| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2036 |
| Prevalence of Second Most Common Vertical Interval |
0.1913 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.9392 |
| Vertical Unisons |
0.02341 |
| Vertical Minor Seconds |
0.001831 |
| Vertical Thirds |
0.324 |
| Vertical Tritones |
0.008636 |
| Vertical Perfect Fourths |
0.1279 |
| Vertical Perfect Fifths |
0.2036 |
| Vertical Sixths |
0.1106 |
| Vertical Sevenths |
0.01669 |
| Vertical Octaves |
0.1679 |
| Perfect Vertical Intervals |
0.5228 |
| Vertical Dissonance Ratio |
0.04448 |
| Vertical Minor Third Prevalence |
0.6077 |
| Vertical Major Third Prevalence |
0.5574 |
| Chord Duration |
2.296 |
| Partial Chords |
0.2122 |
| Standard Triads |
0.6268 |
| Diminished and Augmented Triads |
0.02195 |
| Dominant Seventh Chords |
0.009756 |
| Seventh Chords |
0.02439 |
| Non-Standard Chords |
0.1366 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
0.9323 |
| Average Number of Simultaneous Pitch Classes |
2.792 |
| Variability of Number of Simultaneous Pitch Classes |
0.5288 |
| Average Number of Simultaneous Pitches |
3.62 |
| Variability of Number of Simultaneous Pitches |
0.723 |
| Most Common Vertical Interval |
7.0 |
| Second Most Common Vertical Interval |
0.0 |
| Dynamic Range |
11.0 |
| Variation of Dynamics |
2.068 |
| Variation of Dynamics In Each Voice |
2.024 |
| Average Note to Note Change in Dynamics |
2.027 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
0.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.1349 |
| Stepwise Motion |
0.5342 |
| Melodic Thirds |
0.08993 |
| Melodic Perfect Fourths |
0.05935 |
| Melodic Tritones |
0.001799 |
| Melodic Perfect Fifths |
0.04496 |
| Melodic Sixths |
0.007194 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.01799 |
| Melodic Large Intervals |
0.001799 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
5.25 |
| Melodic Embellishments |
0.007143 |
| Direction of Melodic Motion |
0.4774 |
| Average Length of Melodic Arcs |
1.807 |
| Average Interval Spanned by Melodic Arcs |
5.034 |
| Melodic Pitch Variety |
4.293 |
| Mean Melodic Interval |
2.144 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
2.0 |
| Prevalence of Most Common Melodic Interval |
0.3993 |
| Relative Prevalence of Most Common Melodic Intervals |
0.6081 |
| Amount of Arpeggiation |
0.3975 |
| Repeated Notes |
0.2428 |
| Importance of Middle Register |
0.6661 |
| Importance of High Register |
0.0 |
| Dominant Spread |
6.0 |
| Strong Tonal Centres |
1.0 |
| Mean Pitch |
56.15 |
| Mean Pitch Class |
4.905 |
| Most Common Pitch |
62.0 |
| Most Common Pitch Class |
2.0 |
| Prevalence of Most Common Pitch |
0.1196 |
| Prevalence of Most Common Pitch Class |
0.2268 |
| Relative Prevalence of Top Pitches |
0.8955 |
| Relative Prevalence of Top Pitch Classes |
0.7244 |
| Interval Between Most Prevalent Pitches |
12.0 |
| Interval Between Most Prevalent Pitch Classes |
7.0 |
| Pitch Variability |
6.575 |
| Pitch Class Variability |
3.397 |
| Pitch Class Variability After Folding |
3.408 |
| Pitch Skewness |
-0.03015 |
| Pitch Class Skewness |
-0.08357 |
| Pitch Class Skewness After Folding |
1.265 |
| Pitch Kurtosis |
5.271 |
| Pitch Class Kurtosis |
4.881 |
| Pitch Class Kurtosis After Folding |
6.754 |
| Major or Minor |
0.0 |
| First Pitch |
50.0 |
| First Pitch Class |
2.0 |
| Last Pitch |
50.0 |
| Last Pitch Class |
2.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
18.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
8.0 |
| Number of Common Pitches |
4.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
26.0 |
| Importance of Bass Register |
0.3339 |
| Note Density per Quarter Note |
1.321 |
| Note Density per Quarter Note per Voice |
0.3302 |
| Note Density per Quarter Note Variability |
0.5713 |
| Range of Rhythmic Values |
7.0 |
| Number of Different Rhythmic Values Present |
7.0 |
| Number of Common Rhythmic Values Present |
