| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.247 |
| Prevalence of Second Most Common Vertical Interval |
0.2094 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8478 |
| Vertical Unisons |
0.05637 |
| Vertical Minor Seconds |
0.002103 |
| Vertical Thirds |
0.2826 |
| Vertical Tritones |
0.006682 |
| Vertical Perfect Fourths |
0.1132 |
| Vertical Perfect Fifths |
0.2094 |
| Vertical Sixths |
0.1122 |
| Vertical Sevenths |
0.0126 |
| Vertical Octaves |
0.1906 |
| Perfect Vertical Intervals |
0.5696 |
| Vertical Dissonance Ratio |
0.03698 |
| Vertical Minor Third Prevalence |
0.6171 |
| Vertical Major Third Prevalence |
0.6104 |
| Chord Duration |
1.94 |
| Partial Chords |
0.1953 |
| Standard Triads |
0.6414 |
| Diminished and Augmented Triads |
0.02248 |
| Dominant Seventh Chords |
0.002167 |
| Seventh Chords |
0.01923 |
| Non-Standard Chords |
0.1441 |
| Complex Chords |
0.0008126 |
| Minor Major Triad Ratio |
1.036 |
| Average Number of Simultaneous Pitch Classes |
2.772 |
| Variability of Number of Simultaneous Pitch Classes |
0.6064 |
| Average Number of Simultaneous Pitches |
3.815 |
| Variability of Number of Simultaneous Pitches |
1.373 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1985 |
| Stepwise Motion |
0.4909 |
| Melodic Thirds |
0.1049 |
| Melodic Perfect Fourths |
0.07103 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.05144 |
| Melodic Sixths |
0.002323 |
| Melodic Sevenths |
0.0003319 |
| Melodic Octaves |
0.01593 |
| Melodic Large Intervals |
0.0003319 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.326 |
| Melodic Embellishments |
0.01655 |
| Direction of Melodic Motion |
0.4836 |
| Average Length of Melodic Arcs |
1.743 |
| Average Interval Spanned by Melodic Arcs |
4.841 |
| Melodic Pitch Variety |
4.289 |
| Mean Melodic Interval |
2.063 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.2924 |
| Relative Prevalence of Most Common Melodic Intervals |
0.899 |
| Amount of Arpeggiation |
0.4354 |
| Repeated Notes |
0.2629 |
| Importance of Middle Register |
0.7594 |
| Importance of High Register |
0.1784 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
65.04 |
| Mean Pitch Class |
5.31 |
| Most Common Pitch |
67.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.1244 |
| Prevalence of Most Common Pitch Class |
0.2154 |
| Relative Prevalence of Top Pitches |
0.8697 |
| Relative Prevalence of Top Pitch Classes |
0.9846 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
7.215 |
| Pitch Class Variability |
3.362 |
| Pitch Class Variability After Folding |
3.808 |
| Pitch Skewness |
-0.6069 |
| Pitch Class Skewness |
-0.6156 |
| Pitch Class Skewness After Folding |
1.558 |
| Pitch Kurtosis |
5.64 |
| Pitch Class Kurtosis |
4.691 |
| Pitch Class Kurtosis After Folding |
5.151 |
| Major or Minor |
0.0 |
| First Pitch |
58.0 |
| First Pitch Class |
10.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
34.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
2.0 |
| Range |
36.0 |
| Importance of Bass Register |
0.06221 |
| Note Density per Quarter Note |
1.558 |
| Note Density per Quarter Note per Voice |
0.1731 |
| Note Density per Quarter Note Variability |
0.8982 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
9.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.01522 |
| Prevalence of Medium Rhythmic Values |
0.6787 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7938 |
| Prevalence of Very Long Rhythmic Values |
0.07809 |
| Prevalence of Dotted Notes |
0.09199 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.705 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4725 |
| Relative Prevalence of Most Common Rhythmic Values |
0.4062 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.949 |
| Rhythmic Value Skewness |
1.085 |
| Rhythmic Value Kurtosis |
12.75 |
| Mean Rhythmic Value Run Length |
1.712 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.236 |
| Mean Rhythmic Value Offset |
0.04269 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.5215 |
| Complete Rests Fraction |
0.003093 |
| Partial Rests Fraction |
1.0 |
| Average Rest Fraction Across Voices |
0.5284 |
| Longest Complete Rest |
2.0 |
| Longest Partial Rest |
1926.0 |
| Mean Complete Rest Duration |
1.5 |
| Mean Partial Rest Duration |
37.05 |
| Median Complete Rest Duration |
2.0 |
| Median Partial Rest Duration |
6.0 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.5774 |
| Variability of Partial Rest Durations |
140.1 |
| Variability Across Voices of Combined Rests |
352.4 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
5.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5826 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2092 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.785 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7917 |
| Rhythmic Variability - Tempo Standardized |
0.05054 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
2.0 |
| Total Number of Notes |
3022.0 |
| Initial Tempo |
120.0 |
| Average Variability of Time Between Attacks for Each Voice |
9.699 |
| Minimum Note Duration |
0.25 |
| Maximum Note Duration |
16.0 |
| Average Note Duration |
1.363 |
| Variability of Note Durations |
1.066 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
5.0 |
| Number of Relatively Strong Rhythmic Pulses |
3.0 |
| Mean Tempo |
120.0 |
| Strongest Rhythmic Pulse |
60.0 |
| Second Strongest Rhythmic Pulse |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.5826 |
| Strength of Second Strongest Rhythmic Pulse |
0.2092 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
2.785 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.7917 |
| Rhythmic Variability |
0.05054 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.6667 |
| Tempo Variability |
0.0 |
| Duration in Seconds |
970.0 |
| Note Density |
3.115 |
| Note Density Variability |
1.701 |
| Average Time Between Attacks |
0.8205 |
| Average Time Between Attacks for Each Voice |
2.311 |
| Variability of Time Between Attacks |
0.4544 |
| Maximum Number of Independent Voices |
8.0 |
| Relative Range of Loudest Voice |
0.3889 |
| Relative Range Isolation of Loudest Voice |
0.0 |
| Relative Range of Highest Line |
0.3889 |
| Relative Note Density of Highest Line |
0.2144 |
| Relative Note Durations of Lowest Line |
1.039 |
| Relative Size of Melodic Intervals in Lowest Line |
0.75 |
| Voice Overlap |
0.994 |
| Voice Separation |
2.375 |
| Variability of Voice Separation |
2.066 |
| Parallel Motion |
0.05549 |
| Average Number of Independent Voices |
4.258 |
| Similar Motion |
0.1275 |
| Contrary Motion |
0.1633 |
| Oblique Motion |
0.6537 |
| Parallel Fifths |
0.002755 |
| Parallel Octaves |
0.002755 |
| Variability of Number of Independent Voices |
1.878 |
| Voice Equality - Number of Notes |
131.5 |
| Voice Equality - Note Duration |
176.2 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
5.094 |
| Importance of Loudest Voice |
0.0 |