| Distance Between Two Most Common Vertical Intervals |
7.0 |
| Prevalence of Most Common Vertical Interval |
0.2467 |
| Prevalence of Second Most Common Vertical Interval |
0.1849 |
| Prevalence Ratio of Two Most Common Vertical Intervals |
0.7494 |
| Vertical Unisons |
0.1278 |
| Vertical Minor Seconds |
0.003829 |
| Vertical Thirds |
0.2743 |
| Vertical Tritones |
0.006803 |
| Vertical Perfect Fourths |
0.1088 |
| Vertical Perfect Fifths |
0.1849 |
| Vertical Sixths |
0.1316 |
| Vertical Sevenths |
0.0212 |
| Vertical Octaves |
0.1189 |
| Perfect Vertical Intervals |
0.5403 |
| Vertical Dissonance Ratio |
0.0568 |
| Vertical Minor Third Prevalence |
0.5508 |
| Vertical Major Third Prevalence |
0.532 |
| Chord Duration |
1.19 |
| Partial Chords |
0.187 |
| Standard Triads |
0.6121 |
| Diminished and Augmented Triads |
0.017 |
| Dominant Seventh Chords |
0.003579 |
| Seventh Chords |
0.01521 |
| Non-Standard Chords |
0.1857 |
| Complex Chords |
0.0 |
| Minor Major Triad Ratio |
1.334 |
| Average Number of Simultaneous Pitch Classes |
2.781 |
| Variability of Number of Simultaneous Pitch Classes |
0.6074 |
| Average Number of Simultaneous Pitches |
3.411 |
| Variability of Number of Simultaneous Pitches |
0.7945 |
| Most Common Vertical Interval |
0.0 |
| Second Most Common Vertical Interval |
7.0 |
| Dynamic Range |
0.0 |
| Variation of Dynamics |
0.0 |
| Variation of Dynamics In Each Voice |
0.0 |
| Average Note to Note Change in Dynamics |
0.0 |
| Unpitched Percussion Instrument Prevalence |
0.0 |
| String Keyboard Prevalence |
1.0 |
| Acoustic Guitar Prevalence |
0.0 |
| Electric Guitar Prevalence |
0.0 |
| Violin Prevalence |
0.0 |
| Saxophone Prevalence |
0.0 |
| Brass Prevalence |
0.0 |
| Woodwinds Prevalence |
0.0 |
| Orchestral Strings Prevalence |
0.0 |
| String Ensemble Prevalence |
0.0 |
| Electric Instrument Prevalence |
0.0 |
| Variability of Note Prevalence of Pitched Instruments |
0.0 |
| Variability of Note Prevalence of Unpitched Instruments |
0.0 |
| Number of Pitched Instruments |
1.0 |
| Number of Unpitched Instruments |
0.0 |
| Chromatic Motion |
0.2653 |
| Stepwise Motion |
0.6487 |
| Melodic Thirds |
0.1171 |
| Melodic Perfect Fourths |
0.06104 |
| Melodic Tritones |
0.0 |
| Melodic Perfect Fifths |
0.0333 |
| Melodic Sixths |
0.00222 |
| Melodic Sevenths |
0.0 |
| Melodic Octaves |
0.008879 |
| Melodic Large Intervals |
0.0 |
| Most Common Melodic Interval |
2.0 |
| Minor Major Melodic Third Ratio |
2.638 |
| Melodic Embellishments |
0.01605 |
| Direction of Melodic Motion |
0.4879 |
| Average Length of Melodic Arcs |
1.815 |
| Average Interval Spanned by Melodic Arcs |
4.312 |
| Melodic Pitch Variety |
4.724 |
| Mean Melodic Interval |
2.079 |
| Number of Common Melodic Intervals |
3.0 |
| Distance Between Most Prevalent Melodic Intervals |
1.0 |
| Prevalence of Most Common Melodic Interval |
0.3835 |
| Relative Prevalence of Most Common Melodic Intervals |
0.6918 |
| Amount of Arpeggiation |
0.288 |
| Repeated Notes |
0.1287 |
| Importance of Middle Register |
0.8478 |
| Importance of High Register |
0.009961 |
| Dominant Spread |
4.0 |
