Distance Between Two Most Common Vertical Intervals |
7.0 |
Prevalence of Most Common Vertical Interval |
0.2849 |
Prevalence of Second Most Common Vertical Interval |
0.1979 |
Prevalence Ratio of Two Most Common Vertical Intervals |
0.6948 |
Vertical Unisons |
0.07094 |
Vertical Minor Seconds |
0.002057 |
Vertical Thirds |
0.2606 |
Vertical Tritones |
0.002468 |
Vertical Perfect Fourths |
0.1139 |
Vertical Perfect Fifths |
0.1979 |
Vertical Sixths |
0.1163 |
Vertical Sevenths |
0.008992 |
Vertical Octaves |
0.214 |
Perfect Vertical Intervals |
0.5967 |
Vertical Dissonance Ratio |
0.02707 |
Vertical Minor Third Prevalence |
0.7538 |
Vertical Major Third Prevalence |
0.8538 |
Chord Duration |
2.832 |
Partial Chords |
0.0444 |
Standard Triads |
0.8156 |
Diminished and Augmented Triads |
0.004826 |
Dominant Seventh Chords |
0.0 |
Seventh Chords |
0.01544 |
Non-Standard Chords |
0.1245 |
Complex Chords |
0.01931 |
Minor Major Triad Ratio |
0.1192 |
Average Number of Simultaneous Pitch Classes |
3.015 |
Variability of Number of Simultaneous Pitch Classes |
0.5353 |
Average Number of Simultaneous Pitches |
5.212 |
Variability of Number of Simultaneous Pitches |
1.451 |
Most Common Vertical Interval |
0.0 |
Second Most Common Vertical Interval |
7.0 |
Dynamic Range |
0.0 |
Variation of Dynamics |
0.0 |
Variation of Dynamics In Each Voice |
0.0 |
Average Note to Note Change in Dynamics |
0.0 |
Unpitched Percussion Instrument Prevalence |
0.0 |
String Keyboard Prevalence |
1.0 |
Acoustic Guitar Prevalence |
0.0 |
Electric Guitar Prevalence |
0.0 |
Violin Prevalence |
0.0 |
Saxophone Prevalence |
0.0 |
Brass Prevalence |
0.0 |
Woodwinds Prevalence |
0.0 |
Orchestral Strings Prevalence |
0.0 |
String Ensemble Prevalence |
0.0 |
Electric Instrument Prevalence |
0.0 |
Variability of Note Prevalence of Pitched Instruments |
0.0 |
Variability of Note Prevalence of Unpitched Instruments |
0.0 |
Number of Pitched Instruments |
1.0 |
Number of Unpitched Instruments |
0.0 |
Chromatic Motion |
0.1027 |
Stepwise Motion |
0.3046 |
Melodic Thirds |
0.1022 |
Melodic Perfect Fourths |
0.08193 |
Melodic Tritones |
0.0 |
Melodic Perfect Fifths |
0.05639 |
Melodic Sixths |
0.001928 |
Melodic Sevenths |
0.0004819 |
Melodic Octaves |
0.007711 |
Melodic Large Intervals |
0.0 |
Most Common Melodic Interval |
0.0 |
Minor Major Melodic Third Ratio |
1.28 |
Melodic Embellishments |
0.01583 |
Direction of Melodic Motion |
0.513 |
Average Length of Melodic Arcs |
1.616 |
Average Interval Spanned by Melodic Arcs |
5.123 |
Melodic Pitch Variety |
3.447 |
Mean Melodic Interval |
1.776 |
Number of Common Melodic Intervals |
3.0 |
Distance Between Most Prevalent Melodic Intervals |
2.0 |
Prevalence of Most Common Melodic Interval |
0.4448 |
Relative Prevalence of Most Common Melodic Intervals |
0.454 |
Amount of Arpeggiation |
0.6116 |
Repeated Notes |
0.4448 |
Importance of Middle Register |
0.7471 |
Importance of High Register |
0.03647 |
Dominant Spread |
6.0 |
Strong Tonal Centres |
2.0 |
Mean Pitch |
60.9 |
Mean Pitch Class |
4.637 |
Most Common Pitch |
65.0 |
Most Common Pitch Class |
0.0 |
Prevalence of Most Common Pitch |
0.1267 |
Prevalence of Most Common Pitch Class |
0.2418 |
Relative Prevalence of Top Pitches |
0.8788 |
Relative Prevalence of Top Pitch Classes |
0.9643 |
Interval Between Most Prevalent Pitches |
5.0 |
Interval Between Most Prevalent Pitch Classes |
5.0 |
Pitch Variability |
7.843 |
Pitch Class Variability |
3.481 |
Pitch Class Variability After Folding |
4.514 |
Pitch Skewness |
-0.2403 |
Pitch Class Skewness |
-0.313 |
Pitch Class Skewness After Folding |
1.124 |
Pitch Kurtosis |
5.459 |
Pitch Class Kurtosis |
4.763 |
Pitch Class Kurtosis After Folding |
4.452 |
Major or Minor |
0.0 |
First Pitch |
65.0 |
First Pitch Class |
5.0 |
Last Pitch |
41.0 |
Last Pitch Class |
5.0 |
Glissando Prevalence |
0.0 |
Average Range of Glissandos |
0.0 |
Number of Pitches |
30.0 |
Vibrato Prevalence |
0.0 |
Microtone Prevalence |
0.0 |
Number of Pitch Classes |
11.0 |
Number of Common Pitches |
3.0 |
Number of Common Pitch Classes |
2.0 |
Range |
38.0 |
Importance of Bass Register |
0.2164 |
Note Density per Quarter Note |
1.966 |
Note Density per Quarter Note per Voice |
0.2184 |
Note Density per Quarter Note Variability |
