
2.0 |
| Pitch Variability |
6.199 |
| Pitch Class Variability |
3.493 |
| Pitch Class Variability After Folding |
3.49 |
| Pitch Skewness |
-0.4177 |
| Pitch Class Skewness |
-0.2812 |
| Pitch Class Skewness After Folding |
1.223 |
| Pitch Kurtosis |
5.758 |
| Pitch Class Kurtosis |
5.042 |
| Pitch Class Kurtosis After Folding |
6.508 |
| Major or Minor |
0.0 |
| First Pitch |
60.0 |
| First Pitch Class |
0.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
22.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
9.0 |
| Number of Common Pitches |
2.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.2649 |
| Note Density per Quarter Note |
1.235 |
| Note Density per Quarter Note per Voice |
0.3088 |
| Note Density per Quarter Note Variability |
0.4632 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.005952 |
| Prevalence of Medium Rhythmic Values |
0.6071 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8482 |
| Prevalence of Very Long Rhythmic Values |
0.07143 |
| Prevalence of Dotted Notes |
0.08333 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.81 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4554 |
| Relative Prevalence of Most Common Rhythmic Values |
0.6144 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.631 |
| Rhythmic Value Skewness |
1.489 |
| Rhythmic Value Kurtosis |
10.14 |
| Mean Rhythmic Value Run Length |
2.036 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.818 |
| Mean Rhythmic Value Offset |
0.05952 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.091 |
| Complete Rests Fraction |
0.0 |
| Partial Rests Fraction |
0.2829 |
| Average Rest Fraction Across Voices |
0.09634 |
| Longest Complete Rest |
0.0 |
| Longest Partial Rest |
26.54 |
| Mean Complete Rest Duration |
0.0 |
| Mean Partial Rest Duration |
6.166 |
| Median Complete Rest Duration |
0.0 |
| Median Partial Rest Duration |
5.307 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
6.115 |
| Variability Across Voices of Combined Rests |
14.55 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6982 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1579 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
4.42 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8561 |
| Rhythmic Variability - Tempo Standardized |
0.05734 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
336.0 |
| Initial Tempo |
100.0 |
| Average Variability of Time Between Attacks for Each Voice |
2.112 |
| Minimum Note Duration |
0.3 |
| Maximum Note Duration |
38.4 |
| Average Note Duration |
2.646 |
| Variability of Note Durations |
2.599 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
1.0 |
| Number of Moderate Rhythmic Pulses |
2.0 |
| Number of Relatively Strong Rhythmic Pulses |
1.0 |
| Mean Tempo |
74.63 |
| Strongest Rhythmic Pulse |
67.0 |
| Second Strongest Rhythmic Pulse |
133.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.985 |
| Strength of Strongest Rhythmic Pulse |
0.9589 |
| Strength of Second Strongest Rhythmic Pulse |
0.03425 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
28.0 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.9932 |
| Rhythmic Variability |
0.0756 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
25.0 |
| Duration in Seconds |
246.0 |
| Note Density |
1.366 |
| Note Density Variability |
0.6473 |
| Average Time Between Attacks |
1.506 |
| Average Time Between Attacks for Each Voice |
2.831 |
| Variability of Time Between Attacks |
0.6784 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.3871 |
| Relative Range Isolation of Loudest Voice |
0.1731 |
| Relative Range of Highest Line |
0.3871 |
| Relative Note Density of Highest Line |
0.7738 |
| Relative Note Durations of Lowest Line |
1.047 |
| Relative Size of Melodic Intervals in Lowest Line |
0.5 |
| Voice Overlap |
0.9435 |
| Voice Separation |
5.0 |
| Variability of Voice Separation |
1.0 |
| Parallel Motion |
0.06011 |
| Average Number of Independent Voices |
3.544 |
| Similar Motion |
0.1066 |
| Contrary Motion |
0.2186 |
| Oblique Motion |
0.6148 |
| Parallel Fifths |
0.002732 |
| Parallel Octaves |
0.002732 |
| Variability of Number of Independent Voices |
0.7462 |
| Voice Equality - Number of Notes |
25.86 |
| Voice Equality - Note Duration |
13.16 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.8165 |
| Voice Equality - Range |
3.403 |
| Importance of Loudest Voice |
0.0 |