| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2178 |
| Prevalence of Second Most Common Vertical Interval |
0.1934 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8883 |
| Vertical Unisons |
0.03735 |
| Vertical Minor Seconds |
0.002474 |
| Vertical Thirds |
0.2963 |
| Vertical Tritones |
0.00675 |
| Vertical Perfect Fourths |
0.1212 |
| Vertical Perfect Fifths |
0.1934 |
| Vertical Sixths |
0.1277 |
| Vertical Sevenths |
0.01501 |
| Vertical Octaves |
0.1804 |
| Perfect Vertical Intervals |
0.5324 |
| Vertical Dissonance Ratio |
0.04559 |
| Vertical Minor Third Prevalence |
0.7292 |
| Vertical Major Third Prevalence |
0.6667 |
| Chord Duration |
2.01 |
| Partial Chords |
0.06199 |
| Standard Triads |
0.7354 |
| Diminished and Augmented Triads |
0.02971 |
| Dominant Seventh Chords |
0.003842 |
| Seventh Chords |
0.03253 |
| Non-Standard Chords |
0.1701 |
| Complex Chords |
0.003074 |
| Minor Major Triad Ratio |
1.481 |
| Average Number of Simultaneous Pitch Classes |
3.001 |
| Variability of Number of Simultaneous Pitch Classes |
0.4433 |
| Average Number of Simultaneous Pitches |
4.258 |
| Variability of Number of Simultaneous Pitches |
1.065 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1989 |
| Stepwise Motion |
0.532 |
| Melodic Thirds |
0.1263 |
| Melodic Perfect Fourths |
0.06795 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.0706 |
| Melodic Sixths |
0.007623 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01525 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.284 |
| Melodic Embellishments |
0.01786 |
| Direction of Melodic Motion |
0.4683 |
| Average Length of Melodic Arcs |
1.82 |
| Average Interval Spanned by Melodic Arcs |
5.24 |
| Melodic Pitch Variety |
4.901 |
| Mean Melodic Interval |
2.367 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.3331 |
| Relative Prevalence of Most Common Melodic Intervals |
0.597 |
| Amount of Arpeggiation |
0.3924 |
| Repeated Notes |
0.1803 |
| Importance of Middle Register |
0.7899 |
| Importance of High Register |
0.04036 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
61.08 |
| Mean Pitch Class |
5.366 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.1184 |
| Prevalence of Most Common Pitch Class |
0.2101 |
| Relative Prevalence of Top Pitches |
0.7737 |
| Relative Prevalence of Top Pitch Classes |
0.9386 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
7.531 |
| Pitch Class Variability |
3.392 |
| Pitch Class Variability After Folding |
3.996 |
| Pitch Skewness |
-0.1772 |
| Pitch Class Skewness |
-0.5609 |
| Pitch Class Skewness After Folding |
1.652 |
| Pitch Kurtosis |
5.351 |
| Pitch Class Kurtosis |
4.663 |
| Pitch Class Kurtosis After Folding |
4.87 |
| Major or Minor |
0.0 |
| First Pitch |
57.0 |
| First Pitch Class |
9.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
28.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
34.0 |
| Importance of Bass Register |
0.1697 |
| Note Density per Quarter Note |
1.53 |
| Note Density per Quarter Note per Voice |
0.255 |
| Note Density per Quarter Note Variability |
0.5128 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.005293 |
| Prevalence of Medium Rhythmic Values |
0.608 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.8488 |
| Prevalence of Very Long Rhythmic Values |
0.1012 |
| Prevalence of Dotted Notes |
0.08898 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.957 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4568 |
| Relative Prevalence of Most Common Rhythmic Values |
0.5185 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.956 |
| Rhythmic Value Skewness |
1.467 |
| Rhythmic Value Kurtosis |
9.781 |
| Mean Rhythmic Value Run Length |
1.82 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.341 |
| Mean Rhythmic Value Offset |
0.02779 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.4171 |
| Complete Rests Fraction |
0.001011 |
| Partial Rests Fraction |
0.7341 |
| Average Rest Fraction Across Voices |
0.239 |
| Longest Complete Rest |
1.998 |
| Longest Partial Rest |
455.5 |
| Mean Complete Rest Duration |
1.998 |
| Mean Partial Rest Duration |
11.42 |
| Median Complete Rest Duration |
1.998 |
| Median Partial Rest Duration |
3.996 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
40.52 |
| Variability Across Voices of Combined Rests |
188.5 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6696 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1742 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.843 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8438 |
| Rhythmic Variability - Tempo Standardized |
0.05566 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
3023.0 |
| Initial Tempo |
100.0 |
| Average Variability of Time Between Attacks for Each Voice |
6.263 |
| Minimum Note Duration |
0.3 |
| Maximum Note Duration |
14.4 |
| Average Note Duration |
1.793 |
| Variability of Note Durations |
1.276 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
2.0 |
| Number of Moderate Rhythmic Pulses |
2.0 |
| Number of Relatively Strong Rhythmic Pulses |
1.0 |
| Mean Tempo |
99.95 |
| Strongest Rhythmic Pulse |
50.0 |
| Second Strongest Rhythmic Pulse |
100.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.8078 |
| Strength of Second Strongest Rhythmic Pulse |
0.1839 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
4.394 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.9917 |
| Rhythmic Variability |
0.0652 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
1.59 |
| Duration in Seconds |
1187.0 |
| Note Density |
2.547 |
| Note Density Variability |
0.8852 |
| Average Time Between Attacks |
0.9862 |
| Average Time Between Attacks for Each Voice |
2.396 |
| Variability of Time Between Attacks |
0.4114 |
| Maximum Number of Independent Voices |
6.0 |
| Relative Range of Loudest Voice |
0.4412 |
| Relative Range Isolation of Loudest Voice |
0.003454 |
| Relative Range of Highest Line |
0.4412 |
| Relative Note Density of Highest Line |
0.135 |
| Relative Note Durations of Lowest Line |
1.167 |
| Relative Size of Melodic Intervals in Lowest Line |
0.9231 |
| Voice Overlap |
0.9659 |
| Voice Separation |
3.8 |
| Variability of Voice Separation |
3.633 |
| Parallel Motion |
0.05813 |
| Average Number of Independent Voices |
4.57 |
| Similar Motion |
0.1546 |
| Contrary Motion |
0.1428 |
| Oblique Motion |
0.6444 |
| Parallel Fifths |
0.003588 |
| Parallel Octaves |
0.01005 |
| Variability of Number of Independent Voices |
1.136 |
| Voice Equality - Number of Notes |
90.44 |
| Voice Equality - Note Duration |
113.2 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.4082 |
| Voice Equality - Range |
1.169 |
| Importance of Loudest Voice |
0.0 |