2.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.0 |
| Prevalence of Medium Rhythmic Values |
0.7232 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.9054 |
| Prevalence of Very Long Rhythmic Values |
0.07321 |
| Prevalence of Dotted Notes |
0.05 |
| Shortest Rhythmic Value |
1.0 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.714 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.6286 |
| Relative Prevalence of Most Common Rhythmic Values |
0.2926 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.724 |
| Rhythmic Value Skewness |
1.243 |
| Rhythmic Value Kurtosis |
13.41 |
| Mean Rhythmic Value Run Length |
2.403 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
2.195 |
| Mean Rhythmic Value Offset |
0.07857 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
1.383 |
| Complete Rests Fraction |
0.01415 |
| Partial Rests Fraction |
0.1604 |
| Average Rest Fraction Across Voices |
0.07783 |
| Longest Complete Rest |
2.0 |
| Longest Partial Rest |
30.0 |
| Mean Complete Rest Duration |
2.0 |
| Mean Partial Rest Duration |
6.947 |
| Median Complete Rest Duration |
2.0 |
| Median Partial Rest Duration |
2.0 |
| Duple Initial Meter |
1.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
9.53 |
| Variability Across Voices of Combined Rests |
16.21 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
2.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
1.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.8023 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.1039 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
7.721 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.9063 |
| Rhythmic Variability - Tempo Standardized |
0.06409 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
1.0 |
| Quadruple Initial Meter |
0.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
560.0 |
| Initial Tempo |
320.0 |
| Average Variability of Time Between Attacks for Each Voice |
0.4905 |
| Minimum Note Duration |
0.1875 |
| Maximum Note Duration |
8.25 |
| Average Note Duration |
0.5237 |
| Variability of Note Durations |
0.4724 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
4.0 |
| Number of Moderate Rhythmic Pulses |
7.0 |
| Number of Relatively Strong Rhythmic Pulses |
4.0 |
| Mean Tempo |
320.0 |
| Strongest Rhythmic Pulse |
80.0 |
| Second Strongest Rhythmic Pulse |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.2354 |
| Strength of Second Strongest Rhythmic Pulse |
0.2354 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
1.0 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.4708 |
| Rhythmic Variability |
0.03579 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
0.75 |
| Tempo Variability |
0.0 |
| Duration in Seconds |
79.5 |
| Note Density |
7.044 |
| Note Density Variability |
2.223 |
| Average Time Between Attacks |
0.373 |
| Average Time Between Attacks for Each Voice |
0.5427 |
| Variability of Time Between Attacks |
0.1965 |
| Maximum Number of Independent Voices |
4.0 |
| Relative Range of Loudest Voice |
0.6154 |
| Relative Range Isolation of Loudest Voice |
0.2267 |
| Relative Range of Highest Line |
0.6154 |
| Relative Note Density of Highest Line |
0.4429 |
| Relative Note Durations of Lowest Line |
1.08 |
| Relative Size of Melodic Intervals in Lowest Line |
0.6667 |
| Voice Overlap |
0.8554 |
| Voice Separation |
5.0 |
| Variability of Voice Separation |
3.606 |
| Parallel Motion |
0.06885 |
| Average Number of Independent Voices |
3.742 |
| Similar Motion |
0.2461 |
| Contrary Motion |
0.1738 |
| Oblique Motion |
0.5112 |
| Parallel Fifths |
0.003442 |
| Parallel Octaves |
0.003442 |
| Variability of Number of Independent Voices |
0.6416 |
| Voice Equality - Number of Notes |
11.8 |
| Voice Equality - Note Duration |
3.039 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.5774 |
| Voice Equality - Range |
2.16 |
| Importance of Loudest Voice |
0.0 |