Distance Between Two Most Common Vertical Intervals |
4.0 |
Prevalence of Most Common Vertical Interval |
0.2013 |
Prevalence of Second Most Common Vertical Interval |
0.1949 |
Prevalence Ratio of Two Most Common Vertical Intervals |
0.9679 |
Vertical Unisons |
0.02168 |
Vertical Minor Seconds |
0.002768 |
Vertical Thirds |
0.3333 |
Vertical Tritones |
0.01614 |
Vertical Perfect Fourths |
0.08718 |
Vertical Perfect Fifths |
0.1764 |
Vertical Sixths |
0.1534 |
Vertical Sevenths |
0.01891 |
Vertical Octaves |
0.1732 |
Perfect Vertical Intervals |
0.4585 |
Vertical Dissonance Ratio |
0.05808 |
Vertical Minor Third Prevalence |
0.4538 |
Vertical Major Third Prevalence |
0.5798 |
Chord Duration |
1.334 |
Partial Chords |
0.2948 |
Standard Triads |
0.5066 |
Diminished and Augmented Triads |
0.05677 |
Dominant Seventh Chords |
0.002183 |
Seventh Chords |
0.008734 |
Non-Standard Chords |
0.19 |
Complex Chords |
0.0 |
Minor Major Triad Ratio |
0.2961 |
Average Number of Simultaneous Pitch Classes |
2.67 |
Variability of Number of Simultaneous Pitch Classes |
0.5962 |
Average Number of Simultaneous Pitches |
3.393 |
Variability of Number of Simultaneous Pitches |
0.7853 |
Most Common Vertical Interval |
4.0 |
Second Most Common Vertical Interval |
0.0 |
Dynamic Range |
0.0 |
Variation of Dynamics |
0.0 |
Variation of Dynamics In Each Voice |
0.0 |
Average Note to Note Change in Dynamics |
0.0 |
Unpitched Percussion Instrument Prevalence |
0.0 |
String Keyboard Prevalence |
1.0 |
Acoustic Guitar Prevalence |
0.0 |
Electric Guitar Prevalence |
0.0 |
Violin Prevalence |
0.0 |
Saxophone Prevalence |
0.0 |
Brass Prevalence |
0.0 |
Woodwinds Prevalence |
0.0 |
Orchestral Strings Prevalence |
0.0 |
String Ensemble Prevalence |
0.0 |
Electric Instrument Prevalence |
0.0 |
Variability of Note Prevalence of Pitched Instruments |
0.0 |
Variability of Note Prevalence of Unpitched Instruments |
0.0 |
Number of Pitched Instruments |
1.0 |
Number of Unpitched Instruments |
0.0 |
Chromatic Motion |
0.2222 |
Stepwise Motion |
0.6335 |
Melodic Thirds |
0.1327 |
Melodic Perfect Fourths |
0.05473 |
Melodic Tritones |
0.0 |
Melodic Perfect Fifths |
0.04643 |
Melodic Sixths |
0.0 |
Melodic Sevenths |
0.0 |
Melodic Octaves |
0.01824 |
Melodic Large Intervals |
0.0 |
Most Common Melodic Interval |
2.0 |
Minor Major Melodic Third Ratio |
2.636 |
Melodic Embellishments |
0.01812 |
Direction of Melodic Motion |
0.5019 |
Average Length of Melodic Arcs |
1.734 |
Average Interval Spanned by Melodic Arcs |
4.464 |
Melodic Pitch Variety |
4.484 |
Mean Melodic Interval |
2.297 |
Number of Common Melodic Intervals |
4.0 |
Distance Between Most Prevalent Melodic Intervals |
1.0 |
Prevalence of Most Common Melodic Interval |
0.4113 |
Relative Prevalence of Most Common Melodic Intervals |
0.5403 |
Amount of Arpeggiation |
0.3118 |
Repeated Notes |
0.1144 |
Importance of Middle Register |
0.7315 |
Importance of High Register |
0.1236 |
Dominant Spread |
6.0 |
Strong Tonal Centres |
2.0 |
Mean Pitch |
62.12 |
Mean Pitch Class |
6.036 |
Most Common Pitch |
64.0 |
Most Common Pitch Class |
9.0 |
Prevalence of Most Common Pitch |
0.1054 |
Prevalence of Most Common Pitch Class |
0.2208 |
Relative Prevalence of Top Pitches |
0.9844 |
Relative Prevalence of Top Pitch Classes |
0.7164 |
Interval Between Most Prevalent Pitches |
7.0 |
Interval Between Most Prevalent Pitch Classes |
5.0 |
Pitch Variability |
7.506 |
Pitch Class Variability |
3.465 |
Pitch Class Variability After Folding |
1.971 |
Pitch Skewness |
0.2068 |
Pitch Class Skewness |
0.03138 |
Pitch Class Skewness After Folding |
0.4213 |
Pitch Kurtosis |
5.5 |
Pitch Class Kurtosis |
4.623 |
Pitch Class Kurtosis After Folding |
5.251 |
Major or Minor |
0.0 |
First Pitch |
69.0 |
First Pitch Class |
9.0 |
Last Pitch |
45.0 |
Last Pitch Class |
9.0 |
Glissando Prevalence |
0.0 |
Average Range of Glissandos |
0.0 |
Number of Pitches |
26.0 |
Vibrato Prevalence |
0.0 |
Microtone Prevalence |
0.0 |
Number of Pitch Classes |
10.0 |
Number of Common Pitches |
2.0 |
Number of Common Pitch Classes |
1.0 |
Range |
32.0 |
Importance of Bass Register |
0.145 |
Note Density per Quarter Note |
1.259 |
Note Density per Quarter Note per Voice |
0.3148 |
Note Density per Quarter Note Variability |
