Distance Between Two Most Common Vertical Intervals |
4.0 |
Prevalence of Most Common Vertical Interval |
0.2053 |
Prevalence of Second Most Common Vertical Interval |
0.1776 |
Prevalence Ratio of Two Most Common Vertical Intervals |
0.8654 |
Vertical Unisons |
0.03285 |
Vertical Minor Seconds |
0.004269 |
Vertical Thirds |
0.3266 |
Vertical Tritones |
0.01317 |
Vertical Perfect Fourths |
0.103 |
Vertical Perfect Fifths |
0.2053 |
Vertical Sixths |
0.1339 |
Vertical Sevenths |
0.01859 |
Vertical Octaves |
0.1363 |
Perfect Vertical Intervals |
0.4774 |
Vertical Dissonance Ratio |
0.06627 |
Vertical Minor Third Prevalence |
0.5519 |
Vertical Major Third Prevalence |
0.4758 |
Chord Duration |
1.754 |
Partial Chords |
0.288 |
Standard Triads |
0.5213 |
Diminished and Augmented Triads |
0.03254 |
Dominant Seventh Chords |
0.001825 |
Seventh Chords |
0.009732 |
Non-Standard Chords |
0.181 |
Complex Chords |
0.0 |
Minor Major Triad Ratio |
1.121 |
Average Number of Simultaneous Pitch Classes |
2.694 |
Variability of Number of Simultaneous Pitch Classes |
0.5858 |
Average Number of Simultaneous Pitches |
3.22 |
Variability of Number of Simultaneous Pitches |
0.7105 |
Most Common Vertical Interval |
7.0 |
Second Most Common Vertical Interval |
3.0 |
Dynamic Range |
0.0 |
Variation of Dynamics |
0.0 |
Variation of Dynamics In Each Voice |
0.0 |
Average Note to Note Change in Dynamics |
0.0 |
Unpitched Percussion Instrument Prevalence |
0.0 |
String Keyboard Prevalence |
1.0 |
Acoustic Guitar Prevalence |
0.0 |
Electric Guitar Prevalence |
0.0 |
Violin Prevalence |
0.0 |
Saxophone Prevalence |
0.0 |
Brass Prevalence |
0.0 |
Woodwinds Prevalence |
0.0 |
Orchestral Strings Prevalence |
0.0 |
String Ensemble Prevalence |
0.0 |
Electric Instrument Prevalence |
0.0 |
Variability of Note Prevalence of Pitched Instruments |
0.0 |
Variability of Note Prevalence of Unpitched Instruments |
0.0 |
Number of Pitched Instruments |
1.0 |
Number of Unpitched Instruments |
0.0 |
Chromatic Motion |
0.2329 |
Stepwise Motion |
0.6128 |
Melodic Thirds |
0.1217 |
Melodic Perfect Fourths |
0.05099 |
Melodic Tritones |
0.0 |
Melodic Perfect Fifths |
0.06615 |
Melodic Sixths |
0.002297 |
Melodic Sevenths |
0.0 |
Melodic Octaves |
0.01056 |
Melodic Large Intervals |
0.0 |
Most Common Melodic Interval |
2.0 |
Minor Major Melodic Third Ratio |
1.704 |
Melodic Embellishments |
0.01513 |
Direction of Melodic Motion |
0.5329 |
Average Length of Melodic Arcs |
1.913 |
Average Interval Spanned by Melodic Arcs |
5.0 |
Melodic Pitch Variety |
4.961 |
Mean Melodic Interval |
2.267 |
Number of Common Melodic Intervals |
3.0 |
Distance Between Most Prevalent Melodic Intervals |
1.0 |
Prevalence of Most Common Melodic Interval |
0.3799 |
Relative Prevalence of Most Common Melodic Intervals |
0.6131 |
Amount of Arpeggiation |
0.3339 |
Repeated Notes |
0.1355 |
Importance of Middle Register |
0.7707 |
Importance of High Register |
0.005961 |
Dominant Spread |
7.0 |
Strong Tonal Centres |
1.0 |
Mean Pitch |
58.36 |
Mean Pitch Class |
5.341 |
Most Common Pitch |
57.0 |
Most Common Pitch Class |
9.0 |
Prevalence of Most Common Pitch |
0.1357 |
Prevalence of Most Common Pitch Class |
0.2022 |
Relative Prevalence of Top Pitches |
0.8446 |
Relative Prevalence of Top Pitch Classes |
0.9297 |
Interval Between Most Prevalent Pitches |
5.0 |
Interval Between Most Prevalent Pitch Classes |
7.0 |
Pitch Variability |
6.31 |
Pitch Class Variability |
3.502 |
Pitch Class Variability After Folding |
3.082 |
Pitch Skewness |
-0.001526 |
Pitch Class Skewness |
0.2918 |
Pitch Class Skewness After Folding |
0.602 |
Pitch Kurtosis |
5.671 |
Pitch Class Kurtosis |
4.744 |
Pitch Class Kurtosis After Folding |
6.955 |
Major or Minor |
0.0 |
First Pitch |
57.0 |
First Pitch Class |
9.0 |
Last Pitch |
50.0 |
Last Pitch Class |
2.0 |
Glissando Prevalence |
0.0 |
Average Range of Glissandos |
0.0 |
Number of Pitches |
30.0 |
Vibrato Prevalence |
0.0 |
Microtone Prevalence |
0.0 |
Number of Pitch Classes |
11.0 |
Number of Common Pitches |
3.0 |
Number of Common Pitch Classes |
1.0 |
Range |
33.0 |
Importance of Bass Register |
0.2233 |
Note Density per Quarter Note |
1.286 |
Note Density per Quarter Note per Voice |
0.3215 |
Note Density per Quarter Note Variability |
