| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2138 |
| Prevalence of Second Most Common Vertical Interval |
0.1933 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9041 |
| Vertical Unisons |
0.034 |
| Vertical Minor Seconds |
0.004581 |
| Vertical Thirds |
0.2831 |
| Vertical Tritones |
0.01274 |
| Vertical Perfect Fourths |
0.1308 |
| Vertical Perfect Fifths |
0.1933 |
| Vertical Sixths |
0.1142 |
| Vertical Sevenths |
0.02041 |
| Vertical Octaves |
0.1798 |
| Perfect Vertical Intervals |
0.5378 |
| Vertical Dissonance Ratio |
0.06943 |
| Vertical Minor Third Prevalence |
0.6625 |
| Vertical Major Third Prevalence |
0.7346 |
| Chord Duration |
1.16 |
| Partial Chords |
0.06885 |
| Standard Triads |
0.6729 |
| Diminished and Augmented Triads |
0.04297 |
| Dominant Seventh Chords |
0.008789 |
| Seventh Chords |
0.02588 |
| Non-Standard Chords |
0.2324 |
| Complex Chords |
0.01318 |
| Minor Major Triad Ratio |
0.2045 |
| Average Number of Simultaneous Pitch Classes |
3.007 |
| Variability of Number of Simultaneous Pitch Classes |
0.5104 |
| Average Number of Simultaneous Pitches |
4.225 |
| Variability of Number of Simultaneous Pitches |
1.139 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2179 |
| Stepwise Motion |
0.6366 |
| Melodic Thirds |
0.09431 |
| Melodic Perfect Fourths |
0.07763 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.05118 |
| Melodic Sixths |
0.001725 |
| Melodic Sevenths |
0.000575 |
| Melodic Octaves |
0.01553 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.603 |
| Melodic Embellishments |
0.01662 |
| Direction of Melodic Motion |
0.5125 |
| Average Length of Melodic Arcs |
1.941 |
| Average Interval Spanned by Melodic Arcs |
5.12 |
| Melodic Pitch Variety |
5.101 |
| Mean Melodic Interval |
2.327 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4186 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5206 |
| Amount of Arpeggiation |
0.2841 |
| Repeated Notes |
0.1225 |
| Importance of Middle Register |
0.765 |
| Importance of High Register |
0.02808 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
60.44 |
| Mean Pitch Class |
5.675 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.1175 |
| Prevalence of Most Common Pitch Class |
0.2074 |
| Relative Prevalence of Top Pitches |
0.7463 |
| Relative Prevalence of Top Pitch Classes |
0.9227 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
7.595 |
| Pitch Class Variability |
3.424 |
| Pitch Class Variability After Folding |
1.93 |
| Pitch Skewness |
-0.4688 |
| Pitch Class Skewness |
-0.2847 |
| Pitch Class Skewness After Folding |
-0.1016 |
| Pitch Kurtosis |
5.304 |
| Pitch Class Kurtosis |
4.825 |
| Pitch Class Kurtosis After Folding |
5.095 |
| Major or Minor |
0.0 |
| First Pitch |
62.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
50.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
24.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
9.0 |
| Number of Common Pitches |
1.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
31.0 |
| Importance of Bass Register |
0.2069 |
| Note Density per Quarter Note |
1.678 |
| Note Density per Quarter Note per Voice |
0.2796 |
| Note Density per Quarter Note Variability |
0.7705 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.01146 |
| Prevalence of Medium Rhythmic Values |
0.6481 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7536 |
| Prevalence of Very Long Rhythmic Values |
0.0659 |
| Prevalence of Dotted Notes |
0.08309 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.658 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4017 |
| Relative Prevalence of Most Common Rhythmic Values |
0.5849 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.844 |
| Rhythmic Value Skewness |
1.07 |
| Rhythmic Value Kurtosis |
11.62 |
| Mean Rhythmic Value Run Length |
1.77 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.272 |
| Mean Rhythmic Value Offset |
0.02751 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.6348 |
| Complete Rests Fraction |
0.0 |
| Partial Rests Fraction |
0.6965 |
| Average Rest Fraction Across Voices |
0.2601 |
| Longest Complete Rest |
0.0 |
| Longest Partial Rest |
63.92 |
| Mean Complete Rest Duration |
0.0 |
| Mean Partial Rest Duration |
11.85 |
| Median Complete Rest Duration |
0.0 |
| Median Partial Rest Duration |
7.989 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
13.41 |
| Variability Across Voices of Combined Rests |
56.26 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5642 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2186 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.581 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7828 |
| Rhythmic Variability - Tempo Standardized |
0.0502 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
1745.0 |
| Initial Tempo |
120.0 |
| Average Variability of Time Between Attacks for Each Voice |
4.495 |
| Minimum Note Duration |
0.25 |
| Maximum Note Duration |
28.0 |
| Average Note Duration |
1.987 |
| Variability of Note Durations |
1.736 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
2.0 |
| Number of Moderate Rhythmic Pulses |
3.0 |
| Number of Relatively Strong Rhythmic Pulses |
2.0 |
| Mean Tempo |
89.88 |
| Strongest Rhythmic Pulse |
40.0 |
| Second Strongest Rhythmic Pulse |
80.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.7184 |
| Strength of Second Strongest Rhythmic Pulse |
0.2647 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
2.714 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.9832 |
| Rhythmic Variability |
0.06022 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
30.0 |
| Duration in Seconds |
781.0 |
| Note Density |
2.234 |
| Note Density Variability |
1.496 |
| Average Time Between Attacks |
1.176 |
| Average Time Between Attacks for Each Voice |
2.656 |
| Variability of Time Between Attacks |
0.7692 |
| Maximum Number of Independent Voices |
6.0 |
| Relative Range of Loudest Voice |
0.3871 |
| Relative Range Isolation of Loudest Voice |
0.0 |
| Relative Range of Highest Line |
0.3871 |
| Relative Note Density of Highest Line |
0.2338 |
| Relative Note Durations of Lowest Line |
1.146 |
| Relative Size of Melodic Intervals in Lowest Line |
0.5455 |
| Voice Overlap |
0.965 |
| Voice Separation |
3.8 |
| Variability of Voice Separation |
3.493 |
| Parallel Motion |
0.05319 |
| Average Number of Independent Voices |
4.506 |
| Similar Motion |
0.1553 |
| Contrary Motion |
0.166 |
| Oblique Motion |
0.6255 |
| Parallel Fifths |
0.003191 |
| Parallel Octaves |
0.003191 |
| Variability of Number of Independent Voices |
1.24 |
| Voice Equality - Number of Notes |
34.44 |
| Voice Equality - Note Duration |
42.25 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.7528 |
| Voice Equality - Range |
2.251 |
| Importance of Loudest Voice |
0.0 |