0.4369 |
Range of Rhythmic Values |
6.0 |
Number of Different Rhythmic Values Present |
6.0 |
Number of Common Rhythmic Values Present |
2.0 |
Prevalence of Very Short Rhythmic Values |
0.0 |
Prevalence of Short Rhythmic Values |
0.0 |
Prevalence of Medium Rhythmic Values |
0.6409 |
Simple Initial Meter |
1.0 |
Prevalence of Long Rhythmic Values |
0.8913 |
Prevalence of Very Long Rhythmic Values |
0.05437 |
Prevalence of Dotted Notes |
0.0659 |
Shortest Rhythmic Value |
1.0 |
Longest Rhythmic Value |
8.0 |
Mean Rhythmic Value |
2.738 |
Most Common Rhythmic Value |
2.0 |
Prevalence of Most Common Rhythmic Value |
0.5321 |
Relative Prevalence of Most Common Rhythmic Values |
0.4923 |
Difference Between Most Common Rhythmic Values |
2.0 |
Compound Initial Meter |
0.0 |
Rhythmic Value Variability |
1.468 |
Rhythmic Value Skewness |
1.509 |
Rhythmic Value Kurtosis |
9.212 |
Mean Rhythmic Value Run Length |
1.801 |
Median Rhythmic Value Run Length |
1.0 |
Variability in Rhythmic Value Run Lengths |
1.506 |
Mean Rhythmic Value Offset |
0.0 |
Median Rhythmic Value Offset |
0.0 |
Complex Initial Meter |
0.0 |
Variability of Rhythmic Value Offsets |
0.0 |
Complete Rests Fraction |
0.0169 |
Partial Rests Fraction |
0.3244 |
Average Rest Fraction Across Voices |
0.1177 |
Longest Complete Rest |
2.715 |
Longest Partial Rest |
29.87 |
Mean Complete Rest Duration |
2.715 |
Mean Partial Rest Duration |
4.829 |
Median Complete Rest Duration |
2.715 |
Median Partial Rest Duration |
2.715 |
Duple Initial Meter |
0.0 |
Variability of Complete Rest Durations |
0.0000000000000005439 |
Variability of Partial Rest Durations |
4.761 |
Variability Across Voices of Combined Rests |
12.58 |
Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
Triple Initial Meter |
0.0 |
Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.757 |
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1346 |
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
5.624 |
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8915 |
Rhythmic Variability - Tempo Standardized |
0.06107 |
Rhythmic Looseness - Tempo Standardized |
0.0 |
Polyrhythms - Tempo Standardized |
1.0 |
Quadruple Initial Meter |
1.0 |
Metrical Diversity |
2.0 |
Total Number of Notes |
607.0 |
Initial Tempo |
100.0 |
Average Variability of Time Between Attacks for Each Voice |
2.431 |
Minimum Note Duration |
0.4 |
Maximum Note Duration |
9.6 |
Average Note Duration |
2.477 |
Variability of Note Durations |
1.703 |
Amount of Staccato |
0.0 |
Number of Strong Rhythmic Pulses |
1.0 |
Number of Moderate Rhythmic Pulses |
1.0 |
Number of Relatively Strong Rhythmic Pulses |
1.0 |
Mean Tempo |
79.46 |
Strongest Rhythmic Pulse |
68.0 |
Second Strongest Rhythmic Pulse |
0.0 |
Harmonicity of Two Strongest Rhythmic Pulses |
68.0 |
Strength of Strongest Rhythmic Pulse |
1.0 |
Strength of Second Strongest Rhythmic Pulse |
0.0 |
Strength Ratio of Two Strongest Rhythmic Pulses |
0.0 |
Combined Strength of Two Strongest Rhythmic Pulses |
1.0 |
Rhythmic Variability |
0.07881 |
Rhythmic Looseness |
0.0 |
Polyrhythms |
1.0 |
Tempo Variability |
32.74 |
Duration in Seconds |
426.0 |
Note Density |
1.425 |
Note Density Variability |
0.7254 |
Average Time Between Attacks |
1.631 |
Average Time Between Attacks for Each Voice |
2.748 |
Variability of Time Between Attacks |
1.101 |
Maximum Number of Independent Voices |
4.0 |
Relative Range of Loudest Voice |
0.4375 |
Relative Range Isolation of Loudest Voice |
0.7219 |
Relative Range of Highest Line |
0.4375 |
Relative Note Density of Highest Line |
0.4679 |
Relative Note Durations of Lowest Line |
0.9668 |
Relative Size of Melodic Intervals in Lowest Line |
0.5714 |
Voice Overlap |
0.7496 |
Voice Separation |
6.333 |
Variability of Voice Separation |
1.528 |
Parallel Motion |
0.03021 |
Average Number of Independent Voices |
3.492 |
Similar Motion |
0.1781 |
Contrary Motion |
0.2432 |
Oblique Motion |
0.5485 |
Parallel Fifths |
0.0 |
Parallel Octaves |
0.00159 |
Variability of Number of Independent Voices |
0.7655 |
Voice Equality - Number of Notes |
11.87 |
Voice Equality - Note Duration |
11.12 |
Voice Equality - Dynamics |
0.0 |
Voice Equality - Melodic Leaps |
0.9574 |
Voice Equality - Range |
0.8165 |
Importance of Loudest Voice |
0.0 |