| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2211 |
| Prevalence of Second Most Common Vertical Interval |
0.1972 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.8918 |
| Vertical Unisons |
0.04425 |
| Vertical Minor Seconds |
0.002541 |
| Vertical Thirds |
0.2599 |
| Vertical Tritones |
0.01226 |
| Vertical Perfect Fourths |
0.1257 |
| Vertical Perfect Fifths |
0.1972 |
| Vertical Sixths |
0.125 |
| Vertical Sevenths |
0.02332 |
| Vertical Octaves |
0.1769 |
| Perfect Vertical Intervals |
0.544 |
| Vertical Dissonance Ratio |
0.07653 |
| Vertical Minor Third Prevalence |
0.5444 |
| Vertical Major Third Prevalence |
0.6008 |
| Chord Duration |
0.9714 |
| Partial Chords |
0.1548 |
| Standard Triads |
0.5692 |
| Diminished and Augmented Triads |
0.03666 |
| Dominant Seventh Chords |
0.0112 |
| Seventh Chords |
0.02546 |
| Non-Standard Chords |
0.2505 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.21 |
| Average Number of Simultaneous Pitch Classes |
2.918 |
| Variability of Number of Simultaneous Pitch Classes |
0.5278 |
| Average Number of Simultaneous Pitches |
3.935 |
| Variability of Number of Simultaneous Pitches |
0.775 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2262 |
| Stepwise Motion |
0.6341 |
| Melodic Thirds |
0.1075 |
| Melodic Perfect Fourths |
0.08776 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.0618 |
| Melodic Sixths |
0.001236 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.02101 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.806 |
| Melodic Embellishments |
0.0172 |
| Direction of Melodic Motion |
0.4885 |
| Average Length of Melodic Arcs |
1.807 |
| Average Interval Spanned by Melodic Arcs |
4.99 |
| Melodic Pitch Variety |
4.967 |
| Mean Melodic Interval |
2.538 |
| Number of Common Melodic Intervals |
2.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4079 |
| Relative Prevalence of Most Common Melodic Intervals |
0.5545 |
| Amount of Arpeggiation |
0.2769 |
| Repeated Notes |
0.08653 |
| Importance of Middle Register |
0.8096 |
| Importance of High Register |
0.03808 |
| Dominant Spread |
4.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
61.18 |
| Mean Pitch Class |
5.338 |
| Most Common Pitch |
67.0 |
| Most Common Pitch Class |
7.0 |
| Prevalence of Most Common Pitch |
0.1032 |
| Prevalence of Most Common Pitch Class |
0.2248 |
| Relative Prevalence of Top Pitches |
0.9762 |
| Relative Prevalence of Top Pitch Classes |
0.7814 |
| Interval Between Most Prevalent Pitches |
12.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
7.717 |
| Pitch Class Variability |
3.694 |
| Pitch Class Variability After Folding |
2.627 |
| Pitch Skewness |
-0.08931 |
| Pitch Class Skewness |
-0.5377 |
| Pitch Class Skewness After Folding |
0.8402 |
| Pitch Kurtosis |
5.436 |
| Pitch Class Kurtosis |
4.76 |
| Pitch Class Kurtosis After Folding |
8.632 |
| Major or Minor |
0.0 |
| First Pitch |
55.0 |
| First Pitch Class |
7.0 |
| Last Pitch |
43.0 |
| Last Pitch Class |
7.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
25.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
3.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
33.0 |
| Importance of Bass Register |
0.1523 |
| Note Density per Quarter Note |
1.641 |
| Note Density per Quarter Note per Voice |
0.3282 |
| Note Density per Quarter Note Variability |
0.5486 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.03194 |
| Prevalence of Medium Rhythmic Values |
0.6806 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7592 |
| Prevalence of Very Long Rhythmic Values |
0.05283 |
| Prevalence of Dotted Notes |
0.09337 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.523 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4398 |
| Relative Prevalence of Most Common Rhythmic Values |
0.4749 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.721 |
| Rhythmic Value Skewness |
0.9122 |
| Rhythmic Value Kurtosis |
13.67 |
| Mean Rhythmic Value Run Length |
1.732 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.179 |
| Mean Rhythmic Value Offset |
0.05897 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.01 |
| Complete Rests Fraction |
0.0 |
| Partial Rests Fraction |
0.555 |
| Average Rest Fraction Across Voices |
0.1378 |
| Longest Complete Rest |
0.0 |
| Longest Partial Rest |
21.28 |
| Mean Complete Rest Duration |
0.0 |
| Mean Partial Rest Duration |
6.448 |
| Median Complete Rest Duration |
0.0 |
| Median Partial Rest Duration |
3.989 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
5.602 |
| Variability Across Voices of Combined Rests |
25.8 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
5.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.573 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2113 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.711 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7843 |
| Rhythmic Variability - Tempo Standardized |
0.05013 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
814.0 |
| Initial Tempo |
100.0 |
| Average Variability of Time Between Attacks for Each Voice |
2.82 |
| Minimum Note Duration |
0.6 |
| Maximum Note Duration |
38.4 |
| Average Note Duration |
2.371 |
| Variability of Note Durations |
2.531 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
1.0 |
| Number of Moderate Rhythmic Pulses |
3.0 |
| Number of Relatively Strong Rhythmic Pulses |
1.0 |
| Mean Tempo |
74.8 |
| Strongest Rhythmic Pulse |
67.0 |
| Second Strongest Rhythmic Pulse |
133.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.985 |
| Strength of Strongest Rhythmic Pulse |
0.8606 |
| Strength of Second Strongest Rhythmic Pulse |
0.07835 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
10.98 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.9389 |
| Rhythmic Variability |
0.0682 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
25.0 |
| Duration in Seconds |
447.6 |
| Note Density |
1.819 |
| Note Density Variability |
0.8129 |
| Average Time Between Attacks |
1.256 |
| Average Time Between Attacks for Each Voice |
2.626 |
| Variability of Time Between Attacks |
0.6471 |
| Maximum Number of Independent Voices |
5.0 |
| Relative Range of Loudest Voice |
0.4848 |
| Relative Range Isolation of Loudest Voice |
0.006211 |
| Relative Range of Highest Line |
0.4848 |
| Relative Note Density of Highest Line |
0.4238 |
| Relative Note Durations of Lowest Line |
1.063 |
| Relative Size of Melodic Intervals in Lowest Line |
0.9091 |
| Voice Overlap |
0.9619 |
| Voice Separation |
4.75 |
| Variability of Voice Separation |
3.304 |
| Parallel Motion |
0.03171 |
| Average Number of Independent Voices |
4.238 |
| Similar Motion |
0.1246 |
| Contrary Motion |
0.1427 |
| Oblique Motion |
0.701 |
| Parallel Fifths |
0.002265 |
| Parallel Octaves |
0.005663 |
| Variability of Number of Independent Voices |
0.7432 |
| Voice Equality - Number of Notes |
21.31 |
| Voice Equality - Note Duration |
23.28 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.4472 |
| Voice Equality - Range |
2.168 |
| Importance of Loudest Voice |
0.0 |