| Strong Tonal Centres |
2.0 |
| Mean Pitch |
60.04 |
| Mean Pitch Class |
5.392 |
| Most Common Pitch |
64.0 |
| Most Common Pitch Class |
9.0 |
| Prevalence of Most Common Pitch |
0.1417 |
| Prevalence of Most Common Pitch Class |
0.2037 |
| Relative Prevalence of Top Pitches |
0.8203 |
| Relative Prevalence of Top Pitch Classes |
0.8913 |
| Interval Between Most Prevalent Pitches |
7.0 |
| Interval Between Most Prevalent Pitch Classes |
5.0 |
| Pitch Variability |
6.301 |
| Pitch Class Variability |
3.639 |
| Pitch Class Variability After Folding |
2.868 |
| Pitch Skewness |
-0.1634 |
| Pitch Class Skewness |
0.323 |
| Pitch Class Skewness After Folding |
0.5743 |
| Pitch Kurtosis |
6.035 |
| Pitch Class Kurtosis |
4.724 |
| Pitch Class Kurtosis After Folding |
7.277 |
| Major or Minor |
0.0 |
| First Pitch |
57.0 |
| First Pitch Class |
9.0 |
| Last Pitch |
40.0 |
| Last Pitch Class |
4.0 |
| Glissando Prevalence |
0.0 |
| Average Range of Glissandos |
0.0 |
| Number of Pitches |
29.0 |
| Vibrato Prevalence |
0.0 |
| Microtone Prevalence |
0.0 |
| Number of Pitch Classes |
10.0 |
| Number of Common Pitches |
4.0 |
| Number of Common Pitch Classes |
1.0 |
| Range |
36.0 |
| Importance of Bass Register |
0.1422 |
| Note Density per Quarter Note |
1.537 |
| Note Density per Quarter Note per Voice |
0.3073 |
| Note Density per Quarter Note Variability |
0.6867 |
| Range of Rhythmic Values |
9.0 |
| Number of Different Rhythmic Values Present |
8.0 |
| Number of Common Rhythmic Values Present |
3.0 |
| Prevalence of Very Short Rhythmic Values |
0.0 |
| Prevalence of Short Rhythmic Values |
0.01328 |
| Prevalence of Medium Rhythmic Values |
0.6779 |
| Simple Initial Meter |
1.0 |
| Prevalence of Long Rhythmic Values |
0.7775 |
| Prevalence of Very Long Rhythmic Values |
0.08578 |
| Prevalence of Dotted Notes |
0.1162 |
| Shortest Rhythmic Value |
0.5 |
| Longest Rhythmic Value |
12.0 |
| Mean Rhythmic Value |
2.675 |
| Most Common Rhythmic Value |
2.0 |
| Prevalence of Most Common Rhythmic Value |
0.4555 |
| Relative Prevalence of Most Common Rhythmic Values |
0.4593 |
| Difference Between Most Common Rhythmic Values |
2.0 |
| Compound Initial Meter |
0.0 |
| Rhythmic Value Variability |
1.951 |
| Rhythmic Value Skewness |
1.038 |
| Rhythmic Value Kurtosis |
12.49 |
| Mean Rhythmic Value Run Length |
1.876 |
| Median Rhythmic Value Run Length |
1.0 |
| Variability in Rhythmic Value Run Lengths |
1.488 |
| Mean Rhythmic Value Offset |
0.06641 |
| Median Rhythmic Value Offset |
0.0 |
| Complex Initial Meter |
0.0 |
| Variability of Rhythmic Value Offsets |
0.9939 |
| Complete Rests Fraction |
0.002255 |
| Partial Rests Fraction |
0.4329 |
| Average Rest Fraction Across Voices |
0.1373 |
| Longest Complete Rest |
1.326 |
| Longest Partial Rest |
233.2 |
| Mean Complete Rest Duration |
1.326 |
| Mean Partial Rest Duration |
8.323 |
| Median Complete Rest Duration |
1.326 |
| Median Partial Rest Duration |
2.652 |
| Duple Initial Meter |
0.0 |
| Variability of Complete Rest Durations |
0.0 |
| Variability of Partial Rest Durations |
23.94 |
| Variability Across Voices of Combined Rests |
