| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2704 |
| Prevalence of Second Most Common Vertical Interval |
0.1861 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.6883 |
| Vertical Unisons |
0.1415 |
| Vertical Minor Seconds |
0.006704 |
| Vertical Thirds |
0.2785 |
| Vertical Tritones |
0.008224 |
| Vertical Perfect Fourths |
0.08587 |
| Vertical Perfect Fifths |
0.1861 |
| Vertical Sixths |
0.1296 |
| Vertical Sevenths |
0.01538 |
| Vertical Octaves |
0.129 |
| Perfect Vertical Intervals |
0.5424 |
| Vertical Dissonance Ratio |
0.05202 |
| Vertical Minor Third Prevalence |
0.4034 |
| Vertical Major Third Prevalence |
0.4521 |
| Chord Duration |
2.049 |
| Partial Chords |
0.3204 |
| Standard Triads |
0.5139 |
| Diminished and Augmented Triads |
0.01882 |
| Dominant Seventh Chords |
0.003273 |
| Seventh Chords |
0.01391 |
| Non-Standard Chords |
0.1518 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.4988 |
| Average Number of Simultaneous Pitch Classes |
2.431 |
| Variability of Number of Simultaneous Pitch Classes |
0.7887 |
| Average Number of Simultaneous Pitches |
2.955 |
| Variability of Number of Simultaneous Pitches |
1.1 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1923 |
| Stepwise Motion |
0.4906 |
| Melodic Thirds |
0.166 |
| Melodic Perfect Fourths |
0.04113 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.03072 |
| Melodic Sixths |
0.008424 |
| Melodic Sevenths |
0.0004955 |
| Melodic Octaves |
0.01288 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
1.815 |
| Melodic Embellishments |
0.01483 |
| Direction of Melodic Motion |
0.5066 |
| Average Length of Melodic Arcs |
1.738 |
| Average Interval Spanned by Melodic Arcs |
4.605 |
| Melodic Pitch Variety |
4.384 |
| Mean Melodic Interval |
1.997 |
| Number of Common Melodic Intervals |
4.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.2983 |
| Relative Prevalence of Most Common Melodic Intervals |
0.8372 |
| Amount of Arpeggiation |
0.4599 |
| Repeated Notes |
0.2498 |
| Importance of Middle Register |
0.8507 |
| Importance of High Register |
0.04449 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
61.78 |
| Mean Pitch Class |
4.625 |
| Most Common Pitch |
60.0 |
| Most Common Pitch Class |
0.0 |
| Prevalence of Most Common Pitch |
0.1957 |
| Prevalence of Most Common Pitch Class |
0.2551 |
| Relative Prevalence of Top Pitches |
0.4419 |
| Relative Prevalence of Top Pitch Classes |
0.6085 |
| Interval Between Most Prevalent Pitches |
3.0 |
| Interval Between Most Prevalent Pitch Classes |
9.0 |
| Pitch Variability |
6.244 |
| Pitch Class Variability |
3.707 |
| Pitch Class Variability After Folding |
3.566 |
| Pitch Skewness |
0.06436 |
| Pitch Class Skewness |
-0.3032 |
| Pitch Class Skewness After Folding |
0.3768 |
| Pitch Kurtosis |
5.825 |
| Pitch Class Kurtosis |
4.755 |
| Pitch Class Kurtosis After Folding |
6.161 |
| Major or Minor |
0.0 |
| First Pitch |
53.0 |
| First Pitch Class |
5.0 |
| Last Pitch |
53.0 |
| Last Pitch Class |
5.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
29.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
11.0 |
| Number of Common Pitches |
1.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
34.0 |
| Importance of Bass Register |
0.1048 |
| Note Density per Quarter Note |
1.356 |
| Note Density per Quarter Note per Voice |
0.2712 |
| Note Density per Quarter Note Variability |
0.6866 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
9.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.009392 |
| Prevalence of Medium Rhythmic Values |
0.6792 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7608 |
| Prevalence of Very Long Rhythmic Values |
0.07563 |
| Prevalence of Dotted Notes |
0.07316 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.625 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4399 |
| Relative Prevalence of Most Common Rhythmic Values |
0.5213 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.791 |
| Rhythmic Value Skewness |
1.047 |
| Rhythmic Value Kurtosis |
10.83 |
| Mean Rhythmic Value Run Length |
1.863 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.552 |
| Mean Rhythmic Value Offset |
0.0346 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.6603 |
| Complete Rests Fraction |
0.02133 |
| Partial Rests Fraction |
0.7093 |
| Average Rest Fraction Across Voices |
0.2794 |
| Longest Complete Rest |
2.984 |
| Longest Partial Rest |
320.3 |
| Mean Complete Rest Duration |
1.768 |
| Mean Partial Rest Duration |
14.48 |
| Median Complete Rest Duration |
1.989 |
| Median Partial Rest Duration |
3.978 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.7281 |
| Variability of Partial Rest Durations |
38.75 |
| Variability Across Voices of Combined Rests |
163.7 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.6244 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1856 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
3.364 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.81 |
| Rhythmic Variability - Tempo Standardized |
0.05314 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
2023.0 |
| Initial Tempo |
120.0 |
| Average Variability of Time Between Attacks for Each Voice |
5.256 |
| Minimum Note Duration |
0.25 |
| Maximum Note Duration |
16.0 |
| Average Note Duration |
1.336 |
| Variability of Note Durations |
1.042 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
3.0 |
| Number of Moderate Rhythmic Pulses |
3.0 |
| Number of Relatively Strong Rhythmic Pulses |
1.0 |
| Mean Tempo |
119.7 |
| Strongest Rhythmic Pulse |
60.0 |
| Second Strongest Rhythmic Pulse |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
1.5 |
| Strength of Strongest Rhythmic Pulse |
0.6244 |
| Strength of Second Strongest Rhythmic Pulse |
0.1856 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
3.364 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.81 |
| Rhythmic Variability |
0.05314 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
4.408 |
| Duration in Seconds |
750.0 |
| Note Density |
2.697 |
| Note Density Variability |
1.286 |
| Average Time Between Attacks |
0.8274 |
| Average Time Between Attacks for Each Voice |
1.853 |
| Variability of Time Between Attacks |
0.4582 |
| Maximum Number of Independent Voices |
5.0 |
| Relative Range of Loudest Voice |
0.4412 |
| Relative Range Isolation of Loudest Voice |
0.2932 |
| Relative Range of Highest Line |
0.4412 |
| Relative Note Density of Highest Line |
0.1755 |
| Relative Note Durations of Lowest Line |
1.005 |
| Relative Size of Melodic Intervals in Lowest Line |
0.8333 |
| Voice Overlap |
0.9011 |
| Voice Separation |
4.25 |
| Variability of Voice Separation |
2.872 |
| Parallel Motion |
0.04223 |
| Average Number of Independent Voices |
3.682 |
| Similar Motion |
0.1131 |
| Contrary Motion |
0.156 |
| Oblique Motion |
0.6887 |
| Parallel Fifths |
0.002044 |
| Parallel Octaves |
0.001362 |
| Variability of Number of Independent Voices |
1.321 |
| Voice Equality - Number of Notes |
94.79 |
| Voice Equality - Note Duration |
82.27 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.4472 |
| Voice Equality - Range |
1.225 |
| Importance of Loudest Voice |
0.0 |