| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2015 |
| Prevalence of Second Most Common Vertical Interval |
0.195 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9678 |
| Vertical Unisons |
0.05434 |
| Vertical Minor Seconds |
0.00511 |
| Vertical Thirds |
0.285 |
| Vertical Tritones |
0.01296 |
| Vertical Perfect Fourths |
0.1204 |
| Vertical Perfect Fifths |
0.195 |
| Vertical Sixths |
0.1299 |
| Vertical Sevenths |
0.02044 |
| Vertical Octaves |
0.1472 |
| Perfect Vertical Intervals |
0.5169 |
| Vertical Dissonance Ratio |
0.07316 |
| Vertical Minor Third Prevalence |
0.6933 |
| Vertical Major Third Prevalence |
0.5433 |
| Chord Duration |
1.716 |
| Partial Chords |
0.1202 |
| Standard Triads |
0.6132 |
| Diminished and Augmented Triads |
0.03659 |
| Dominant Seventh Chords |
0.003484 |
| Seventh Chords |
0.02962 |
| Non-Standard Chords |
0.2369 |
| Complex Chords |
0.006969 |
| Minor Major Triad Ratio |
1.862 |
| Average Number of Simultaneous Pitch Classes |
2.915 |
| Variability of Number of Simultaneous Pitch Classes |
0.6412 |
| Average Number of Simultaneous Pitches |
3.757 |
| Variability of Number of Simultaneous Pitches |
1.124 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2473 |
| Stepwise Motion |
0.6879 |
| Melodic Thirds |
0.1025 |
| Melodic Perfect Fourths |
0.05654 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.04829 |
| Melodic Sixths |
0.002356 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.007067 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.955 |
| Melodic Embellishments |
0.0152 |
| Direction of Melodic Motion |
0.5065 |
| Average Length of Melodic Arcs |
1.925 |
| Average Interval Spanned by Melodic Arcs |
4.609 |
| Melodic Pitch Variety |
5.069 |
| Mean Melodic Interval |
2.187 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4405 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5615 |
| Amount of Arpeggiation |
0.2532 |
| Repeated Notes |
0.09541 |
| Importance of Middle Register |
0.8538 |
| Importance of High Register |
0.09942 |
| Dominant Spread |
3.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
63.84 |
| Mean Pitch Class |
5.511 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.1415 |
| Prevalence of Most Common Pitch Class |
0.2152 |
| Relative Prevalence of Top Pitches |
0.9752 |
| Relative Prevalence of Top Pitch Classes |
0.9891 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
6.356 |
| Pitch Class Variability |
3.234 |
| Pitch Class Variability After Folding |
3.795 |
| Pitch Skewness |
-0.2755 |
| Pitch Class Skewness |
-0.4535 |
| Pitch Class Skewness After Folding |
1.622 |
| Pitch Kurtosis |
5.638 |
| Pitch Class Kurtosis |
4.756 |
| Pitch Class Kurtosis After Folding |
5.255 |
| Major or Minor |
0.0 |
| First Pitch |
74.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
55.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
29.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
2.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.04678 |
| Note Density per Quarter Note |
1.425 |
| Note Density per Quarter Note per Voice |
0.2375 |
| Note Density per Quarter Note Variability |
0.5895 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.002339 |
| Prevalence of Medium Rhythmic Values |
0.5883 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7906 |
| Prevalence of Very Long Rhythmic Values |
0.08304 |
| Prevalence of Dotted Notes |
0.1205 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.849 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.3789 |
| Relative Prevalence of Most Common Rhythmic Values |
0.6512 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.915 |
| Rhythmic Value Skewness |
1.33 |
| Rhythmic Value Kurtosis |
11.34 |
| Mean Rhythmic Value Run Length |
1.616 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.003 |
| Mean Rhythmic Value Offset |
0.04678 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.6403 |
| Complete Rests Fraction |
0.0 |
| Partial Rests Fraction |
0.8306 |
| Average Rest Fraction Across Voices |
0.3117 |
| Longest Complete Rest |
0.0 |
| Longest Partial Rest |
255.1 |
| Mean Complete Rest Duration |
0.0 |
| Mean Partial Rest Duration |
16.03 |
| Median Complete Rest Duration |
0.0 |
| Median Partial Rest Duration |
7.973 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
39.49 |
| Variability Across Voices of Combined Rests |
104.6 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5892 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.21 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.806 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7993 |
| Rhythmic Variability - Tempo Standardized |
0.05151 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
855.0 |
| Initial Tempo |
120.0 |
| Average Variability of Time Between Attacks for Each Voice |
6.009 |
| Minimum Note Duration |
0.25 |
| Maximum Note Duration |
12.0 |
| Average Note Duration |
1.454 |
| Variability of Note Durations |
1.115 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
3.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
119.8 |
| Strongest Rhythmic Pulse |
60.0 |
| Second Strongest Rhythmic Pulse |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.5892 |
| Strength of Second Strongest Rhythmic Pulse |
0.21 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
2.806 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.7993 |
| Rhythmic Variability |
0.05151 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
3.458 |
| Duration in Seconds |
301.0 |
| Note Density |
2.841 |
| Note Density Variability |
1.199 |
| Average Time Between Attacks |
0.7785 |
| Average Time Between Attacks for Each Voice |
2.268 |
| Variability of Time Between Attacks |
0.3868 |
| Maximum Number of Independent Voices |
6.0 |
| Relative Range of Loudest Voice |
0.4242 |
| Relative Range Isolation of Loudest Voice |
0.5247 |
| Relative Range of Highest Line |
0.4242 |
| Relative Note Density of Highest Line |
0.5053 |
| Relative Note Durations of Lowest Line |
1.125 |
| Relative Size of Melodic Intervals in Lowest Line |
0.6 |
| Voice Overlap |
0.8725 |
| Voice Separation |
3.6 |
| Variability of Voice Separation |
2.408 |
| Parallel Motion |
0.04619 |
| Average Number of Independent Voices |
4.127 |
| Similar Motion |
0.1498 |
| Contrary Motion |
0.1461 |
| Oblique Motion |
0.6579 |
| Parallel Fifths |
0.003745 |
| Parallel Octaves |
0.004994 |
| Variability of Number of Independent Voices |
1.261 |
| Voice Equality - Number of Notes |
46.58 |
| Voice Equality - Note Duration |
52.5 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.5164 |
| Voice Equality - Range |
1.835 |
| Importance of Loudest Voice |
0.0 |