102.8 |
| Number of Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Moderate Rhythmic Pulses - Tempo Standardized |
3.0 |
| Number of Relatively Strong Rhythmic Pulses - Tempo Standardized |
3.0 |
| Strongest Rhythmic Pulse - Tempo Standardized |
60.0 |
| Second Strongest Rhythmic Pulse - Tempo Standardized |
40.0 |
| Harmonicity of Two Strongest Rhythmic Pulses - Tempo Standardized |
1.5 |
| Triple Initial Meter |
0.0 |
| Strength of Strongest Rhythmic Pulse - Tempo Standardized |
0.5776 |
| Strength of Second Strongest Rhythmic Pulse - Tempo Standardized |
0.2156 |
| Strength Ratio of Two Strongest Rhythmic Pulses - Tempo Standardized |
2.68 |
| Combined Strength of Two Strongest Rhythmic Pulses - Tempo Standardized |
0.7932 |
| Rhythmic Variability - Tempo Standardized |
0.0508 |
| Rhythmic Looseness - Tempo Standardized |
0.0 |
| Polyrhythms - Tempo Standardized |
0.6667 |
| Quadruple Initial Meter |
1.0 |
| Metrical Diversity |
1.0 |
| Total Number of Notes |
1807.0 |
| Initial Tempo |
120.0 |
| Average Variability of Time Between Attacks for Each Voice |
4.58 |
| Minimum Note Duration |
0.25 |
| Maximum Note Duration |
40.0 |
| Average Note Duration |
2.117 |
| Variability of Note Durations |
2.278 |
| Amount of Staccato |
0.0 |
| Number of Strong Rhythmic Pulses |
2.0 |
| Number of Moderate Rhythmic Pulses |
3.0 |
| Number of Relatively Strong Rhythmic Pulses |
2.0 |
| Mean Tempo |
89.49 |
| Strongest Rhythmic Pulse |
40.0 |
| Second Strongest Rhythmic Pulse |
80.0 |
| Harmonicity of Two Strongest Rhythmic Pulses |
2.0 |
| Strength of Strongest Rhythmic Pulse |
0.733 |
| Strength of Second Strongest Rhythmic Pulse |
0.2503 |
| Strength Ratio of Two Strongest Rhythmic Pulses |
2.929 |
| Combined Strength of Two Strongest Rhythmic Pulses |
0.9833 |
| Rhythmic Variability |
0.06093 |
| Rhythmic Looseness |
0.0 |
| Polyrhythms |
1.0 |
| Tempo Variability |
30.0 |
| Duration in Seconds |
887.0 |
| Note Density |
2.037 |
| Note Density Variability |
1.089 |
| Average Time Between Attacks |
1.217 |
| Average Time Between Attacks for Each Voice |
2.502 |
| Variability of Time Between Attacks |
0.7506 |
| Maximum Number of Independent Voices |
5.0 |
| Relative Range of Loudest Voice |
0.4444 |
| Relative Range Isolation of Loudest Voice |
0.8006 |
| Relative Range of Highest Line |
0.4444 |
| Relative Note Density of Highest Line |
0.1909 |
| Relative Note Durations of Lowest Line |
1.128 |
| Relative Size of Melodic Intervals in Lowest Line |
0.625 |
| Voice Overlap |
0.8251 |
| Voice Separation |
4.75 |
| Variability of Voice Separation |
3.594 |
| Parallel Motion |
0.04951 |
| Average Number of Independent Voices |
4.227 |
| Similar Motion |
0.1094 |
| Contrary Motion |
0.1503 |
| Oblique Motion |
0.6908 |
| Parallel Fifths |
0.0005757 |
| Parallel Octaves |
0.001727 |
| Variability of Number of Independent Voices |
1.007 |
| Voice Equality - Number of Notes |
79.87 |
| Voice Equality - Note Duration |
77.51 |
| Voice Equality - Dynamics |
0.0 |
| Voice Equality - Melodic Leaps |
0.5477 |
| Voice Equality - Range |
3.347 |
| Importance of Loudest Voice |
0.0 |