Distance Between Two Most Common Vertical Intervals |
3.0 |
Prevalence of Most Common Vertical Interval |
0.1829 |
Prevalence of Second Most Common Vertical Interval |
0.1788 |
Prevalence Ratio of Two Most Common Vertical Intervals |
0.9777 |
Vertical Unisons |
0.01758 |
Vertical Minor Seconds |
0.003859 |
Vertical Thirds |
0.3364 |
Vertical Tritones |
0.01973 |
Vertical Perfect Fourths |
0.1177 |
Vertical Perfect Fifths |
0.1829 |
Vertical Sixths |
0.1284 |
Vertical Sevenths |
0.02551 |
Vertical Octaves |
0.1396 |
Perfect Vertical Intervals |
0.4578 |
Vertical Dissonance Ratio |
0.08389 |
Vertical Minor Third Prevalence |
0.5996 |
Vertical Major Third Prevalence |
0.6186 |
Chord Duration |
1.69 |
Partial Chords |
0.1462 |
Standard Triads |
0.5975 |
Diminished and Augmented Triads |
0.05085 |
Dominant Seventh Chords |
0.002119 |
Seventh Chords |
0.02119 |
Non-Standard Chords |
0.2352 |
Complex Chords |
0.0 |
Minor Major Triad Ratio |
0.3239 |
Average Number of Simultaneous Pitch Classes |
2.919 |
Variability of Number of Simultaneous Pitch Classes |
0.4532 |
Average Number of Simultaneous Pitches |
3.583 |
Variability of Number of Simultaneous Pitches |
0.5422 |
Most Common Vertical Interval |
7.0 |
Second Most Common Vertical Interval |
4.0 |
Dynamic Range |
0.0 |
Variation of Dynamics |
0.0 |
Variation of Dynamics In Each Voice |
0.0 |
Average Note to Note Change in Dynamics |
0.0 |
Unpitched Percussion Instrument Prevalence |
0.0 |
String Keyboard Prevalence |
1.0 |
Acoustic Guitar Prevalence |
0.0 |
Electric Guitar Prevalence |
0.0 |
Violin Prevalence |
0.0 |
Saxophone Prevalence |
0.0 |
Brass Prevalence |
0.0 |
Woodwinds Prevalence |
0.0 |
Orchestral Strings Prevalence |
0.0 |
String Ensemble Prevalence |
0.0 |
Electric Instrument Prevalence |
0.0 |
Variability of Note Prevalence of Pitched Instruments |
0.0 |
Variability of Note Prevalence of Unpitched Instruments |
0.0 |
Number of Pitched Instruments |
1.0 |
Number of Unpitched Instruments |
0.0 |
Chromatic Motion |
0.2243 |
Stepwise Motion |
0.6854 |
Melodic Thirds |
0.09034 |
Melodic Perfect Fourths |
0.06854 |
Melodic Tritones |
0.0 |
Melodic Perfect Fifths |
0.03738 |
Melodic Sixths |
0.0 |
Melodic Sevenths |
0.0 |
Melodic Octaves |
0.01713 |
Melodic Large Intervals |
0.0 |
Most Common Melodic Interval |
2.0 |
Minor Major Melodic Third Ratio |
2.412 |
Melodic Embellishments |
0.02786 |
Direction of Melodic Motion |
0.4766 |
Average Length of Melodic Arcs |
2.169 |
Average Interval Spanned by Melodic Arcs |
5.395 |
Melodic Pitch Variety |
5.323 |
Mean Melodic Interval |
2.254 |
Number of Common Melodic Intervals |
3.0 |
Distance Between Most Prevalent Melodic Intervals |
1.0 |
Prevalence of Most Common Melodic Interval |
0.4611 |
Relative Prevalence of Most Common Melodic Intervals |
0.4865 |
Amount of Arpeggiation |
0.2461 |
Repeated Notes |
0.1012 |
Importance of Middle Register |
0.7693 |
Importance of High Register |
0.009288 |
Dominant Spread |
6.0 |
Strong Tonal Centres |
1.0 |
Mean Pitch |
58.77 |
Mean Pitch Class |
5.091 |
Most Common Pitch |
62.0 |
Most Common Pitch Class |
7.0 |
Prevalence of Most Common Pitch |
0.1115 |
Prevalence of Most Common Pitch Class |
0.195 |
Relative Prevalence of Top Pitches |
0.9861 |
Relative Prevalence of Top Pitch Classes |
0.8968 |
Interval Between Most Prevalent Pitches |
2.0 |
Interval Between Most Prevalent Pitch Classes |
7.0 |
Pitch Variability |
6.961 |
Pitch Class Variability |
3.606 |
Pitch Class Variability After Folding |
2.892 |
Pitch Skewness |
-0.2875 |
Pitch Class Skewness |
0.07598 |
Pitch Class Skewness After Folding |
1.02 |
Pitch Kurtosis |
5.564 |
Pitch Class Kurtosis |
4.848 |
Pitch Class Kurtosis After Folding |
7.922 |
Major or Minor |
0.0 |
First Pitch |
55.0 |
First Pitch Class |
7.0 |
Last Pitch |
43.0 |
Last Pitch Class |
7.0 |
Glissando Prevalence |
0.0 |
Average Range of Glissandos |
0.0 |
Number of Pitches |
24.0 |
Vibrato Prevalence |
0.0 |
Microtone Prevalence |
0.0 |
Number of Pitch Classes |
10.0 |
Number of Common Pitches |
3.0 |
Number of Common Pitch Classes |
0.0 |
Range |
31.0 |
Importance of Bass Register |
0.2214 |
Note Density per Quarter Note |
1.369 |
Note Density per Quarter Note per Voice |
0.3422 |
Note Density per Quarter Note Variability |
