| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.176 |
| Prevalence of Second Most Common Vertical Interval |
0.176 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
1.0 |
| Vertical Unisons |
0.03649 |
| Vertical Minor Seconds |
0.005188 |
| Vertical Thirds |
0.3371 |
| Vertical Tritones |
0.0128 |
| Vertical Perfect Fourths |
0.1057 |
| Vertical Perfect Fifths |
0.176 |
| Vertical Sixths |
0.1392 |
| Vertical Sevenths |
0.02075 |
| Vertical Octaves |
0.1396 |
| Perfect Vertical Intervals |
0.4578 |
| Vertical Dissonance Ratio |
0.07054 |
| Vertical Minor Third Prevalence |
0.5026 |
| Vertical Major Third Prevalence |
0.4818 |
| Chord Duration |
1.743 |
| Partial Chords |
0.3138 |
| Standard Triads |
0.4866 |
| Diminished and Augmented Triads |
0.03173 |
| Dominant Seventh Chords |
0.0 |
| Seventh Chords |
0.01269 |
| Non-Standard Chords |
0.1869 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.84 |
| Average Number of Simultaneous Pitch Classes |
2.592 |
| Variability of Number of Simultaneous Pitch Classes |
0.6823 |
| Average Number of Simultaneous Pitches |
3.084 |
| Variability of Number of Simultaneous Pitches |
0.779 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2779 |
| Stepwise Motion |
0.7177 |
| Melodic Thirds |
0.1225 |
| Melodic Perfect Fourths |
0.03392 |
| Melodic Tritones |
0.001094 |
| Melodic Perfect Fifths |
0.03173 |
| Melodic Sixths |
0.0 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01641 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.667 |
| Melodic Embellishments |
0.02832 |
| Direction of Melodic Motion |
0.5213 |
| Average Length of Melodic Arcs |
1.936 |
| Average Interval Spanned by Melodic Arcs |
4.505 |
| Melodic Pitch Variety |
4.814 |
| Mean Melodic Interval |
2.166 |
| Number of Common Melodic Intervals |
2.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.4398 |
| Relative Prevalence of Most Common Melodic Intervals |
0.6318 |
| Amount of Arpeggiation |
0.2473 |
| Repeated Notes |
0.07659 |
| Importance of Middle Register |
0.8148 |
| Importance of High Register |
0.02505 |
| Dominant Spread |
7.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
60.49 |
| Mean Pitch Class |
5.833 |
| Most Common Pitch |
64.0 |
| Most Common Pitch Class |
4.0 |
| Prevalence of Most Common Pitch |
0.11 |
| Prevalence of Most Common Pitch Class |
0.1634 |
| Relative Prevalence of Top Pitches |
0.9604 |
| Relative Prevalence of Top Pitch Classes |
0.9733 |
| Interval Between Most Prevalent Pitches |
5.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
6.084 |
| Pitch Class Variability |
3.375 |
| Pitch Class Variability After Folding |
2.103 |
| Pitch Skewness |
-0.4496 |
| Pitch Class Skewness |
-0.1482 |
| Pitch Class Skewness After Folding |
0.2005 |
| Pitch Kurtosis |
5.689 |
| Pitch Class Kurtosis |
4.821 |
| Pitch Class Kurtosis After Folding |
5.473 |
| Major or Minor |
0.0 |
| First Pitch |
62.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
52.0 |
| Last Pitch Class |
4.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
29.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
4.0 |
| Number of Common Pitch Classes |
0.0 |
| Range |
32.0 |
| Importance of Bass Register |
0.1601 |
| Note Density per Quarter Note |
1.195 |
| Note Density per Quarter Note per Voice |
0.2988 |
| Note Density per Quarter Note Variability |
0.4573 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.008715 |
| Prevalence of Medium Rhythmic Values |
0.6481 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7941 |
| Prevalence of Very Long Rhythmic Values |
0.06536 |
| Prevalence of Dotted Notes |
0.09695 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.669 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4423 |
| Relative Prevalence of Most Common Rhythmic Values |
0.5074 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.74 |
| Rhythmic Value Skewness |
1.153 |
| Rhythmic Value Kurtosis |
12.71 |
| Mean Rhythmic Value Run Length |
1.996 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.674 |
| Mean Rhythmic Value Offset |
0.02614 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.4568 |
| Complete Rests Fraction |
0.0 |
| Partial Rests Fraction |
0.6 |
| Average Rest Fraction Across Voices |
0.1942 |
| Longest Complete Rest |
0.0 |
| Longest Partial Rest |
307.2 |
| Mean Complete Rest Duration |
0.0 |
| Mean Partial Rest Duration |
13.56 |
| Median Complete Rest Duration |
0.0 |
| Median Partial Rest Duration |
3.99 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
45.78 |
| Variability Across Voices of Combined Rests |
148.0 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6045 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2029 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.98 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.8074 |
| Rhythmic Variability - Tempo Standardized |
0.05213 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
918.0 |
| Initial Tempo |
100.0 |
| Average Variability of Time Between Attacks for Each Voice |
5.188 |
| Minimum Note Duration |
0.3 |
| Maximum Note Duration |
14.4 |
| Average Note Duration |
1.622 |
| Variability of Note Durations |
1.164 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
2.0 |
| Number of Moderate Rhythmic Pulses |
2.0 |
| Number of Relatively Strong Rhythmic Pulses |
2.0 |
| Mean Tempo |
99.87 |
| Strongest Rhythmic Pulse |
50.0 |
| Second Strongest Rhythmic Pulse |
100.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.7542 |
| Strength of Second Strongest Rhythmic Pulse |
0.2312 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
3.262 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.9854 |
| Rhythmic Variability |
0.06205 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
2.548 |
| Duration in Seconds |
462.0 |
| Note Density |
1.987 |
| Note Density Variability |
0.7598 |
| Average Time Between Attacks |
1.008 |
| Average Time Between Attacks for Each Voice |
2.112 |
| Variability of Time Between Attacks |
0.5205 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.4375 |
| Relative Range Isolation of Loudest Voice |
0.3192 |
| Relative Range of Highest Line |
0.4375 |
| Relative Note Density of Highest Line |
0.2963 |
| Relative Note Durations of Lowest Line |
0.9969 |
| Relative Size of Melodic Intervals in Lowest Line |
0.5714 |
| Voice Overlap |
0.8987 |
| Voice Separation |
5.333 |
| Variability of Voice Separation |
0.5774 |
| Parallel Motion |
0.05525 |
| Average Number of Independent Voices |
3.221 |
| Similar Motion |
0.1441 |
| Contrary Motion |
0.1853 |
| Oblique Motion |
0.6154 |
| Parallel Fifths |
0.001083 |
| Parallel Octaves |
0.0 |
| Variability of Number of Independent Voices |
0.7709 |
| Voice Equality - Number of Notes |
71.48 |
| Voice Equality - Note Duration |
89.02 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.5 |
| Voice Equality - Range |
1.258 |
| Importance of Loudest Voice |
0.0 |