1.121 |
Range of Rhythmic Values |
7.0 |
Number of Different Rhythmic Values Present |
7.0 |
Number of Common Rhythmic Values Present |
3.0 |
Prevalence of Very Short Rhythmic Values |
0.0 |
Prevalence of Short Rhythmic Values |
0.0 |
Prevalence of Medium Rhythmic Values |
0.6012 |
Simple Initial Meter |
1.0 |
Prevalence of Long Rhythmic Values |
0.8013 |
Prevalence of Very Long Rhythmic Values |
0.1166 |
Prevalence of Dotted Notes |
0.07486 |
Shortest Rhythmic Value |
1.0 |
Longest Rhythmic Value |
12.0 |
Mean Rhythmic Value |
3.079 |
Most Common Rhythmic Value |
2.0 |
Prevalence of Most Common Rhythmic Value |
0.4026 |
Relative Prevalence of Most Common Rhythmic Values |
0.6246 |
Difference Between Most Common Rhythmic Values |
2.0 |
Compound Initial Meter |
0.0 |
Rhythmic Value Variability |
2.29 |
Rhythmic Value Skewness |
1.413 |
Rhythmic Value Kurtosis |
9.88 |
Mean Rhythmic Value Run Length |
1.8 |
Median Rhythmic Value Run Length |
1.0 |
Variability in Rhythmic Value Run Lengths |
1.301 |
Mean Rhythmic Value Offset |
0.1631 |
Median Rhythmic Value Offset |
0.0 |
Complex Initial Meter |
0.0 |
Variability of Rhythmic Value Offsets |
1.522 |
Complete Rests Fraction |
0.0 |
Partial Rests Fraction |
0.6265 |
Average Rest Fraction Across Voices |
0.2912 |
Longest Complete Rest |
0.0 |
Longest Partial Rest |
113.5 |
Mean Complete Rest Duration |
0.0 |
Mean Partial Rest Duration |
12.63 |
Median Complete Rest Duration |
0.0 |
Median Partial Rest Duration |
6.08 |
Duple Initial Meter |
0.0 |
Variability of Complete Rest Durations |
0.0 |
Variability of Partial Rest Durations |
14.24 |
Variability Across Voices of Combined Rests |
47.64 |
Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
Triple Initial Meter |
0.0 |
Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5904 |
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2093 |
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.821 |
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7997 |
Rhythmic Variability - Tempo Standardized |
0.05162 |
Rhythmic Looseness - Tempo Standardized |
0.0 |
Polyrhythms - Tempo Standardized |
0.6667 |
Quadruple Initial Meter |
1.0 |
Metrical Diversity |
2.0 |
Total Number of Notes |
2084.0 |
Initial Tempo |
120.0 |
Average Variability of Time Between Attacks for Each Voice |
3.582 |
Minimum Note Duration |
0.3333 |
Maximum Note Duration |
18.0 |
Average Note Duration |
1.601 |
Variability of Note Durations |
1.573 |
Amount of Staccato |
0.0 |
Number of Strong Rhythmic Pulses |
3.0 |
Number of Moderate Rhythmic Pulses |
3.0 |
Number of Relatively Strong Rhythmic Pulses |
3.0 |
Mean Tempo |
122.4 |
Strongest Rhythmic Pulse |
61.0 |
Second Strongest Rhythmic Pulse |
41.0 |
Harmonicity of Two Strongest Rhythmic Pulses |
1.488 |
Strength of Strongest Rhythmic Pulse |
0.5904 |
Strength of Second Strongest Rhythmic Pulse |
0.2093 |
Strength Ratio of Two Strongest Rhythmic Pulses |
2.821 |
Combined Strength of Two Strongest Rhythmic Pulses |
0.7997 |
Rhythmic Variability |
0.05162 |
Rhythmic Looseness |
0.0 |
Polyrhythms |
0.6667 |
Tempo Variability |
11.7 |
Duration in Seconds |
523.0 |
Note Density |
3.985 |
Note Density Variability |
2.199 |
Average Time Between Attacks |
0.9422 |
Average Time Between Attacks for Each Voice |
2.191 |
Variability of Time Between Attacks |
0.4919 |
Maximum Number of Independent Voices |
9.0 |
Relative Range of Loudest Voice |
0.3158 |
Relative Range Isolation of Loudest Voice |
0.02 |
Relative Range of Highest Line |
0.3158 |
Relative Note Density of Highest Line |
0.3066 |
Relative Note Durations of Lowest Line |
1.231 |
Relative Size of Melodic Intervals in Lowest Line |
0.6923 |
Voice Overlap |
0.9966 |
Voice Separation |
2.75 |
Variability of Voice Separation |
0.8864 |
Parallel Motion |
0.035 |
Average Number of Independent Voices |
6.374 |
Similar Motion |
0.203 |
Contrary Motion |
0.1531 |
Oblique Motion |
0.6089 |
Parallel Fifths |
0.00175 |
Parallel Octaves |
0.009624 |
Variability of Number of Independent Voices |
2.316 |
Voice Equality - Number of Notes |
29.27 |
Voice Equality - Note Duration |
23.5 |
Voice Equality - Dynamics |
0.0 |
Voice Equality - Melodic Leaps |
0.8819 |
Voice Equality - Range |
3.06 |
Importance of Loudest Voice |
0.0 |