0.4735 |
Range of Rhythmic Values |
9.0 |
Number of Different Rhythmic Values Present |
8.0 |
Number of Common Rhythmic Values Present |
3.0 |
Prevalence of Very Short Rhythmic Values |
0.0 |
Prevalence of Short Rhythmic Values |
0.009288 |
Prevalence of Medium Rhythmic Values |
0.644 |
Simple Initial Meter |
1.0 |
Prevalence of Long Rhythmic Values |
0.7415 |
Prevalence of Very Long Rhythmic Values |
0.07276 |
Prevalence of Dotted Notes |
0.1115 |
Shortest Rhythmic Value |
0.5 |
Longest Rhythmic Value |
12.0 |
Mean Rhythmic Value |
2.638 |
Most Common Rhythmic Value |
2.0 |
Prevalence of Most Common Rhythmic Value |
0.3854 |
Relative Prevalence of Most Common Rhythmic Values |
0.6466 |
Difference Between Most Common Rhythmic Values |
2.0 |
Compound Initial Meter |
0.0 |
Rhythmic Value Variability |
1.818 |
Rhythmic Value Skewness |
1.052 |
Rhythmic Value Kurtosis |
11.85 |
Mean Rhythmic Value Run Length |
1.737 |
Median Rhythmic Value Run Length |
1.0 |
Variability in Rhythmic Value Run Lengths |
1.318 |
Mean Rhythmic Value Offset |
0.04334 |
Median Rhythmic Value Offset |
0.0 |
Complex Initial Meter |
0.0 |
Variability of Rhythmic Value Offsets |
0.8172 |
Complete Rests Fraction |
0.0 |
Partial Rests Fraction |
0.3178 |
Average Rest Fraction Across Voices |
0.08263 |
Longest Complete Rest |
0.0 |
Longest Partial Rest |
22.0 |
Mean Complete Rest Duration |
0.0 |
Mean Partial Rest Duration |
6.24 |
Median Complete Rest Duration |
0.0 |
Median Partial Rest Duration |
4.0 |
Duple Initial Meter |
0.0 |
Variability of Complete Rest Durations |
0.0 |
Variability of Partial Rest Durations |
5.426 |
Variability Across Voices of Combined Rests |
29.42 |
Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
Triple Initial Meter |
0.0 |
Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5541 |
Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2328 |
Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.381 |
Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7869 |
Rhythmic Variability - Tempo Standardized |
0.04983 |
Rhythmic Looseness - Tempo Standardized |
0.0 |
Polyrhythms - Tempo Standardized |
0.6667 |
Quadruple Initial Meter |
1.0 |
Metrical Diversity |
1.0 |
Total Number of Notes |
646.0 |
Initial Tempo |
100.0 |
Average Variability of Time Between Attacks for Each Voice |
1.521 |
Minimum Note Duration |
0.3 |
Maximum Note Duration |
19.2 |
Average Note Duration |
1.609 |
Variability of Note Durations |
1.313 |
Amount of Staccato |
0.0 |
Number of Strong Rhythmic Pulses |
2.0 |
Number of Moderate Rhythmic Pulses |
2.0 |
Number of Relatively Strong Rhythmic Pulses |
2.0 |
Mean Tempo |
100.0 |
Strongest Rhythmic Pulse |
50.0 |
Second Strongest Rhythmic Pulse |
100.0 |
Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
Strength of Strongest Rhythmic Pulse |
0.7179 |
Strength of Second Strongest Rhythmic Pulse |
0.2664 |
Strength Ratio of Two Strongest Rhythmic Pulses |
2.695 |
Combined Strength of Two Strongest Rhythmic Pulses |
0.9843 |
Rhythmic Variability |
0.06022 |
Rhythmic Looseness |
0.0 |
Polyrhythms |
1.0 |
Tempo Variability |
0.0 |
Duration in Seconds |
283.2 |
Note Density |
2.281 |
Note Density Variability |
0.795 |
Average Time Between Attacks |
0.9361 |
Average Time Between Attacks for Each Voice |
1.735 |
Variability of Time Between Attacks |
0.5261 |
Maximum Number of Independent Voices |
4.0 |
Relative Range of Loudest Voice |
0.4516 |
Relative Range Isolation of Loudest Voice |
0.2836 |
Relative Range of Highest Line |
0.4516 |
Relative Note Density of Highest Line |
0.4149 |
Relative Note Durations of Lowest Line |
1.06 |
Relative Size of Melodic Intervals in Lowest Line |
0.5714 |
Voice Overlap |
0.8932 |
Voice Separation |
6.0 |
Variability of Voice Separation |
1.732 |
Parallel Motion |
0.03015 |
Average Number of Independent Voices |
3.669 |
Similar Motion |
0.1357 |
Contrary Motion |
0.1859 |
Oblique Motion |
0.6482 |
Parallel Fifths |
0.0 |
Parallel Octaves |
0.0 |
Variability of Number of Independent Voices |
0.4967 |
Voice Equality - Number of Notes |
29.77 |
Voice Equality - Note Duration |
17.65 |
Voice Equality - Dynamics |
0.0 |
Voice Equality - Melodic Leaps |
0.5 |
Voice Equality - Range |
0.9574 |
Importance of Loudest Voice |
0.0 |