0.3961 |
Range of Rhythmic Values |
9.0 |
Number of Different Rhythmic Values Present |
8.0 |
Number of Common Rhythmic Values Present |
3.0 |
Prevalence of Very Short Rhythmic Values |
0.0 |
Prevalence of Short Rhythmic Values |
0.01192 |
Prevalence of Medium Rhythmic Values |
0.6708 |
Simple Initial Meter |
1.0 |
Prevalence of Long Rhythmic Values |
0.7886 |
Prevalence of Very Long Rhythmic Values |
0.0619 |
Prevalence of Dotted Notes |
0.0917 |
Shortest Rhythmic Value |
0.5 |
Longest Rhythmic Value |
12.0 |
Mean Rhythmic Value |
2.596 |
Most Common Rhythmic Value |
2.0 |
Prevalence of Most Common Rhythmic Value |
0.4594 |
Relative Prevalence of Most Common Rhythmic Values |
0.4341 |
Difference Between Most Common Rhythmic Values |
2.0 |
Compound Initial Meter |
0.0 |
Rhythmic Value Variability |
1.68 |
Rhythmic Value Skewness |
1.065 |
Rhythmic Value Kurtosis |
11.23 |
Mean Rhythmic Value Run Length |
1.842 |
Median Rhythmic Value Run Length |
1.0 |
Variability in Rhythmic Value Run Lengths |
1.423 |
Mean Rhythmic Value Offset |
0.01284 |
Median Rhythmic Value Offset |
0.0 |
Complex Initial Meter |
0.0 |
Variability of Rhythmic Value Offsets |
0.3086 |
Complete Rests Fraction |
0.0 |
Partial Rests Fraction |
0.5283 |
Average Rest Fraction Across Voices |
0.1613 |
Longest Complete Rest |
0.0 |
Longest Partial Rest |
352.0 |
Mean Complete Rest Duration |
0.0 |
Mean Partial Rest Duration |
10.04 |
Median Complete Rest Duration |
0.0 |
Median Partial Rest Duration |
4.0 |
Duple Initial Meter |
0.0 |
Variability of Complete Rest Durations |
0.0 |
Variability of Partial Rest Durations |
33.84 |
Variability Across Voices of Combined Rests |
202.9 |
Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
Triple Initial Meter |
0.0 |
Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5994 |
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2032 |
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.95 |
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8026 |
Rhythmic Variability - Tempo Standardized |
0.05181 |
Rhythmic Looseness - Tempo Standardized |
0.0 |
Polyrhythms - Tempo Standardized |
0.6667 |
Quadruple Initial Meter |
1.0 |
Metrical Diversity |
1.0 |
Total Number of Notes |
2181.0 |
Initial Tempo |
110.0 |
Average Variability of Time Between Attacks for Each Voice |
3.634 |
Minimum Note Duration |
0.2727 |
Maximum Note Duration |
13.09 |
Average Note Duration |
1.423 |
Variability of Note Durations |
0.9693 |
Amount of Staccato |
0.0 |
Number of Strong Rhythmic Pulses |
2.0 |
Number of Moderate Rhythmic Pulses |
2.0 |
Number of Relatively Strong Rhythmic Pulses |
2.0 |
Mean Tempo |
110.0 |
Strongest Rhythmic Pulse |
55.0 |
Second Strongest Rhythmic Pulse |
110.0 |
Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
Strength of Strongest Rhythmic Pulse |
0.7522 |
Strength of Second Strongest Rhythmic Pulse |
0.2353 |
Strength Ratio of Two Strongest Rhythmic Pulses |
3.197 |
Combined Strength of Two Strongest Rhythmic Pulses |
0.9875 |
Rhythmic Variability |
0.062 |
Rhythmic Looseness |
0.0 |
Polyrhythms |
1.0 |
Tempo Variability |
0.0000000008331 |
Duration in Seconds |
925.1 |
Note Density |
2.358 |
Note Density Variability |
0.7619 |
Average Time Between Attacks |
0.8538 |
Average Time Between Attacks for Each Voice |
1.726 |
Variability of Time Between Attacks |
0.4018 |
Maximum Number of Independent Voices |
4.0 |
Relative Range of Loudest Voice |
0.5152 |
Relative Range Isolation of Loudest Voice |
0.3654 |
Relative Range of Highest Line |
0.5152 |
Relative Note Density of Highest Line |
0.121 |
Relative Note Durations of Lowest Line |
1.041 |
Relative Size of Melodic Intervals in Lowest Line |
0.5714 |
Voice Overlap |
0.8794 |
Voice Separation |
5.333 |
Variability of Voice Separation |
1.155 |
Parallel Motion |
0.05834 |
Average Number of Independent Voices |
3.355 |
Similar Motion |
0.1328 |
Contrary Motion |
0.1879 |
Oblique Motion |
0.621 |
Parallel Fifths |
0.002297 |
Parallel Octaves |
0.0009187 |
Variability of Number of Independent Voices |
0.6938 |
Voice Equality - Number of Notes |
105.6 |
Voice Equality - Note Duration |
110.7 |
Voice Equality - Dynamics |
0.0 |
Voice Equality - Melodic Leaps |
0.5 |
Voice Equality - Range |
0.5 |
Importance of Loudest Voice |
0.0 |